Archived threads in /co/ - Comics & Cartoons - 5087. page

Too overdesigned imo

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>>86570732

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>>86570858

Not until next month when Injustice: Harley Among Us starts

>>86570693
>tfw got lost and never read further than butlering
are they archived?

>>86570910
Don't bother. First year best year.

It only collects the original two series. Not all of it.

>>86570811
which is exactly where you should stop
go for it OP

>>86570811
Admittedly, didn't it kinda go downhill after the first two?

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>>86570368

Fabok in the house!

>>86570407
Fabok is David Finch done right.
Reis is house-style done right.

>>86570429
>house-style done right
You're an idiot. An imbicile. Parroting shit you have no understanding of. Fucking mongoloid piece of shit. A tasteless philistine to boot.

Answering your question, Reis is discount Neal Adams. Poor man's Neal Adams. A Neal Adams cover-band that never even learned to play properly, just watched some youtube videos to see where and how to hit the strings.

Yes. As far as im concerned, they've never made anything as bad or pandering as lisa goes gaga

>>86570322
no

>>86570322
Yes

>>86570156
It's borderline pornographic. Granted they hide Tulip behind various objects while she's naked, but the gag goes on for 40 minutes. Long enough to know what everything looks like, even if much of it is hair.

>>86570156
Garbage

>>86570156
98% on rotten tomatos

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>>86570062

>>86570062
No, Bruce deserves to die alone.

>>86570062
Batman X Misery.

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>>86569913

Also, the fact that "jobber" became general nerd slang is proof positive that professional wrestling is a staple of modern culture

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>Only seem to win at the start as a plot device
>Then always get the tables turned on them
Sometimes they don't even have to incite anything to get the shit stick thrown in their faces.

>>86569971
Obviously, pro wrestling and comics are both about power fantasies that have ridiculous costumes and catchy names.

>>86569512

its true tho

>>86569512

because in the 90s, they didnt have to pander to over protective soccermoms and lame censorship groups

>>86569575
Well they still had to worry about censors. They were just good at getting around them.

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aw yuh get comfy

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>>86569318
Thanks pal

>>86569318
Based anon. Thank you very much.

an anon actually delivered, it's like I'm living is a dream world

i am really excited for this!!

>>86569017

Did he fuck that turtle?

>>86569106
is it not out in your country?

at my local cinema it has 4 showings tomorrow, as many as storks

>>86569011

Midget Starscream and the Green Goblin?

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>>86569011

>>86569011
>"look ma! Muh safe early 2000s art style!"

>>86568870
South Park was different early on.

Cartman wasn't as much as a racist edgelord

>>86568870
Being the son of a nigger means he can be racist against niggers and get the "dindu" status, he could do anything without consequuences.

Being a ginger just means you are weak and faggy.

>>86568870
Because gingers have no souls.

>>86568606
>Forgetting Godzilla.

Bill and Ted made a few cameos when Marvel did their comics. Also the micronaughts.

Kylke Baker's run on the Shadow and the Justice Inc books he did are the best licensed comics ever. DC did a pretty good job with the Shadow. The Alex Toth Hot Wheels comics are pretty cool too.

Anyway, other licensed Marvel stuff:

>The Shadow Epic GN by O'Neill, Kaluta, and Russ Heath
>Micronauts
>Biker Mice From Mars
>Beavis and Butthead (they used to do commentary on bad 90s Marvel comics)
>Ren and Stimpy (Dan Slott's best work)
>Rocko's Modern LIfe
>Doc Savage at one point when DC didn't have it
>Planet of the Apes (these are really good. They were B&W magazines)
>Dr. Who for Marvel UK
>Kull
>Lots of movie adaptations ranging from awful to alright. The Bill Sienkiewicz Dune is pretty neat at least.
>Kiss

>>86570000
Those Godzilla books have some neat Herb Trimpe art. Sutton did some too, right? They're really fun but it's a shame they didn't feature any other Toho monsters.

Doug Moench wrote those and it was clear he really cared. He also wrote those awesome Planet of the Apes comics.

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>>86568591

>Van Lente: I think that anybody would do the same thing that Slapstick is trying to do in our series. They would try to turn themselves human again. That’s what Slapstick spends a lot of time trying to do in our book.

>>If I remember correctly, Slapstick’s almost terrifying emotional outbursts go back to the first stories I read with the character, which were his appearances in “Avengers: The Initiative.”

>Brown: Yeah, he definitely has mood swings, and they are frequently very bloody. He likes to take his aggression out on “evil doers.”

