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ITT: Actors/directors/writers who shit on their own movies/tv

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ITT: Actors/directors/writers who shit on their own movies/tv shows

Marky Mark on The Happening:
>We had actually had the luxury of having lunch before to talk about another movie and it was a bad movie that I did. She dodged the bullet. And then I was still able to … I don’t want to tell you what movie … alright 'The Happening.' F*** it. It is what it is. F***ing trees, man. The plants. F*** it. You can’t blame me for not wanting to try to play a science teacher. At least I wasn’t playing a cop or a crook.

Bill Murrey on Garfield
>Finally, I went out to L.A. to record my lines. And usually when you're looping a movie, if it takes two days, that's a lot. I don't know if I should even tell this story, because it's kind of mean. What the hell? It's interesting. So I worked all day and kept going, ‘That's the line? Well, I can't say that.’ And you sit there and go, ‘What can I say that will make this funny? And make it make sense?’ And I worked. I was exhausted, soaked with sweat, and the lines got worse and worse. And I said, ‘OK, you better show me the whole rest of the movie, so we can see what we're dealing with.’ So I sat down and watched the whole thing, and I kept saying, ‘Who the hell cut this thing? Who did this? What the fuck was Coen thinking?’ And then they explained it to me: it wasn't written by that Joel Coen.

Jessica Alba on Fantastic Four
>I wanted to stop acting. The director was like, 'It looks too real. It looks too painful. Can you be prettier when you cry? Cry pretty, Jessica.' He was like, 'Don't do that thing with your face. Just make it flat. We can CGI the tears in.' And I'm like, But there's no connection to a human being. And then it got me thinking: Am I not good enough? Are my instincts and my emotions not good enough? Do people hate them so much that they don't want me to be a person? Am I not allowed to be a person in my work? And so I just said, 'F--k it. I don't care about this business anymore.
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I'd post the stories of Wesley Snipes on the set of blade 3 but I don't have them
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>>84773343
>'Don't do that thing with your face. Just make it flat. We can CGI the tears in.'

This quote should be at the start of every review that attempts to take capeshit seriously, and it should be stickied here for reference by anyone who tries to make out that "capekino", ie. personal cinema in the capeshit genre, can ever exist other than theoretically. Capeshit can only ever been good *for capeshit*. It will never be able to stand comparison with any real film. When you're beneath *Jessica Alba*'s idea of artistic seriousness, you need to murder yourself, frankly.
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>>84773343
Lol, Jessica Alba is probably the last person who reserves the right to talk shit about anything
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>>84773395

>Oh, Christ. That was the third Blade movie. And there’s a scene where Blade goes in and confronts this guy for harvesting humans. That scene was supposed to be the whole basis of the film. Blade is fighting for the last shred of humanity. But they thought that it was just so fucking grim, so they decided to just have Blade fighting Dracula. It was just one of those; it was a very troubled production. Wesley [Snipes] was just fucking crazy in a hilarious way. He wouldn’t come out of his trailer, and he would smoke weed all day. Which is fine with me, because I had all these DVDs that I wanted to catch up on. We were in Vancouver, and it was always raining. I kept the door to my trailer open to smell the evening rain while I was watching a movie. Then I remember one day on the set—they let everyone pick their own clothes—there was one black actor who was also kind of a club kid. And he wore this shirt with the word “Garbage” on it in big stylish letters. It was his shirt. And Wesley came down to the set, which he only did for close-ups. Everything else was done by his stand-in. I only did one scene with him. But he comes on and goes, “There’s only one other black guy in the movie, and you make him wear a shirt that says ‘Garbage?’ You racist motherfucker!”
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>>84773454
She has a perfect right to talk about shit that's beneath even her level.
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>>84773395
>>84773520

>And he tried to strangle the director, David Goyer. So later that night, Ron Perlman was in the city. Everyone who makes movies in Vancouver stays in the same hotel. It’s like an episode of The Love Boat. Every time the elevator stops, you’ve got a different celebrity getting on. Like, [announcer voice] “Hey, now we’ve got Danny Glover!” So we went out that night to some strip club, and we were all drinking. And there were a bunch of bikers there, so David says to them, “I’ll pay for all your drinks if you show up to set tomorrow and pretend to be my security.” Wesley freaked out and went back to his trailer. [Laughs.] And the next day, Wesley sat down with David and was like, “I think you need to quit. You’re detrimental to this movie.” And David was like, “Why don’t you quit? We’ve got all your close-ups, and we could shoot the rest with your stand-in.” And that freaked Wesley out so much that, for the rest of the production, he would only communicate with the director through Post-it notes. And he would sign each Post-it note “From Blade.” [Laughs.]

>AVC: There’s a rumor that he tried to stay in character the entire shoot.

>PO: Oh yeah, he did. When I met him I was like, “Hi!” And he was like, “I’m Blade.” And also, Natasha Lyonne was on that set, and she was going through some kind of mental breakdown. Wesley is all boundaries, and she has no boundaries. She played a blind computer expert. So the first scene they had together, she put her hand right on his face, and he just recoiled. It was awesome.
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>>84773395
>>84773520
>>84773550

AVC: If you were trying to be in character all the time as a vampire killer, being high all the time might not help.

PO: A lot of the lines that Ryan Reynolds has were just a result of Wesley not being there. We would all just think of things for him to say and then cut to Wesley’s face not doing anything because that’s all we could get from him. It was kind of funny. We were like, “What are the worst jokes and puns that we can say to this guy?” And then it would just be his face going, “Mmm.” “Smiles are contagious.” It’s so, so dumb. [Laughs.] That was an example of a very troubled shoot that we made fun. You have to find a way to make it fun.
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>>84773439
Good post.
>>
>>84773534

Read the other day that she owns like 25% stake in a billion dollar company now and basically never has to act again.
>>
>At one point during filming Sylvester Stallone complained to cinematographer Ric Waite that they were falling behind and that he and his crew needed to work harder. Waite responded by saying that maybe if Stallone "gets his hands off Brigitte Nielsen ass and stops showing off to his bodyguards maybe they wouldn't have problems with time". Although Stallone was shocked that somebody would talk to him that way he did tone down his ego but after a few weeks he returned to his old egotistical behavior. In the same interview where he mentioned this, Waite also said that despite his huge ego Stallone had a great sense of humor. He also confirmed a rumor that Stallone was the true director of the film, calling credited director George P. Cosmatos a good producer, but a bad director.

>None of the supporting cast or crew were allowed to talk to Sylvester Stallone during filming.
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