Hey /lit/ I wasn't really sure if I should ask here or /hist/, but you guys probably know more about philosophy than them.
The only real philosophy I've read is Allegory of the Cave and a contemporary paper. I want to get into philosophy, but was wondering were to start. Should I actually start with the Greeks and go in chronological order? Or is that a meme and I should start somewhere else?
Any book recommendations would be appreciated, or an infographic with a bunch of core philosophy books.
>>8429824
>[old dead smart guy] --->[old dead smart guy] --->[old dead smart guy] --->[old dead smart guy]....
why do we have to do this everyday
>>8429824
Read Magee's 'The Story of philosophy'
It's a short book that comprises the most important thinkers and their works
You won't learn shit about actual philosophy but you'll get a good idea what's all about
>>8429824
get a solid history of philosophy book and then read what you want
>part of your grade is participating in class by contributing to class discussion with meaningful and insightful, on topic comments or questions regarding the current subject matter.
>Try not to sperg out and disrupt the class by talking every 10 seconds
>limit myself to no more than 4 comments or questions per hour session, as to let other people speak
>today in class we are discussion and comparing justice, being a just person, and revenge
>Argue that Justice is fabric that upholds the law, which in turn supports a safe and health society
>Professor: LOL SO WHAT YOUR SAYING IS I COULD MURDER YOU RIGHT NOW BECAUSE I VIEW YOU AS A THREAT TO MY SAFETY
>BUT MUH DEFINITION OF JUSTICE IS DIFFERENT THAN YOURS, WHY ARE YOU RIGHT
>explain to him that I'm not speaking from my perspective, but from the establishment perspective at large
>cuts me off and basically says "LOL NO" so I keep quiet the rest of the class
mind you this was the last 20 min of an hour discussion, and I had already heard everyone else talk except me.
I'm willing to accept that I'm fucking stupid/don't have the whole picture but at the very least I'd like to know why.
>at the very least I'd like to know why.
well for one you're blogging about it on an anonymouse burmese carpentry imageboard
>taking a class taught by a nigger
I had a class where tweeting a line from the nights reading at the teacher was 10% of the grade. I ended up getting around an 85 in the class because I never tweeted, it was bull.
What makes Pynchon so special for you, /lit/? From what I can see, he's just another run-of-the-mill postmodernist in American literature.
p.s. I'm not American.
Fun & prose
>>8429800
Dude's fun, but his prose can be a little dry at times.
inb4 my fav author pasta
Is Goethe a meme?
>>8429770
What does that label matter?
>>8429770
No he was a god among men
>>8429770
>"Well, it was a picture representing Goethe, the poet Goethe, you know. But it was not in the least as he really looked. That, of course, nobody can know exactly. He has been dead a hundred years. However, some artist of today had painted his portrait as he imagined him to have been and prettified him, and this picture annoyed me. It made me perfectly sick. I don't know whether you can understand that."
REEE! Yes, Goethe is clearly a meme. Imagine walking into normalfag's house and seeing a bust of a wise and benevolent Pepe gazing down on the dinner table.
/lit/ starter pack for a pleb who needs to become /lit/erate
infinite jest
>>8429736
>/lit/ starter pack
Check the /lit/ starter pack
Also what a rare Warren Beatty
>>8429736
All those books you did in high school but you didn't actually read? Go read those. Do that now.
ITT: Post your /lit/ evening
>>8429732
>>8429732
are you planning on shoving that "Marpacio" up your ass?
what the fuck man
>>8429739
at least he's gonna wrap it up
stay safe kids
What is character development? Everyone agrees that it's a good thing, and a thing that every story needs, but a little cursory searching reveals two totally different ideas about what it is.
One definition is the evolution of a character over the course of the story. According to this definition, a good character must change and grow as the events of the story affect him.
The other definition is the fleshing-out of a character by providing details. The character doesn't necessarily change, but the reader learns more about him. According to this definition, a good character is one with vivid and memorable details that are revealed as the story progresses.
So which is it? "Both," is not a good answer. Both these things might be desirable, but they are clearly different things; using the same term for them only creates confusion. If I say Sherlock Holmes has little character development, I'm arguably right by the first definition, but totally wrong by the second.
>>8429731
The division you're making seems rather arbitrary and based on semantics. Development just means that the more we experience the character the more we come to understand and/or relate to them, in whatever way that is accomplished.
