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Archived threads in /co/ - Comics & Cartoons - 7498. page

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So I wasn't aware of this character in the Charlie Brown movie until now. And I was wondering

What does /co/ think of Fifi?
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It's a dog
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>>78917481
She's a bitch
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>>78917500

You cur!

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https://archive.is/t8INp

>Libertini, also known as the boss of newspaper reporter Irwin Fletcher (Chevy Chase) in the Fletch films and as the Tibetan mystic Prakha Lasa in the Steve Martin-Lily Tomlin comedy All of Me (1984), died Jan. 7 after a two-year battle with cancer, his family announced.

>A native of Cambridge, Mass., Libertini graduated from Emerson College and partnered with MacIntyre Dixon (another Second City alum) and Linda Segal in a coffee-house act they called “Stewed Prunes.”

>In 1966, he made his Broadway debut in Woody Allen’s Don’t Drink the Water, playing a magic-loving priest, then appeared on the big screen for the first time in William Friedkin’s The Night They Raided Minsky’s (1968).

>His film résumé also includes the 1969 film version of Don’t Drink the Water, The Out of Towners (1970), Catch-22 (1970), Friedkin’s Deal of the Century (1983), Going Berserk (1983), Unfaithfully Yours (1984), The Lemon Sisters (1989), The Bonfire of the Vanities (1990), Nell (1994) and Dolphin Tale (2011).

>On television, Libertini was on The Jeffersons, Baretta, The Bob Newhart Show, Barney Miller, Laverne & Shirley, Moonlighting, The Fanelli Boys, Star Trek: Deep Space Nine, Jenny, The Drew Carey Show and Supernatural.
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>>78917412
Well fuck. Treasure of the Lost Lamp is my childhood.

At least 82 is a decent age to stop living.
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>>78918034
He was in the cartoon too.

But yeah, my childhood too.
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>>78917412
took him long to die. but better late than ever.

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ITT perfect casting choices
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>>78780579
desu DESU he's really overrated
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>>78780579
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I'm sick of Iron Man

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Aside from Tangled and Big Hero 6, which I think have already been confirmed, what other Disney movies do you expect to see in it?

Honestly this thread belongs on /v/ but it's more /co/ related than half the threads that get made here.
24 posts and 4 images submitted.
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There is no way in hell they won't shill Frozen into it.
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I know it won't happen but Emperor's New Groove and Monster's Inc. need to happen
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>>78916993
Please, no more little mermaid worlds.

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>HYDRA is a terrorist-criminal-paramilitary organization bent on world domination. It was founded in ancient times as a secret society centered around the fanatical worship of a powerful Inhuman that was exiled to the planet Maveth by ancient Inhumans. Ever since his banishment, the cult has been determined to bring him back to Earth to commence a planetary takeover.

How did we go from Nazi scientists to this?
41 posts and 5 images submitted.
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WHERE ARE THE COMICS?
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>>78916755
Hydra in the comics was born out of Isaac Newton being an asshole and fucking an alien.
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They should have stuck with the Hand under Gorgon's ideology that life was a cursed state of existence caused by God's hatred of man and desire to punish him, and thus the only way to salvation was the end of all life.

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A magician pulls Heathcliff out of a hat.
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>...and proceeds to interrogate the cat on stage, confusing his audience
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All the episodes of Mighty Magiswords are up on youtube for people who don't feel like dealing with CN's streaming.

https://www.youtube.com/watch?v=d15FzV0Gnm4&list=PLg6KfZlgBuDXv-tmFT59HRyvywDl1jPYC
16 posts and 5 images submitted.
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>The uploader has not made this video available in your country.
Why they gotta do shit like that?
>b-b-b-but my licensing regulations
fuck off
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>>78916268
It's ok. Nothing too special really.
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>>78916268
thanks for the heads up, the Mega I got from here had shit encoding and rendering.

So /co/, I'm reading Invincible. Anyone else into it? Loving it so far.
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>>78915092
So... have you gotten to, um... "that part" yet?
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its freaking amazing
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It all goes downhill after the Viltrumite War. And then even more downhill after... the other thing. And Mark's been insufferable for a while. I've given up on it, but it used to be one of my favorites.

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Why is there nothing new with Static ? Milestone is back and there's suppose to be a new comic and online show but they haven't said any thing in a while. What do you want to see in Static's new comic ?
14 posts and 2 images submitted.
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Static is only tolerable in his cartoon
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He was a Teen Titan but then New 52 did his magic and he was a boy genius
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Because Black lightning

How did you guys read the Walking Dead? I bought the Days Gone Bye volume today and i love the look and feel of it, kind of want to collect them but realize it'd be hundreds of dollars by the end of it.

How is the quality/reading experience of the compendiums?
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>>78913616
If you're going to get them all you might as well get the compendium.
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Op I just remembered I was given the same issue as a gift when I had surgery. I need to finish reading it....anyways, I feel the same way about manga. If the series is way too long I know I won't have the room for all those books. Plus, what would I do with them once I'm done?
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>>78914014
This. Much better than going for the trades.

