The great debate: kino or shit?

>>82857524
kino but dangerously close to self parody
i'll avoid songs to songs because of this
however very excited about his nazi film shot without lubezki

its aight

It's Malick, of course it's good

Goddamn it Malick. Why can't you make something like Badlands and Days of Heaven?

>>82857563
Why? Sounds less kino-ish
>It will tell the story of Franz Jägerstätter, an Austrian farmer who refused to take on combat duties after being conscripted into the Wehrmacht in 1943. He was immediately arrested and executed by guillotine later in the same year at the age of 36

probably my favorite cinematography

>>82857592
Oh boy, you haven't watched the flick yet, have you?

The point where Malick went too far up his own ass

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>>82857674
me too

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>>82857742
>tfw when aroused by esoteric kinography

>>82857524
I liked it, but I also was expecting a perfume logo to appear at any moment.

Why are Dubsman's sleeves so long?

WHEN THE FUCK ARRE YOU GOING TO RELEASE THE BLU RAY FOR VOYAGE OF TIME MALLICK REEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

>>82857524
Unabashed Kino.

>tfw that title track

>>82857524

I really loved it. That cinematography is just exactly for me.

I thought the movie was about an alien who came to earth but decided to became a hollywood star and then kill himself because of the abortion of that girl

Is To The Wonder as good?

>>82857667
On the contrary, it's a theme with a lot of spiritual and philosophical implications, which is a perfect fit for Terry. These last four films have all been self-indulgent semi-autobiographies, even though he reached for what is universal in his feelings, I still think they suffer a bit from the narcissism, 4 autobiographical movies in less than a decade, all following the same formula, tone and aesthetics in a row is overkill. At this point, working with Lubezki again cannot bring anything new to his work. There was this great quality to his work before ToL with how he used important, troubled period settings (depression, new world) and worked within genre conventions (war, criminals on the run), which made his films more classical by giving him grander themes and visual spectacle and he lost that when he moved to mundane, modern day relationship stuff. The Austrian farmer stuff is based on letters he left to his wife and ethical discussions he had with his priest, so it'll still deal with his regular themes of evil/sin corrupting what's good/virtuous, struggling with love and faith, and of course lots of farming/nature shots... Considering his ties to Heidegger, him dealing with the existential implications of being in Nazi Germany interests me. I assume it'll be a bit more literary and austere with less camera twirling around constantly but he'll still find ways to make it visually unique and engaging. I believe it'll also be shot completely in German. It's something new for him and he'll have to challenge himself and take his style in a new direction

>>82860523
Nice, did you just write this ?

kino

watched it twice same day

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>>82860523
Very good post, my man

>>82860523
A quality post on /tv/? Nice, upvoted.