Past exposition and origin stories are just that: backstories. Maybe that's the vocab word you wanna use there.
The truth is character development just means that a character is fleshed out as the story progresses. It can be either allowing them to grow/change over the plot of a story arc as events influence them, or exploring their past and having them already "developed" and revealing how their development got them to now and seeing how their background influences their actions.
Stories criticized for not having good character development can mean anything from the character not responding realistically or in accordance with what the events that happened to them would imply, that they follow incredibly basic tropes and remain static in order to follow templates of former successful media, that their motivations and ideas remain unexplored so they simply act as plot devices to further the story along for the sole sake of progression and nothing else, or that their motivations fall into the infamous "telling and not showing" criticism via bland expository dialogue or something. I'm sure there's tons of other examples I'm missing.
What I'm trying to say is there's no one way to do it. Character development is successfully crafting an experience that allows the audience to understand the character more and more as the story moves forward. Some character's don't need to change in order for this to occur. Some do.
>>8429731
Who cares? You don't need these cliché technical terms, and they can even get in the way of your writing and critical thinking.
>>8429731
It is both though.
Don't make it more complex than it needs to be. Character development - developing your character. You do this by providing details, or demonstration through context and action. Changes a character goes through over a story is simply one way to immerse the reader and make your character and story feel alive. How you do any of this depends on your story and character.
Does life requiere to ignore "reason" sometimes in order to archive certain non-material goals? or even "happines"*?
Any books that discuss stuff like taking a "jump of faith"*?
*for lack of better wording
pic unrelated, or maybe it is related idk.
>>8429721
Kierkegaard's Fear and Trembling is a good book for the "leap of faith" concept.
>>8429726
Is it a hard read? Im quite new to reading in a "serious" way, and I understand most philosophical works require some level of previous understanding.
>>8429738
Like many philosophical works, it is difficult to read and fully understand. I'd suggest picking up a copy and at least becoming familiar with the language, even if you don't fully understand its conclusions. I picked it up when I was younger and, although I didn't quite understand its conclusions, it helped me to inhabit the language necessary for understanding philosophy. If you want to start with philosophy as a subject, then read the histories of either Russell or Durant. If you want something more in depth that tackles Kierkegaard specifically, look at Volume 7 of Copleston's history of philosophy. There isn't any substitute, though, for reading philosophy when it comes to understanding the language of philosophy.
How can I write a Pynchonian novel without seeming too derivative of Pynchon? Foster Wallace struggled with this; his first novel A Broom in the System is often criticized as being too Pynchonesque.
>>8429661
shove a banana in your butthole t b h
>>8429661
u have to gimme the succ
Do what Wallace did, claim you never read Pynchon; say you read others that may have influenced Pynchon.
Alex’s way of thinking about life could be considered an anachronism.
or
Alex’s way of thinking about life could be considered anachronism.
W/o "an"
>>8429598
>Alex’s way of thinking about life could be considered anachronistic.
why do marxists think the only alternative to capitalism is socialism->communism
>>8429565
Being a Marxist implies you have read and follow Marx's writings. Marx outlines clearly how he believes a socialist revolution would take place. You wouldn't be a very good Marxist if you thought otherwise
because they're Marxists
it's an entire belief system lad
What does /lit/ think about Romance of the Three Kingdoms (and Chinese books in general)?
>>8429564
I've heard.. it drags on.. I've read some of the classics in original text, "dreams of the red chambers", but that's also not in literary or classical Chinese. For that, I'm picking up Zhuangzi, which editon is still in consideration. I'm also interested in Taiwanese literature, as I'm living here, I've exhausted Pai Hsien-yung, and I'm not sure where to go from here.
W U X I A
U
X
I
A
If only there was somebody with decent prose to actually translate them, right now most of the 4 Chinese classics are close to unbearable in English.
For those that have written novels/novellas and the like, how exactly did you go about planning it?
I'm currently in the foetal stage of trying to do this myself but am having a bit of trouble with keeping all my ideas organised in a coherent way.
Just write everything down and figure it out later
>>8429520
I just started out with a few bullet points in a word file, then eventually expanded the ideas and characters into a rough outline of each chapter (approx. 3-5 sentences for each one).
>>8429520
Having structure. Read any books or watch a movie for you to see it faster. Let me take The Fault in Our Stars as an example.
