What's the most goriest edgy scene in Family Guy?
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>>90895016
If there is one more gory than that, I am unaware of it.
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The one where he gets raped by a panda.
Oh wait, that was Simpsons.
The one where the guy in the pig fursuit falls into the meat processing machine.
Oh wait, that was King of the Hill.
I guess it must be the one that triggered OP.
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>>90895302
I watched the Panda episode again, it was so tame.
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*sigh*, one of the last good Cartoon Network shows.
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Uh...
Is she okay?
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>>90894757
no one watched this
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The only good thing about Juniper Lee is how Mr.D is writing her for his Camp Sherwood comic.
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LETS [\spoiler]
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DANCE
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DOWN
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>>90894672
>Its another "OP fucks up the spoiler tag" thread
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Hey /co/, have you met Arthur's new friend (ANDY)?
https://youtu.be/J3898dPx9g0
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>>90894358
Fuck Arthur, why is your voice so deep?
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>>90894358
is this YTP?
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>>90894565
Nope, real life personalized DVD
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.
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LET ME SHOW YOU HOW IT'S GARFIELD
GARFIELD GARFIELD
LET ME SHOW YOU HOW IT'S GARFIELD
GARFIELD GARFIELD
GIRL DON'T TALK TO ME
LET YOUR PUSSY TALK
LET ME GET THAT GARFIELD
GARFIELD GARFIELD
*car crash*
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>>90894341
GIMME THAT LASINGA JON
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>>90894341
Uh oh, let me guess, Garfield will eat his meal?
Haha! Classic Garfield!
Anonymous
Opinions on Trainboy54? 2017-03-20 09:14:44 Post No.90893932
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Opinions on Trainboy54? 2017-03-20 09:14:44 Post No.90893932
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https://vimeo.com/209203932
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>>90893932
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>>90893932
>it's a Pooh's Adventures Wiki thread
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>>90894105
>it's a Pooh's Adventures Wiki thread
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Marvel solicits are coming out
DEFENDERS #1
BRIAN MICHAEL BENDIS (W) • DAVID MARQUEZ (A/C)
Variant Cover by NEAL ADAMS
Variant Cover by DAVID MACK
Variant Cover by RON LIM
Young Variant Cover by SKOTTIE YOUNG
Kirby 100th Anniversary Variant Cover by JACK KIRBY
Hip-Hop Variant Cover by TBA
Blank Variant Cover also available
Daredevil! Luke Cage! Jessica Jones! Iron Fist! Individually, these four heroes have been on the front lines of the battle to keep the streets of the city safe and secure! But now, with a deadly enemy from the dim past making a major move to unite the underworld, they will need to become more — they will need to become DEFENDERS! Brian Michael Bendis and David Marquez unite to bring you the next great super-team, in the tradition of NEW AVENGERS!
40 PGS./Rated T+ …$4.99
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DEFENDERS #2
BRIAN MICHAEL BENDIS (W) * DAVID MARQUEZ (A/C)
VARIANT COVER BY SIMONE BIANCHI
Battle lines are being drawn across the entire eastern seaboard, as the Defenders desperately try to shut down the new kingpin of New York before he becomes untouchable!
32 PGS./Rated T+…$3.99
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DAREDEVIL #21
CHARLES SOULE (W) • GORAN SUDZUKA (A)
Cover by DAN PANOSIAN
MARY JANE VARIANT COVER BY HUMBERTO RAMOS
NEW STORY ARC “SUPREME” BEGINS!
• MATT MURDOCK has a bold new plan to eradicate crime in New York City using the massive power of the LEGAL SYSTEM!
• But does this mean he’ll have to give up being DAREDEVIL?
• GUEST-STARRING Luke Cage and Echo!
32 PGS./Rated T+ …$3.99
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DAREDEVIL #22
CHARLES SOULE (W) • GORAN SUDZUKA (A)
Cover by MIKE DEODATO JR.
“SUPREME” CONTINUES!
• It’s the biggest case of MATT MURDOCK’s career. But in order to win it…
• …DAREDEVIL will have to take the witness stand!
• Be here for the turning point that will kick off the next big phase of the Man Without Fear’s career!
32 PGS./Rated T+ …$3.99
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What catchphrases would he have said if this scene were done now?
