Prove that you aren't a Pleb. Say something nice about this film

I had a nice lunch with my friends after we all saw this heap of trash.
He redeemed himself with Neon however

>>84922562
You don't understand the most basic thing about composition.
>>84922879
Neon Demon is trash too.

>>84922879

Your local film complex screens kinos in the morning?

Jealous desu

The violence was impactful.

>>84922562
I like the bit where he eats his mum's liver or something to that effect

File: 1400671256912.jpg (399KB, 1600x1381px) Image search: [Google]

399KB, 1600x1381px

This nonsense is so inorganic to any sense of globetrotter restlessness or anything explicitly or metaphorically to do with British or American colonialism that it just feels derivative. That Kubrickian scene in Drive of dead-eyed strippers watching an assault gets extended here in a more elaborate whorehouse sequence where catatonic hookers bear mute witness to instances of police corruption. Refn’s tableau of organdy-gowned call-girls listening to pop while watching violence in a bouquet-bedecked whorehouse is the ultimate David Lynch parody.

Gosling and Refn have art ambitions–a strange sense of fun. But how can film culture progress with fantasies like this? There’s no shock or outrage left. Refn relies upon a level of menace (unerotic, non-provocative) that precludes caring about or responding to violence, vulnerability, mortality. This is cinema for unsophisticated viewers who don’t already know Bunuel’s eye-slashing, Altman’s Coke bottle assault or Shakespeare/Julie Taymor’s Titus. Children of Kubrick, Friedkin, Lynch and Tarantino, they remain infantile about movies.

>lets just put a bunch of neon lights in places that they wouldn't normally be
>visual masterpiece

>>84922562
Winding-Refn uses the colors and cinematography to explain all of the plot and motivations in this movie. He shows attitudes and relationships change and interact with it.

>>84922879
Neon was his worst IMO
I liked Valhalla Rising better

>>84922562
It's not a long movie but it sure feels like one.

it's the best refn film
seriously

>>84922977
>This nonsense is so inorganic to any sense of globetrotter restlessness or anything explicitly or metaphorically to do with British or American colonialism that it just feels derivative. That Kubrickian scene in Drive of dead-eyed strippers watching an assault gets extended here in a more elaborate whorehouse sequence where catatonic hookers bear mute witness to instances of police corruption. Refn’s tableau of organdy-gowned call-girls listening to pop while watching violence in a bouquet-bedecked whorehouse is the ultimate David Lynch parody.

~Armond White

>>84922977
someone please tell me the films pictured on the right

>>84922562

I think it is a visual masterpiece.