>desire
>conflict
>resolution
First of all, you need a scene to hook up the readers and setup the character (he / she needs to be relatable or at least make us care for him / her).
John Green introduces Hazel Grace Lancaster early on in the novel, a young independant smart girl who is sick (makes us feel sorry and care for her) and lonely because no boyfriend (makes us relate to her because book readers are just people who lack sexual activity).
She meets fellow cancer survival Augustus. They both want to know the ending of this book that a /r9k/ writer is prepping in his comfy Amsterdam apartment.
But her implicit desire is to get laid with a hot Chad from /fit/ so her life has some gratification.
>conflict
Hazel gets sick all of a sudden and it makes her feel like she's a grenade that will blow up and ruin Chad's life. She doesn't want that and becomes sad.
They fight off the problem and prove that love survives everything.
But then in the end of the second act, Augustus (Chad) reveals that he is the one who is sick and is going to die. So we need to keep reading this shitty book.
>resolution
Augustus dies but Hazel realizes that despite of everything, she got gratification enough and that he was super great and the best person ever. And then she improves and becomes more mature herself (this is called an arch, when a character changes).
See, it's not so hard. Bravo, John Green!
Outer /lit/ Edition
When did you migrate from the pseudo intellectuals from outside this General?
Are you reading more since joining the General?
Does outer /lit/ views that sff is "genre trash" still stand strong after joining the community?
Do you sleep snugly at night knowing that outer /lit/ wishes to be you with actual discussions and minimum memes?
Recommendations:
>Fantasy
Selected: http://i.imgur.com/r688cPe.jpg/
General: http://i.imgur.com/igBYngL.jpg/
Flowchart: http://i.imgur.com/uykqKJn.jpg/
>Sci-Fi
Selected: http://i.imgur.com/A96mTQX.jpg/
General: http://i.imgur.com/r55ODlL.jpg/ http://i.imgur.com/gNTrDmc.jpg/
Previously: >>8423325
I'm at the second book of Prince of Nothing.
I like it so far, lots of random namedrop but whatever.
Question, is there any other fantasy book with a perfect main character that pretty much wins every time, everyone loves him, is always the smartest and strongest and generally is simply godlike?
I love Kellhus desu and I'm not even gay.
>>8429415
Last two threads have been nothing but genre trash, seems it will stay that way. Plebieans have overrun this place, OP being one of them.
For discussion on non-autistic, non-power fantasy we'll probably have to go back to specific threads.
I am a Norwegian writer looking for some feedback for the opening lines of his debut novel. What is your reaction to the following?
>"From its twin sources in the highlands of Finnmarksvidda, the River Tana descends gradually and inevitably towards the sea. Droplets of rain, falling tiny and indistinct, gather to form two small streams which trickle hesitantly at first in wide meanders across the moor. Eventually these streams grow wider and deeper, their course more assured, their growth checked by a series of reservoirs which contain and dictate the momentum of their flow."
>"A valley is slow in forming. A river erodes the land over time, wearing away the rock and soil and forming a depression along which the river stubbornly maintains its course. Within such valleys, sheltered by the surrounding mountainsides, small communities routinely settle and prosper into towns and cities. Near the confluence of the two rivers which join the River Tana, in the valley formed by its ancient journey towards the sea, lies the town of Karasjok. The industries which encouraged the town into being had long become redundant, and over time its youth had learned to limit their ambitions to a scale the region could now accommodate."
>"Magnus Ellingson rushed out of the front door of his parents' home shortly after midnight. A strong wind lunged at him from the surrounding darkness. Trees shivered and shed their leaves nearby. He mounted his bicycle and peddled quickly along a wide road lined with homes whose windows emitted no light. The hospital was seven miles away. It was the nurse's voice who would still be heard repeating herself from the telephone receiver swinging in the hallway."
Honestly I can't imagine it can be improved in any way. The atmosphere it asserts here is just so ominous though the tone is so wise and detached that it doesn't read as as simple ghost story. We know that a human tragedy will here be depicted. I have already printed it out and intend to cycle up to the home of a retired editor who lives nearby and who has expressed his willingness to read over any work I judge to have potential.
What do you think?
i'd cut out the first two paragraphs. boring and unnecessary; start the novel with your third paragrapth.
>>8429414
Seconded
>>8429414
If you don't want to do this, at least put it somewhere else.