>movies cost 10s to hundreds of millions of dollars to make
>movies can easily flop, losing all the money invested (this is not sustainable)
>production companies only care about money, that anyone thinks big, cut-throat companies care about "diversity" on principle is laughable
>outside investors with more money than they know what to do with are more than willing to give companies money if they insert things they want into these games
>sequels to popular movies are far more likely to be filled with this, a) the "investor" knows it will reach a large audience and b) the sequel is almost always only being made for purely for money, any artistic integrity of the people involved went into the first title
>there is no law against this happening
End result, even if movies get lots of hate purely based on the sjw agenda they add to them and the companies know lots of their audience hate it, it's not going to change. In-fact they will keep moving further towards SJW ideals in order to keep these "investors" happy and their wallets open to future titles.
The only way it's actually going to change is if rich people start "investing" in these companies to help offset the risks, without wanting their agenda pushed in them (almost nobody will be willing to do this).
K
>>86887593
It's obvious you know nothing about the movie industry.
Real Movie Red Pills:
>on paper every movies loses money because of "hollywood accounting"
>a lot of movies are made incentivated by tax benefits for rich hollywood types, and not for the purposes of pushing a specific agenda
>a movie "bombing" at the box (i.e. making much less than its alleged production budget) doesn't mean it failed to generate any of the money invested. box office is only one part of the industry; there is the home video market, rentals, video-on demand, licencing
>movies aren't made by one single person. behind every movie there are literally hundreds of people with artistic integrity that were all hired for their individual crafts or skills. an outside "investor" has no say whatsoever who the production hires as artists, designers, craftsmen, etc. sequels usually fail not of any "lack of integrity" but because they usually never live up to the first.