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What are some fiction books men can read to understand female thought and behavior?
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The seducer's diary
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To the lighthouse
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Stoner

East of Eden

the biblical story of Samson and Delilah

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Why didn't they go in the room? Stalker/roadside picnic
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>>9223139
I wanted to speculate, but realized I don't actually remember enough of the ending conversation to answer.
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>>9223139
Too fearful of finding out what it is they really want.
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>>9223221
well I'm glad that didn't stop you from posting a vacuous non statement anyway to remind everyone of your pointless existence with a pointless post. well done loser.

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Aren't Homeric heroes like Odysseus basically just gangsters and criminals?

Why are they so revered?
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>>9222934
This is actually an interesting point, because you could extend this observation to include every martial incorporation fiction and non-- from the knights of the round table to the Nazis, or back to the Homeric warlords, and forward to the Bloods and Crips. When society goes to seed, or even pockets of society, this is what emerges, always has, always will-- replete with territories, protection fees, scrip, insigniae, coded talk, secret handshakes, the works. But to answer the question: yes.
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In what way are the two similar?
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Odysseus was white

Wrote out this long post about Jung and the >current year for the Peterson thread but it got deleted or something and I'm not gonna waste it cuz it took more than five minutes to write so here it is. Also just /jung/ general

If it was deleted then fuck off mods this is /lit/erature I'm talking about currents of ideas which will influence primarily the arts, not politics.

This post is directed at anons who are criticizing the idea that Jungian concepts are beginning to define our zeitgeist in the same way Freudian concepts percolated through the twentieth century. There are too many of you to reply individually, so apologies for not replying directly.

Replying to this anon because hopefully my response can shed some light on his question too.

I’m also far from an expert; I’m just shitposting so don’t take what I say too seriously.

I'm not claiming anything like that Jung's ideas as expressed in his work are scientifically accurate. They're not, but neither were Freud's. Yet Freud's account of anxiety and sexuality still defined the art and culture of the twentieth century, especially after 1918.

This should at least open you up to the possibility of a Jungian revival in the wider culture. Jungians have never seen the success of Freudians, or any other school of thought for that matter. They've been the black sheep of intellectual discourse for a long time, partly due to their optimism, which does not go well with post-war nihilism, and partly due the volkish connotations of discussing mythology seriously, again following the war. As the trauma of these events fades, we are becoming open again to these ideas (which are not inherently fascist in any way whatsoever by the way, contrary to what academic "marxists" will try to claim for the sake of keeping their job).

We’ve become disillusioned with disillusionment. This is the problem which has been floating in the air since the early 90s at least; there has been a general sense that the toppling of all the pillars which sustained the temples of our culture provided only a momentary catharsis, and not the emancipation we were promised. But as to the solution to this sense of having snapped out of the postmodern trance is by no means clear, and this has been the main problem of the last twenty years, with thinkers proposing different solutions, all of which seemed to lead us back into the postmodern mindset, or into modernism, or into romanticism, or into some queasy mix of all three. Rightfully, these movements were rejected (I’m talking about new sincerity, metamodernism--that whole gang).

1of3
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>>9222900
But this year, it seems to me that a change has occurred, not unrelated to the election of Trump and Brexit (neither of which I support by the way, so please don’t tell me to go back to /pol/). Something in the air, not quite yet fully formed, but well into its gestation, forced itself into the public awareness. This change is very difficult to describe; Because I think in synesthetic terms, I’d describe it as a shift from a dark red century to a light blue century, but I realize how radically unhelpful that is, so I’ll try and formulate it a little differently.

The awareness that the groundlessness which postmodern ideas create is bad for your mental and spiritual health is obvious to everyone with a shred of honesty and self-reflection. People are anxious and miserable without something to hold onto and all the great emancipatory ideas, telling people they are radically free to be whatever way they want, that gender is a construct and they should be whoever they want, that order is useless and they should destroy it wherever they find it, that love is oppressive and they should fuck whoever they want regardless of whether there is any emotional content to the encounter, all of these freedoms (surprise, surprise, considering the bottomlessness of the unconstrained human subject) promote nothing more than a deep existential vertigo.