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WUBBA-LUBBA-DUB-DUB
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>>90893813Bazinga
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Fuck Drumpf
Anonymous
Tomboy being gay trope 2017-03-20 09:06:39 Post No.90893710
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Tomboy being gay trope 2017-03-20 09:06:39 Post No.90893710
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>Tomboyish girl turns out to be a lesbian all this time
>Trini a character who had a long history of dating Zack in the original series
>Billy the one character that people wanted gay is straight
>Has Autism now
>The one member of the original cast that hadn't dated any team member
Why are tomboys that go to make lesbian characters? Legend of Korra, tracer from Overwatch. It's pretty a becoming a trope not. borderlining on a problematic stereotype. How did this trope got started?
http://www.hollywoodreporter.com/heat-vision/power-rangers-gay-character-storyline-yellow-ranger-plot-explained-987236
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>>90893710
>Why are tomboys that go to make lesbian characters? Legend of Korra, tracer from Overwatch. It's pretty a becoming a trope not. borderlining on a problematic stereotype. How did this trope got started?
because tomboys are usually dykes
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>>90893710
>Trini a character who had a long history of dating Zack in the original series
I... don't remember this.
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Every butch girl I've met is unfortunately a lesbian, so there's probably a basis for it.
Anonymous
THERE ARE TOO MANY MARVEL COMICS 2017-03-20 08:45:44 Post No.90893221
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THERE ARE TOO MANY MARVEL COMICS 2017-03-20 08:45:44 Post No.90893221
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THERE ARE TOO MANY MARVEL COMICS
Anonymous
2017-03-20 08:45:44
Post No. 90893221
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YFW even shill sites are noticing Marvel's putting out too much.
>Is the comic book industry in trouble right now? It depends largely on whom you ask. New comic shops are springing up all over, but other shops seem to be shutting down almost as rapidly. And while there are more comics being published than ever, that's not necessarily a good thing. Forget Peak TV; we've reached the era of Peak Comics. And no publisher is doing more to flood the market than Marvel.
>You can see this disparity in Diamond Comics' sales figures for January 2017. As Comichron reports, January saw more comics shipped to stores than any month in the past 20 years. It even managed to top January 2015, the month where Marvel sold nearly a million copies of Star Wars #1. But while more comics were sold in January, publishers weren't necessarily making more money. Total dollar sales for comics in January were still down 7.5% compared to the previous month.
>Lately, Marvel has adopted a policy of "overshipping," where they send more copies of a given comic to stores than were actually ordered. That practice helps drive up the unit sales and help Marvel regain some of the market share they've lost to DC over the past year, but obviously those freebies don't count in terms of dollar sales. You can see the impact of this strategy by looking at the growing gulf between Marvel's dollar share and unit share figures. Normally those two figures tend to be pretty close for most publishers. But in January, Marvel controlled 42.62% of the market in terms of unit share and only 37.09% in terms of dollar share. They're shipping more comics than ever, but they aren't necessarily making more money off those comics. And it's hard to say whether those extra comics are even winding up in the hands of more readers. That's always been the biggest flaw with Diamond's sales figures - they only indicate what's been shipped to stores, not what's actually been sold to consumers.
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>Marvel's publishing strategy of late boils down to "more, more, more." They're continuously expanding the number of titles they publish, and they're employing every trick in the book to ensure they ship as many copies of those books as humanly possible. But while that helps inflate Marvel's market share, it's hard to see how this aggressive approach is actually benefiting readers.
>Too much entertainment sounds like a great problem to have. But the whole reason FX's John Landgraf coined the phrase "Peak TV" in the first place was to point out a very real danger TV networks now face. Viewers are slammed with so many options that it becomes almost impossible to choose what to watch. Good shows die on the vine because there's simply too much competition to attract a viable audience and too few advertising dollars to fight for. That sounds very much like the predicament the comics industry is in right now. Keeping up to date with Marvel and DC alone is a huge undertaking, to say nothing of the many excellent small publishers out there. Good, worthwhile books are constantly being drowned out by all the noise.
>Honestly, I can't for the life of me figure out why Marvel churns out as much content as it does. They published a total of 104 comics in February, which is more than twice that of any other publisher besides DC. And where DC makes an effort to cater to readers of varying tastes with imprints like Vertigo, Young Animal and the Hanna Barbera line, Marvel's focus is almost exclusively on traditional superhero comics. Is there really a demand for 100 different books featuring Marvel's heroes every month? Based on the sales numbers for some of the lower-selling titles, not really.