>Van Lente: Of course, one of the central gags of the character is that his body works on ‘toon physics, unlike the rest of the Marvel Universe. In our world, when you get hit with a hammer that hard and that fast, you don’t get a bump on your head and see little birds flying around you. You more often than not get a crushed skull. [Laughs]

>Brown: [Laughs] So blood flows freely in this first issue of “Slapstick.”

>>A number of writers have told me that the key to writing another comedic Marvel character, Slapstick’s former boss Deadpool, is to balance the humor with tragedy and pathos. Does that rule apply to “Slapstick” as well?

>Brown: Slapstick cares a little bit less about morality than Deadpool does, if that’s possible. So we’re kind of starting from Deadpool, and then going even deeper into crazy town. Slapstick is also much more narcissistic. He’s less worried about consequences.

>Van Lente: He’s an idiot, too.

>Brown: [Laughs] Deadpool is also an idiot, but we’re trying to out-Deadpool Deadpool.

>Van Lente: My favorite thing about Slapstick is, like all great comedy characters, he commits to everything, no matter how idiotic it is — or especially how idiotic it is.

>Brown: [Laughs]

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>>86568592

>Van Lente: He’s all-in, all the time. Slapstick has sort of convinced himself that he’s the Punisher. He’s sees himself as this gritty, realistic, grounded superhero who everybody should be respecting and making huge, big budget movies where he’s saving falling cities. In reality, though, he’s a mildly scary clown person with no nose and no dingus, and no one takes him seriously.

>Really, the book is about someone who takes himself way too seriously and is thrust into this situation where really he’s the only person who can save the world once the real problem of the book is revealed, which is the fact that New Jersey is being invaded by all these crazy killer ‘toons with similar powers to Slapstick.

>>When issue #1 begins, where do we find Slapstick?

>Brown: He’s in Plainfield. He’s moved in with his parents and is trying to make ends meet by taking whatever random mercenary or henchman job he can get.

>Van Lente: He’s doing this by catfishing clients online into thinking he’s Deadpool. He’s gotten a hold of Deadpool’s online profile from when he worked for him as a merc. People think they’re hiring Deadpool, but actually they’re getting Slapstick.

>Brown: We’re playing around with his go-to app on his phone. It’s kind of like the Uber for mercenaries.

>Van Lente: It’s called Merk. There’s an umlaut in there somewhere, but I believe it changes from time to time where it is.

>Brown: Like Fred said, he’s got Deadpool’s account on the app. People think they’re hiring Deadpool, but they’re hiring Slapstick, who claims to still be working with Deadpool.

>Van Lente: He’s desperately trying to get enough money to move out of his parent’s house.

>>So his parents will be supporting characters in the book?

>Van Lente: Yes, our supporting cast includes Mike, Slapstick’s buddy from his original series who is an aspiring comics penciler — Reilly gave him a whole family.

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>>86568597

>Brown: Slapstick’s family is his parents, his brother, his brother’s wife, and his brother’s two kids.

>>In addition to his family and friends, you’ll also be bouncing Steve off the occasional guest star, including another wisecracking former teen hero, Spider-Man. What’s it like writing the dynamic between Spidey and Slapstick?

>Van Lente: It’s fun to contrast Slapstick’s — and I can’t emphasize this enough — absolutely terrible approach to superheroics against someone like Spider-Man, who’s a more experienced hero who, of course, Slapstick does not recognize, even though they’ve teamed up several times.

>Brown: Slapstick is too involved with himself to remember other minor superheroes like Spider-Man. [Laughs] So he’s kind of shocked when they first meet. Spider-Man is like, “Seriously? You don’t know who I am? We’ve teamed up before! I’ve saved the world a bunch of times!”

>And, of course, Spider-Man has issues with Slapstick’s completely irresponsible approach to fighting crime, while Slapstick thinks Spider-Man’s goody two-shoes approach is just ludicrous. It’s definitely fun playing the two characters off of each other.

>>Do you have plans for any other established Marvel characters in your initial issues?

>Van Lente: We have a classic Marvel villain appearing in the first issue.

>Brown: The first story arc, though, is mainly full of new characters we’ll be creating and introducing.

>Van Lente: Starting with Bro-Man, Master of the Multiverse. He carries a sword called Graykin, and he raises it high and says, “By the power of Graykin! I have the power!” That’s called subtle satire. Again, if you think “Deadpool” is too sophisticated, Slapstick is here to meet your needs.

>We’ll also have the Taurs… I don’t want to say too much about them. I saw Reilly’s pencils of them for the first time today, and they were more than I could have hoped for.