And so, the people who want rid of the headaches, shakes, fevers and sickness, if they’re smart, seek structure. Obviously the old structures, if they’d been properly constructed, wouldn’t have been able to be so easily pulled down in the first place, and that’s something the radicals ought to keep in mind before they drag us kicking and screaming back to state religion and divine right of kings.

However, the intuition is correct. We are limited creatures and we can only think in limited ways. The structures which the various hubristic movements of (I’d say roughly) the post-1600s systematically pulled down, were not so easily replaced as those movements presumed, and perhaps that’s because we are inherently religious creatures, with certain inherent political attitudes coded into us (whether we agree with hem consciously or not).

2of3
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>>9222902
Which brings us to Jung, and to a lesser extent the traditionalists, all of whom give us the most useful tools our modern age could want: namely, the tools, in Jung, that of the archetypes, which will allow us to rehabilitate and reconstruct the old structures in new form, in such a way that they can withstand the attacks which collapsed them the first time round. The archetypes give us a lens through which to view the ancient and modern as continuous, not divergent, and this is the only thing which can wrest from us the anxieties produced by the methodologies of suspicion foisted upon the culture by the 19th and 20th century. Whether his ideas are scientifically correct, or “outdated”, has nothing to do with this. Either it is a useful lens through which to view the world (which it has been in my case, and certainly seems to have been in most other cases, certainly a healthier and more productive lens than all the post-structuralist ideas people buy into, which quite literally will destroy your life if you take them seriously (which is why no one smart, not even their original theorists, takes them seriously)) or it will prove useless. Time will tell, I guess.

Jung will be more relevant than Freud in dealing with this century; the same can be said for Tolstoy and Dostoevsky, the latter of whom defined the 20th century to a large extent, and hopefully for Kierkegaard and Nietzsche, but that’s personal preference, and JP seems to prefer Nietzsche anyway.

That’s how I see it anyway.

3of3
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Not the anon you'd be replying to, but I find myself in a similar page.

The masters of suspicion didn't give us enough tools to explain things such as the rise of religiosity, or how to fill the existential void left by all that skepticism.

I could only think of Heidegger being the token sane man, saying that no one is without religion:
https://www.youtube.com/watch?v=3WDmRAASuKc

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Are there any patrician tier YouTube channels/vlogs?

Pic unrelated
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>>9222819

This channel an anon posted some weeks ago

https://www.youtube.com/channel/UCKuA9X4xm4xWKgqH9ct6X_A

It would be much better if he stopped behaving like an idiot.
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>>9222819
only in french/italian

sorry, anglos
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No. People with something important to say generally dont congregate on youtube.

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At what pace do you guys typically read a book?

http://www.myreadspeed.com/calculate/

I'm super slow, averaging around 180 wors per minute.
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741.
I probably read slower than that though, my mind often wonders while reading, and sometimes I will re read certain passages if I like them enough.
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>>9222020
271, but I only read philosophy, so my pace is pretty slow. 10 minutes per page at least.
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275 but that's only because I was trying to read fast. Casually I would read like 200
Also there's nothing wrong with reading slow as long as you're reading a lot and absorbing the information

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Now that the dust has settled, did he really deserve the Nobel Prize?
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>>9220144
"No."
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- No.
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>>9220144
All awards are pseudo events.

Why did he go along peacefully?
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why did the jews let the germans murder them?
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>>9219585
Beat working in a bank and living in a boardinghouse
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Never got that either,

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>be a very smart intellectual
>early college degree and fellowship
>write magnum opus that's main message is to overcome yourself, and through doing so create a better world for all
>200 years later get co opted by reddit and popular culture, until your name is synonymous with nihilism, existential dread, and a rejection of life
>this couldn't be further from what you actually wrote

JUST
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>>9216926
Yep. And the kids that populate /lit/ these days perpetuating all the reddit memes, showing their capability for independent thought and critical understanding.
Also, Nietzsche was much more than just "a very smart intellectual".
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>>9216926
>he hasn't combined Nietzschism and Egoism to become the true uberman
Heh
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>>9216931
Tee bee haich hadn't read much of him until recently, then read through thus spoke zarathustra and beyond good and evil

I was shocked by the dissonance between what public perception of his ideas are and what they actually are.

