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Anonymous
A Fragment Of James Cameron's 1997 SPIDER-MAN Script 2017-07-28 07:16:32 Post No. 85572963
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A Fragment Of James Cameron's 1997 SPIDER-MAN Script 2017-07-28 07:16:32 Post No. 85572963
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A Fragment Of James Cameron's 1997 SPIDER-MAN Script
Anonymous
2017-07-28 07:16:32
Post No. 85572963
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We were robbed.
>In a dizzying down-angle, the suspension cables all meet radially at the top of the tower, like the treads of some vast spider web. Peter and MJ seem to sit at the very center of the web, surrounded by the lights of the city. It is a warm spring night. And the moment is pure magic
>She stands with her back against a girder, needing to feel something solid. Spider-Man stands before her, a perfectly formed male silhouette with a soothing low voice.
SPIDER MAN: Courtship among the spiders is highly ritualized. It varies from species to species. The male spider may circle the female, or wave his front legs... to signal that he is not prey.
>Spider Man moves in a hypnotic arc around her. He raises his hands in a dance-like movement. Lowers them.
SPIDER MAN: The female usually signals her willingness by an uncharacteristic passivity.
>MJ takes a deep breath. Her lip trembles. Her knees are weak. Her eyes, though, are steady, gazing at the silhouette before her. She doesn't move or speak. He moves closer.
SPIDER MAN: In certain crab spiders, such as Xysticus, the male will attach strands of silk to the female... tying her limbs...
>Spider Man moves his hand gracefully across her, and she sees the sheerest silk webbing glinting in the moonlight. First one wrist. Then the other. Hypnotic movement in the moonlight. Her arms are bound to the wall. Her breathing gets more rapid.
SPIDER MAN: Since the female can break free at any time, the bonds have only symbolic significance.
MARY JANE: The male must be very bold... to take such liberties with the predatory female.
SPIDER MAN: Yes. He is very bold. But he must also trust her.
>He moves closer.
SPIDER-MAN: Close your eyes.
>He removes his mask and kisses her. Their mouths very slowly and very sensuously devour each other. Peter and MJ are locked together. He is mesmerizing, gentle, powerful. He pushes up her skirt. They make love, high above the world. She doesn't look.
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Wut?
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>Spider-Man has to be an expert on spiders
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>>85572963
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>>85573258
James Cameron wrote an edgy SPIDER-MAN movie script in 1997. It was a different time.
http://www.script-o-rama.com/movie_scripts/s/spider-man-scriptment.html
>Flash is walking to his car after gymnastics practice. It is dark. A figure drops silently down from behind him. Flash spins and sees a guy in a black fishnet mask. Thinking it is a robbery, Flash swings... only to grab his own fist in pain. It was like hitting oak. Peter holds Flash with one hand and slaps him hard.
SPIDER-MAN: How do you like it? Huh?
>He slaps him again, backhand. Then he cocks back his fist and BLAM! Punches Flash so hard he flies ten feet. He picks him up, gets him in a painful armlock... marches him to his beloved Porsche and slams him brutally against it. He pounds Flash into the car until the jock collapses, semi-conscious.
>Peter then rips a signpost out of the ground and pounds the car into junk. Glass flies everywhere. Peter leans close to Flash and tells him to stay away from Mary Jane... or else.
>Cut to Peter running. He stops around a corner, out of sight. In darkness he stands panting... looking down at his hands. He rubs his knuckles.
SPIDER-MAN (V.O.): I wonder if every hero remembers their first punch. Well, I do. Maybe it was all the bullies, over the years, kicking the skinny kid around. All that stored up rage just came out so fast it was scary. For a split second I just wanted to kill him. It's a good thing his car was there. I always hated that Porsche.
>Peter is gasping, shaking with emotion. He feels like this strange power flowing through him has unleashed demons. That he is becoming something he doesn't recognize. He doesn't realize that these primal forces are within us all... and the power, like the power of adulthood... gives us the possibility of acting on those dark urges.
SPIDER-MAN: But the scariest thing of all was... belting that jock butthead felt so good.
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Spider Man and MJ are surrounded by dead black men hung by their necks with webbing. Spiderman tells MJ about how he will destroy the Jew Goblin and return the white race to it's former glory. He then rapes MJ and calls her a nasty red slut.
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>>85574185
God speed goyim
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>>85574129
Literally 90's Raimiposting.
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>>85572963
Written by Garth Marenghi
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>>85573402
he's a science nerd who literally becomes spider man. it makes sense that he would know this shit.
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>>85572963
Wow. This dialogue. So natural.
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>>85574129
Cheese and crackers
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>>85572963
>MJ begins to devour Spider Man at the moment of climax, and 9 months later, she too is devoured by her young.
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Cameron's work is borderline experimental.
>CUT BACK TO PRESENT, in Strand's mansion. A WOMAN enters the room. She is stunningly beautiful. The kind of consort you would expect for a man of wealth, power and taste. This is CORDELIA. He motions her to him and she glides over, but stops a foot away.
STRAND: I must say, my dear. You look very usable tonight.
>She smiles playfully. He circles her, almost touching her. His hands move over her... inches from her skin. He leans close and breathes in her scent. But he can't touch her.
>She opens her silk robe. Underneath she is wearing a rubber wetsuit. He touches the rubber, running his fingertips over her. We hear a faint crackling of electricity. She seems both excited and apprehensive.
STRAND: I want you. Not rubber.
CORDELIA: No, Carl--
STRAND: Yes!
>Strand doesn't like the concept of no. He takes her in his arms and kisses her. With passion. And more... her hair stands straight out with the electrostatic charge. She begins to convulse, in tiny shivers at first but then like an epileptic. Suddenly she goes limp. Her eyes stare fixedly at the ceiling.
STRAND: Shit.
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