>Tony Shaloub's accent
What the fuck were they thinking?! Also, did this movie predict terrorism?
>>85414805
True kino, right down to the female CIA agent falling for some mud skin and abandoning everything because she thinks he's cute even though he talks about car bombs nonstop
>>85414961
Annette Benning used to be really sexy
Anyone else see this looks like its
Where do I start with Miklós Jancsó?
I'd say chronologically but check out The Red and the White and awe at his spacial awareness.
Cantata, My Way Home, Round-Up are great as well.
I once read that he was a big influence on Sergio Leone, is there any truth to that, or similarities even?
>>85415149
I kind can of see it, but they are very different, tonally I mean.
https://youtu.be/ar68pdCjCVA
Anyone planning on seeing this KINO?
Looks like John Wick the female version. About time Charlize Theron got a strong female lead role! I won't forget how many edgy vidya teens were wanting her to be Samus from Metroid Prime.
Fuck Wonder Woman. I'm more excited for this!
>>85414584
I don't care much for action movies but I like the 80s themes.
Who likes tacos?
ITT: the greatest ending shots of all time
>>85414478
OCEAN MAN
*sniff sniff*
Pure ideology
What does ideology smell like?
Should I read the book?
I'm 15 minutes in, they're talking in Donald Duck voices and I have no idea what's going on.
Who even watches these movies?
How long until we reach Fast & Furious in Space?
>>85414388
the ones with Paul Walker were kino
what the FUCK is this even about?
Is /tv/ ready for some Boyega kino?
>From the Academy Award winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of '67.
>>85414160
I wonder how many diversity oscars this will win
http://www.independent.co.uk/arts-entertainment/films/news/avengers-infinite-war-budget-billion-most-expensive-a7609566.html
Confirmed flop
>>85414145
How will the Disniggers spin this around on DC?
>>85414145
>the upcoming Avengers films - Infinity War and another as-yet-untitled fourth film - will reportedly have an unprecedented budget of $1 billion
>Speaking at a recent African American Film Critics Association meeting, Pinewood Atlanta Studios co-owner Dan Cathy mentioned the staggering number without naming which film he was referencing.
>The number falls in line with previous reports that claimed Robert Downey Jr will be paid $200 million to appear as Iron Man in both films. Around $400 million of the budget is thought to have been spent on principle actors, screenwriters, directors, and producers.
$200M only for RDJ. They're literally retarded.
>...the three main motives of the film. The first is the central character, whose biblical references are obvious. A telegram announces the "good news" about the visit of a young man to a grand bourgeois family. We will not learn anything more about the young man. After he arrives every member of the family, male and female, unable to resist their wild sexual attraction, falls in love with him. After having sex with all the members of the family, making them happy, he suddenly receives word that he must leave. His disappearance leaves the family in total despair.
>The biblical allusion in this has been so obvious that even the overtly corporal interpretation of the divine visitation as well as its sexual character, which is the second important symbolic element, was not problematic even for the Roman Catholic Church. On the contrary, apparently, Pasolini himself asked a Catholic priest, Father Lucio Settimio Caruso of the Pro Civitate Christiana, to find him a biblical citation to illustrate his "teorema" about the "sudden embodiment or eruption of God in earthly affairs." Here is what the priest found for Pasolini: "You have seduced me, my Lord, and I have let myself being seduced" (Jeremiah 20:7). From the film it is clear that Pasolini felt confirmed in the erotic interpretation of the divine contact. The third symbolic motive is the recurring image of the desert, which slightly shifts its meaning each time it appears. The image of the desert is metaphorically associated with other motives of the film, such as the factory, the father, and the sexual adventures of the mother after the visitor disappears. In the last scene the father walks naked in the desert uttering a desperate cry. Other than symbolizing the total desolation of the father's life, the image of the desert becomes saturated here with another biblical allusion. It is Moses' wondering in the desert, in a no-man's-land between the vale of tears and Canaan.
Holy shit, why didn't I notice this before?
i absolutely love this one
the first time I watched this movie I thought it was too slow for unnecessary reasons, and kind of redundant on it's themes but some scenes really stayed with me and it wasn't until I watched Cosmos by Zulawski that I gave it a second chance and I did a complete 180 on what I thought of it. Now it has become one of the more rewatchable movies I know, you always pick up different things.
also
>requiem starts playing
Would HBO drop their sponsorship with 4chan if they found out the board they pay for is promoting antisemitism?
>>85409503
Dunno, why don't you ask them?
>>>/pol/
thats sponsored content
swaglord use to get handouts from them when they were in NY
>HBO sponsers 4chan
What?