I wonder how he came to be the go to guy to describe edgelord "nothin personnel" behavior

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Where do I start with Nietzsche?
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GUESS WHERE?

MY FUCKING DIARY DESUUUUUU

AND DON'T FORGET TO SUCK MY DICK

HOHOHO!
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>>9227735

THE. GREEKS.

https://docs.google.com/document/u/1/d/1y8_RRaZW5X3xwztjZ4p0XeRplqebYwpmuNNpaN_TkgM/pub
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>>9227739
>>9227747
Meme posts are already here, waiting for a real answer now.

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>"It isn't reasonable to be furious even at Hitler; let alone at God." MS 179 27: ca.
1945
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he meant that it isn't reasonable to be furious even at Hitler; let alone at God
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>>9227650
But what did he *mean*?
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>>9227642
he meant that there was only one hitler; two if you counted god

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I can't beat this guy. Fucking threw the books away.
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I'll beat you in a minute you slut
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>>9226954
>can't beat
As in "Kan't understand"? Or "Kan't disprove"?
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>>9227028
Kan't even finish a fukken book lad. The way he writes is impenetrable

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I pretty much grew up on Calvin and Hobbes. Anyone else read the books? What are your thoughts?
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>>9226667
comics are for little children
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>>9226667
Probably my favorite newspaper comic strip
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I think only midwesterners like this bullshit.

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Australia has scant literary, or for that matter artistic, culture.

Ned Kelly is a meme at this point.

Native invasion has also reached meme status, because it's the best we've got.

Henry Lawson is a competent writer, but it seems to me that he writes himself into the corner of being a one-trick-pony.

Haven't read J.M. Coetzee, but apparently he writes with pretence of meaning.

Patrick White is adept at creating psychologies, and he did want to write about Australia. But his heart was in England. He had no ear for the Australian language, either. A non-Australian would be forgiven for thinking he was writing about British towns, environs and people.

Peter Carey's short stories are pretty damned good. I think he should be more well known.

Tim Winton. Haven't read him, however: apparently he's a fine writer, but he stays away from anything profound, or can't get near it to begin with.

So do we just give it time? Or do something?

The problem is not Australia's own fault so much as due to the fact that it is small (23.13 mil. people), and this country is so young relative to the rest of the world (only 229 y/o). Further, due to the fetishisation of the past/history, a feeling of inferiority is created, since the rest of the world has already "had" their culture, and it is so to speak too late for us. Like an adolescent trying to join a conversation with elderly people who clearly have much life experience.

My first and only thought is that we use two things in tandem to our advantage: a) this late-comer syndrome; the fact that we can observe these older cultures in action and learn from them; the need to finally say something using what we've learned, and b) multiculturalism. I don't say multiculturalism to mean some leftist attitude, nor some conservative critique of cultures. I just mean that Australia's population is multicultural enough that the theoretical Australian artistic presence could be very eclectic -- that is, drawing upon many sources, both learned from other cultures and those within our own. This, for better or worse, falls in nicely with the postmodernist dogma that originality doesn't exist; just combinations of things that have already been done.

The other option, which tastes sour to me, is that of whoring ourselves out to the Meme in exchange for scraps of culture cringe. (see: "hey cunt", general loose slander, "spiders", "everything in australia wants to kill you", bogans, beer, "radiation"). I mean, memes become memes for a reason, right, but especially on the internet we sell ourselves, and get sold as, one sided, monolithic. No culture is monolithic of course.

So what do we do? Be patient and give it time? Or actively try to create something? If everyone just sits back and waits for someone else to do it, nothing would get done.

If the latter, then how?
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What about my guy Richard Flanagan tho
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>Further, due to the fetishisation of the past/history, a feeling of inferiority is created, since the rest of the world has already "had" their culture, and it is so to speak too late for us. Like an adolescent trying to join a conversation with elderly people who clearly have much life experience.