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Jimmy Neutron: Boy Genius, directed by cinematic mastermind John A. Davis, is a poignant tour de force of the middle class American zeitgeist in the post-9/11 Bush Jr. era. Rivaling the likes of Paul Thomas Anderson, Davis not only tells the story of a precocious genius-savant, but compels the audience to draw their own conclusions about the morally ambiguous plot.
Jimmy is an unreliable narrator. At times, he forwards a scathing commentary against the military state that exists in his home town. Other times, he displays great nationalistic pride, proclaiming his undying love for the state, and the warm security it provides. This dichotomy can confuse a more feeble-minded viewer (yes, probably you), but for those who have studied such narration schemes for years, this film is deeply stimulating.
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Of course, the "state" I speak of is in fact an allegorical one, at least within the confines of the film's universe. The adults who vanish in the beginning of the film fill the role of the state quite nicely.
The 30 or so minutes that follow the adults' disappearance provide the viewer with an impartial vantage from which they may witness the decline of an otherwise civil society into primitive savagery. The citizens, without the guidance of the once reprehensible state, rapidly decline into hedonism and base immorality.
Realizing that they have gone astray, the citizens soon lament the loss of the supreme authority and unambiguous rule of the state.
This is all well and good, but for the fact that these messages are directly contradicted in the subarc of the plot that directly follows. The citizens band together to vanquish their woes, seeking out their "parents" (the allegorical state).
This is a textbook portrayal of classical Marxism, which rejects the higher authority of the state, hoping to eventually succeed in becoming a stateless society.
A great portion of the next hour of the film does service to the fans who require action to even consider watching such a cerebral film. I won't go into this portion of the movie too much, to avoid spoilers. However, although I detest excessive "action" in films, the cinematography was masterful, exceeding the work of his contemporaries; Tarantino, Richardson, and Nolan.
In the end, a desirable compromise was formed between the bourgeoisie and the proletarian children.
Don't go off of my rather skeletonized review. You must see the film to know what I'm talking about. It has a certain je ne seis quoi to it.
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>>78913203
man this aged like shit.
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How have I never seen the deeper meanings of this piece of cinematic perfection before you enlightened me?

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>Watch cartoons with young nephew
>This show pops up
>Just seams like a generic cartoon that teaches preschoolers how to spell
>Story is basically Superman mixed with Power Puff Girls
>Show actually has pretty solid continuity and even some charcter development
Anyone else seen this?
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>>78913148
I have to admit it's pretty fun

Dr Twobrains is is my husbando
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>>78913148
Isn't there a comic of this, or am I thinking of something else?
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>>78913456
yes there is a comic for it.

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We have a lot of "Villains who did nothing wrong" threads. How about the other side of the coin?

I would like to emphasize that things PORTRAYED as wrong (like Hiro trying to murder Yokai) don't count. And just to avoid repetition, no Korra, either.

>Attacking an enemy who is already fleeing and permanently crippled with lethal force
>And just because he was going to kill an animal for survival, exactly like Arlo's dad
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>>78912943
He should try being a piece of shit less often.

That, or more elseworlds where him being a douche causes everyone to leave and he ends up being a sad old man because nobody likes him.
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>>78912943
Now when you say no Korra you mean none of the other characters as well, right? Because everyone in that show was wrong at some point or another and some were proven right just because.
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>>78912943
Heroes doing something wrong seems pretty common
>Make deal with dark wizard
>chicken out of keeping your end of the deal
>kill dark wizard

Fucker, no one forced you to make the deal. God damned oathbreakers

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Why most (if not all) animes are a panel for panel adaptation of the manga whilst there are no panel for panel adaptations of a comic to cartoon?
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I've been wondering that too.

I think that's just their market model. They test the waters to see if an IP is popular by publishing it in Jump, and if it is they adapt it in anime and rake in the big bucks.
Because of that lots of their manga tend to be made in a way that's easily adaptable, and it's very hard (it used to be impossible) to make an anime without manga sales to back it up. Miyazaki struggled with that when he wanted make Nausicaa.

As for the US, well there's also the issue of the comics code which ended up limiting comics genres to mostly capes, so there's plenty of room to make original cartoons that wouldn't be possible if they waited for adaptation material. As for why cape cartoons usually aren't straight adaptations of cape comics, I don't know. Maybe comics are too niche in the US for producers to be confident in adapting them straight-up.

Maybe format (number of pages, serial vs episodeic) is a factor? Also probably the fact that mangas usually have one straight-up order that features everything you need to know about the story, while comics tend to have a mish-mash of continuities and competing versions of the same story with various jumping points.

You'll also note that Franco-Belgian comics have known both cases. Most famously for Americans Tintin was apretty much a panel-for-panel comic adaptation. Astérix almost never was. Lucky Luke interestingly has had both: straight adaptation in the 80s and original storylines in the 00s.

But honestly I think I prefer the American model. despite its usual lack of results, as it presents an original product that's more likely to take most advantage of cartoons as a medium, while anime are almost always inferior to the manga version when there's one. Fuck just look at One Punch Man or One Piece.
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>>78913186
Say what you want about preferring the american model but I sure as hell would have enjoyed more a straight up adaptation of Ultimate Spider-Man and The Ultimates than what we got
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Most manga is one art-style and follows one story. This method doesn't work of a panel-by-panel if it's based on a character or franchise that's 30+ years old. The best you get is select moments taken directly from comics. Off the top of my head I remember Spec. Spider-Man did the moment where Sipey overthrows the giant machine from the Master Planner storyline.

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Let's take a look at Gotham Academy's next (and possibly last) story arc, Yearbook

http://www.newsarama.com/27447-go-back-to-school-with-gotham-academy-14-preview.html
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>>78912160
>Gotham Academy's next (and possibly last) story arc
don't say that anon...i'm not ready to say goodbye

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