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>At some point the quality of these books becomes irrelevant. There's simply too much content to wade through, and too much of it feels redundant or repetitive. I very much enjoy Ta-Nehisi Coates' Black Panther, but do the numbers on that book justify Marvel's decision to publish not one, but two different spinoffs in Black Panther: World of Wakanda and Black Panther: The Crew? Yes, Black Panther #1 sold over 250,000 copies back in April 2016, but Black Panther #11 barely cracked 35,000 last month. If the main series has experienced that steep a drop-off in less than a year, what chance do these ancillary books really have?
>In the same vein, was it truly wise of Marvel to debut three different Daredevil spinoffs - Kingpin, Bullseye and Elektra - all in the same month? How many Daredevil fans will be forced to make difficult choices because they can't afford to follow all three at once? Does Marvel need a different solo series for nearly every single member of the Guardians of the Galaxy, especially with the main series about to switch to a twice-monthly schedule in April? The same for the upcoming Defenders relaunch - is there truly enough of an audience to support solo books for Daredevil, Luke Cage, Jessica Jones and Iron Fist as well as a team book featuring all four characters?
>No recent announcement has frustrated me more than Spectacular Spider-Man. Sure, the idea of Chip Zdarsky and Adam Kubert jamming together on a Spidey book sounds enticing. But why did Marvel greenlight a new comic that attempts to deliver a more traditional, "down on his luck" take on Peter Parker when Amazing Spider-Man: Renew Your Vows already has that ground covered? Renew Your Vows is one of Marvel's best books, but I fear for its future in a market where it has two flagship Spider-Man comics to compete with.
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>One of the reasons DC's Rebirth relaunch has been such a breath of fresh air is that DC made an effort to consolidate their output. The days of 52 ongoing superhero titles are gone. With the switch to a twice-monthly schedule on most of their core books, DC's strategy is now to focus fewer comics and deliver them more often. Sure, there are still a heck of a lot of Batman comics, but in general DC's output is streamlined to the point where it doesn't feel like their books are cannibalizing each other in a bloody battle for attention.
>It's pretty clear that Marvel is drawing at least some inspiration from DC as they chart a course through 2017. Several books are switching to a twice-monthly format, and the ResurrXion relaunch seems motivated by a similar sense of nostalgia and desire to recapture a lost era. I'd like to think ResurrXion can accomplish on a smaller scale what Rebirth did for DC. But already ResurrXion seems a little too big for its britches. X-Men Gold and X-Men Blue haven't even debuted yet, yet Marvel is throwing a new volume of Astonishing X-Men into the mix. Old Man Logan will be a member of three separate X-Men teams in addition to starring in his own solo comic. While Marvel is embracing the opportunity to sell more X-Men comics, they're not making the necessary sacrifices by pruning their overall output or reducing the cover price on their twice-monthly comics.
>The comics industry is certainly in better shape now than it was during the crash of the mid-'90s. But that crash was the direct result of marketing gimmicks running amok and publishers bombarding readers with too much material. Marvel would do well to take a deep breath and slow down before history winds up repeating itself. They aren't the only ones responsible for the Peak Comics problem, but they are the biggest culprit.
http://www.ign.com/articles/2017/03/17/between-the-panels-there-are-too-many-marvel-comics
What's Joe Jack's problem anyway? He seems off
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He's a serial killerDEEPEST LORE
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>>90892845
>DEEPEST LORE
you're autistic
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Joejack Horseman
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>Have a dialogue heavy show
>make it storyboard driven
Was this the biggest mistake of Steven Universe?
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One of them, yes. The other one was hiring tumblrettes on the show.
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The biggest mistake was Rebecca not bringing down the hammer on the tumblr whimsy of her stoyryboarders and make them stick to strict models
Post below mine is a shill
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Steven Universe makes no mistakes
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If Seth McFarlane animated and wrote the new Samurai Jack season, how would it turn out?
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Find it out on Rèddit
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it would be funny to see how Louis would react
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>>90892617
>RememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeIrememberthattimeI
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It was so weird to watch
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THAT'S NOT WHAT YOUR MOM SAID LAST NIGHT
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BALLS DEEP
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Am i the only one who thinks shes going to end up being Jack's waifu and the series is going to end with them showing their kids?
i feel like theres an obvious reason for why this is not the case, but i dont know why
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>>90892423
I hope not, i want her to swear Ahab-like revenge for killing her sister
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>>90892468
Then she get's over it after a dicking
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>>90892423
She's the one who kills Jack and the series ends with a happily with her bearing Aku's spawn.