This is why Australian nationalism is retarded. Even more LARPy than /pol/ style nationalism
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>>9226210
It's too late Pham. Literally nothing good is coming out of this country ever again. Have you seen what an English course looks like in our high schools? I'm pretty sure 2/3 of my classmates didn't even read the books in year 12. What are Australians going to write about? Australia doesn't have a culture anymore. It's been systematically obliterated in favour of being cosmopolitan with a slight tinge of those stupid memes you referred to in your post (see Australia Day probably being moved to May 8th soon and other such poz).

Nobody in this country thinks. Our schools are garbage and social capital is gone. No sense of community or unity or whatever else. Just ice, increasingly unwatchable sport and a silent acceptance that things are just going to keep getting worse and we can't stop it.

>>9226236
>Australian nationalism is retarded
What would you have us do?

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Infinite Jest, by David Foster Wallace, is the worst science fiction novel ever written. The truth is it might be the worst novel ever written, or at least published, but given the fact that Wallace has stiff competition from the burgeoning spawn of PC Elitist writers, not to mention his own PoMo kith, such as Rick Moody, Dave Eggers, and that ilk, I think I’ll stick with just calling it the worst sci fi has ever produced. Granted, I am not one who has read all the depth of sci fi offerings, but I’ve read enough to know that this so far undershoots the rest that by mere extrapolation it would be a titanic achievement for another author to do worse. Yes, there are the sword and sorcerer riff-raff, the cyber-punk crapola, and the remanent dross of the Golden and Silver Ages of sci fi still hanging around, and even those who’ve produced masterpieces, such as Richard Matheson and Ursula LeGuin, have been known to write horrorshow books in terms of quality, but this dystopian novel by Wallace is worse than them all. His book, only a decade old, is more outdated than many Golden and Silver Age sci fi books specifically because of his slang’s sounding as relevant as John Dryden’s courtly verse. Unlike Anthony Burgess’s A Clockwork Orange, the slang is based in the then-contemporary world, which makes it seem so 1990s trying to seem cool, rather than timeless. Even his use of emails, with outdated isp formats, seems to belie his lack of creativity. Not that his relentlessly PoMo use of product brand names, bumper stickers, redaction marks, and lengthy digressions on things as pointless as Hawaii 5-0’s relevance versus Hills Street Blues’, does not already belie his creative bankruptcy, but it’s worth noting. Of course, nothing comes of his discourses- they’re tossed in like olives in a salad, so Wallace can preen his learnedness to you, and dropped just as quickly- a habit that he too often indulges- bringing up and dropping things.
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The novel clocks in at 981 pages, with over a hundred pages of notes that serve no purpose, reference nothing in the book, which is footnoted, and are filled with nonsense and faux information, with a small dab of the real tossed in. This is the T.S. Eliot Effect. At least, now I know where Dave Eggers ripped off his garbage that ends his wretched A Heartbreaking Work Of Staggering Genius. By that rationale, one might say Eggers novel-cum-autobiography is worse than Wallace’s tome, until one gets to the fact that Wallace’s monstrosity is about two and a half times as long, considering it’s larger page format and smaller type. Let’s see; Eggers’ crap is how many pages, to Wallace’s? Do the math and times- Oh, well, I guess that equation was unnecessary- sort of like this book blurbs on the book’s cover claim its descent from Finnegans Wake by James Joyce, but while that book is poseur crap, as well, there is, at least a love of wordplay, poesy, alliteration, and plot machinations, despite its ill construction. Infinite Jest lacks even these few meager pluses. In short, if Finnegans Wake was a rancid fart that was proudly left to rip, Infinite Jest is a weak one, lacking sound and odor.
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Oh, do you care what this piece of shit was about? So did I, for the first two or three pages, until I saw the author didn’t give a damn. Of course, his ennui in storytelling, character development, and plain old grammar, is nothing new when considering Wallace’s career in letters, wrought of smoke, mirrors, and the occasional tongue dance on a glans. As for plot? Forget it. Having just read and reviewed Bret Easton Ellis’s American Psycho before reading this it’s worth comparing the two books’ merits. Neither comes near greatness, but Ellis at least tries, in his book, to create a character. Granted, it’s a psychotic character who indulges violent fantasies, but that, at least, gives a reason for the sketchiness of detail. Wallace is just lazy, and as a result the first words of Ellis’s book could act as Wallace’s book’s epigraph (including the capitalization): ABANDON ALL HOPE, YE WHO ENTER HERE. In short, there is no plot. Whereas the anomy of American Psycho’s plot, and the scathing look at the materialism of the 1980s, has a justifiable reason, Wallace’s work does not. With good editing Ellis’s book might be a solid read, Wallace’s is hopeless. Ah, epigraphic relevancy- footnote needed.
Here’s the bare bones ‘plot’: The first chapter gives a syllabus of events to come, but it feels tacked on, by the publisher, to prevent it from being a total cheat. Hal Incandenza, the baby of his clan, is a troubled pothead youth and budding tennis star in the near future, in a Boston suburb called Enfield, where corporations have taken over sponsoring the years. Yet, nothing I will outline will tell you what ultimately becomes of him. He waffles in nothingness, then is dropped from the book. The character that replaces him as protagonist never meets Hal. Some may feel cheated, but actually this is a good thing. If only the whole work would drop itself. By chapter two we go back in time and see Hal has no problems. Normally, this would mean that the book is going to connect the dots, and Hal is a Holden Caulfield manqué, right? No, we get bupkus. But characters are not the only things Wallace drops. On the rare occasions he has a cogent observation, he never follows up on them- neither directly, nor within the narrative. Here’s an example from page 32:

