Y'ALL MIND IF I NEXT KUBRICK?

Although this is only Nolan’s third movie that is set, at least partly, in his homeland England — it depicts the evacuation of more than 300,000 British Expeditionary troops trapped in Dunkirk, France, at the start of World War II — he seems incapable of conveying a sense of cultural authenticity or patriotic feeling. (For that, see John Boorman’s WWII memoirs Hope & Glory and Queen & Country.) Preening for fanboys in 70mm, Nolan’s vast, clear views of dull-to-horrific killings, plus amped-up artillery sound effects, are no different from what he did in his Dark Knight trilogy. Like Michael Bay’s fantasy Pearl Harbor (1999), Dunkirk uses history as a pretext to show-off the director’s fascination for calamity.

>>85254772
Kubrick is a hack anyway and so are you, so yeah, sure.

>>85254772
unironically the greatest director of our time and it isn't even close

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>>85254801

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>>85254772