Archived threads in /co/ - Comics & Cartoons - 2861. page

>Batgirl of all fucking people is getting a movie

They'll churn out any shit these days, won't they?

Well she's has Red Hair in the DCEU, so it will have to be someone black, maybe that Nicky Majong person? She seems like woke teens like her.

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Marie McCray

>>91203271
BOMB

>>91203271
better than any DCU film

But it wasn't that good either.

He just wanted some goddamn muffins.

>>91203209
he really loves muffins

>>91203224
>>91203227

I guess this is the one thing he's remembered for

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>>91203042
>games

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Ancient godly space evil, son.

>>91203042
>>>/v/
And fucking stay there.

>Way uses Casey to be an entry point into the concepts of the Doom Patrol, and the changes Way has made to the powers of the characters, like Danny.

>Issue #6 was the easiest to write, and it’s the first time he’s written a 6 issue arc where #6 is so different from the previous issues. After the second arc, which is probably going to be 6 issues, Way intends to do “shorter bursts” and two-issue arcs. This is something that Grant Morrison recommended to him, doing 2 or 3 issue arcs.

>Talking about doing variant covers for Doom Patrol by non-comics artists, such as the Doom Patrol #6 cover by Samplerman, Way describes it as “bringing fine artists into Young Animal”.

>Running the “Bane’s Coloring Corner” in the back of the comics, Way said he loved the artist’s “super depressing” work. Bane is just inherently funny, Way commented, to laughter. You’ll see more of Bane in Cave Carson, he said.

>Rich explained to the audience that there’s a lot of extra content in Young Animal books, including plenty of text.

>Cave Carson has been “running” hard without a pause, Rich said, and Rivera said it’s a “journey and adventure”. Establishing the recurring locations in the book was hard because it keeps moving, basically, every couple issues. Michael Avon Oeming’s artwork keeps adapting quickly, they said, and Rivera feels he has to work harder to challenge him. Things are “pretty bleak” right now in the series, Rivera said, aside from the Night Pudding. Things get rough for Cave at the end of issue #5, Rivera said. Cave loses his eye, as it leaps out of his head, “Even his eye is sick of him”, Rivera laughed. There are a lot of butts in the comic, Rivera agreed, based on a question sent by his editor Molly Mahan. Rivera said that everyone’s butts have been “covered/uncovered” and they are on a second round of that.

Shit, this will include some spoilers the next two issues or so:

>In issue #7, Cave will be encountering Superman. Rivera said “zero pressure” in working with Superman. Rivera never dared to dream he’d do so, but it was fun working him into the story. He feels like he “carried the one ring” for a while, and “when I die I get to sail off into the west”, Rivera geek-talked, to laughter.

>This will be the story of how Superman and Cave met, “slightly remixed” and inspired by a 1980’s comic. In the original comic, Cave was a “complete jerk” to Superman and maybe he regrets that now, Rivera said. It’s hard to incorporate Superman into a story like Cave, since if he did arrive, then everything would be “over”, he added. He watched Superman 2 to “prep” to write the series, he admitted. He wished he could’ve included Louis Lane more, since she’s such a fun character.

>The new backup feature in the comic will be “The Wonderful World of Rocks” by James Russell, drawn by Benjamin Dewey. In this, you’ll start getting information about new characters and their relationship to Cave, Way said.

>Mother Panic features three artists doing three issues each, and rotating. Houser said you want consistency in these books, but you also want to include various skills and talents from these artists. They are playing with villains, now, and choosing that change helps, while keeping Violet Paige as the consistency. Working now with Shawn Crystal, whose art is “fantastical”, Houser particularly loves Crystal’s flashback scenes for Paige. We’ve seen stark realism from Tommy Lee Edwards, but now we get a more impressionistic view, too, from Crystal. The semi-villain Pretty was altered in Gather House to become beautiful, but they went too far, and now he’s uncanny to look at, whereas Paige was enhanced cybernetically.

>Houser said getting to play in the Batman world is interesting, and having a character who doesn’t like Batman in that world is interesting. Her points, like the fact that Batman beats up mentally ill people, are challenging to Houser, who personally likes Batman. An old Batman villain, the Ratcatcher, is in the comic, too. Houser knows the character from a Batman/Catwoman comic in the 90’s. Ratcatcher was one of Gerard Way’s ideas to bring the story further into the DCU. Way figured there “was nothing going on with a character named Ratcatcher and there wasn’t”, he laughed. In Mother Panic, the character has served time, is free, has been evicted from his apartment, and is squatting in the basement of the hotel that’s the basis of Violet’s operations.

>There will be one more issue with Shawn Crystal, and then in May, John Paul Leon will be joining issue #7. His style is “different but really cool”, Way said, and he’s a big fan. Some of his interior pages in ink, shown in the panel, were really crisp and iconic looking. Space and architecture was handled in a really classic and stark way. There will be a character who’s like a “dude wearing a body bag”, which will be very creepy, Houser said, and in that arc Violet will have to decide whether she’s really on the path of revenge or not.

>Talking about Shade the Changing Girl, Rich reminded that issue #7 comes out next Wednesday, drawn by Marguerite Sauvage. Cecil Castellucci said that working with Sauvage this time, she decided to focus on the character Loma this time. She wanted to veer away from the character Megan this time, and talk about the ways in which Loma is not really cool in her behavior and thinking either, compared even to Megan. She “channeled some madness” working on the series, she said. Focusing on Loma’s perspective helped keep the crazy premises of the book on track, and making it “Loma’s story” helped Castellucci navigate bringing Megan in, too.

>>91202010
Let's put a smile on that face.

It's something about the eyebrows.

>>91202010
It's perfectly halfway between evil happy and excited happy.

>>91201544
How long before Tony Stark returns as Iron Man? That long. Alternatively, how long before he finds out that Reed has been fucking his mom?

Marvel Generations.

>Doom
>Bad
Pick one

Anyone?

>>91201498
in b4 "saga is cultural marxist tumblr trash"

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>>91203433
Beat me to it

>>91200754
>I've finally read through all of the Mignolaverse
>just in time for Chronological
oh boy

>>91200754
Hell yeah!!!!!

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Sorry I was getting all the images lined up
>>91200772
It's gonna be fun on a bun

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>>91199156
can we talk about the obvious and incoming Marvel retrenchment without shitposting? I'm sure we can

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>>91199188

>>91199156
Hello, Storyteller.

Kind of a shame this book got cancelled. It'd be nice to get more female-led books with this much effort put into them.

>>91199105
Kill her a second time. The Hand is there for a reason.

Kill Karen

>>91199129
Not particularly shocking to kill her a second time though

>>91198163
ok sure
>>91198185
not seeing any cringe here