Another way fathers impact sons is that sons, once their voices have changed in puberty, invariably answer the telephone with the same locutions and intonations as their fathers. This holds true regardless of whether the fathers are still alive.
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As for the rest of the book? Given the modern references, and some other incidentals, one can project that the time frame is the 2010s, or about twenty or so years after the book was published in 1996. Most of the action in the novel takes place in the Year of the Depend Adult Undergarment, or Y.D.A.U. Other years referenced are the Year of The Whopper, the Year of the Tucks Medicated Pad, the Year of the Trial-Size Dove Bar, the Year of Dairy Products from the American Heartland, and even the Year of the Yushityu 2007 Mimetic-Resolution-Cartridge-View-Motherboard-Easy-To-Install-Upgrade For Infernatron/InterLace TP Systems For Home, Office, Or Mobile. Here is the first evidence of a twinkle of satire or humor, but- unlike Ellis- nothing more is made of the fact. The country has fallen into a bit of a fascist state, called the Organization of North American Nations- or ONAN, as in masturbation (ain’t Wallace clever?), where the USA has forced Canada and Mexico into joining, and run by a singer-cum President called Johnny Gentle, with phobias that make Michael Jackson seem normal. Although the fascism presented is corpo-fascism, not necessarily state fascism, is this then, by definition, fascism? Of course, such deeper queries go not only unanswered but unprobed. The book basically documents Hal’s life as a tennis player at an exclusive tennis academy called Enfield, which his family founded, to, well, the same. His mother (aka The Moms) is fucking the tennis academy’s head, and her half-brother, and a psychotic named John (No Relation) Wayne, who is perhaps the best tennis player at the school. His dad is dead, a suicide who stuck his head in a microwave oven (ah, Sylvia Plath lives!), and founded the academy. He is called Himself throughout the book. He also created a film called Infinite Jest that many people use as porno, but which has the power to send its viewers into a fixations that lead to death. How this works is never explained- but became the basis of The Ring horror film. He also did arts films, such as one that involved interviewing men named John Wayne- which was how No Relation came to the Academy. Hal’s older brother is Mario (or Booboo)- a retard and grotesque dwarf. The oldest brother is Orin- a pro footballer and Lothario- who was involved with Joelle Van Dyne- the female protagonist, of sorts, who is a radio show hostess, and star of the film Infinite Jest. She is also a recovering addict at the nearby Ennet House, run by a former addict-cum-counselor named Don Gately. Some of the characters may have ties to a Quebecois separatist terrorist group called AFR (Les Assassins Des Fauteuils Rollents, or The Wheelchair Assassins) who seek the film of Infinite Jest. Why? Who knows? The book gives no answers and only a skim through the notes gives any backstory- as if anyone not wanting to write a review would care. Ken Kesey’s One Flew Over The Cuckoo’s Nest this is not.

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