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Michael Haneke

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http://www.festival-cannes.com/en/festival/films/happy-end-1

"All around us, the world, and we, in its midst, blind". A snapshot from the life of a bourgeois European family.

here it is
>>
>>82826695
stop it already and watch at least one movie
>>
>Happy End is an upcoming film by Michael Haneke. It has been selected to compete for the Palme d'Or at the 2017 Cannes Film Festival.[2] A drama about a family set in Calais with the European refugee crisis as the backdrop.

>constantly makes films critiquing the comfort of western bourgeoisie, encourages white guilt while idealizing other ethnicities; His estimated net worth is around 25 million USD / does he welcome the migrants in his luxurious neighborhood? (complete hypocrisy & lack of self-awareness)

>There is a small dish in front of him containing several carefully sliced chunks of fresh pineapple. He spears one with a cocktail stick and pops it in his mouth. "Of course," Haneke says, eyes twinkling as he chews. "I'm a very bad person. There is just as much evil in all of us as there is good. We're all continuously guilty, even if we're not doing it intentionally to be evil. Here we are sitting in luxury hotels, living it up on the the backs of others in the third world. We all have a guilty conscience, but we do very little about it."

>His mother Beatrix von Degenschild was an actress and a daughter of the local aristocracy. His father walked out before Haneke was 3. Beatrix married again to Alexander Steinbrecher, an Austrian Jew composer (also became the stepfather of Christoph Waltz after Beatrix's death).
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Happy End's cast

>Haneke's "muse" for their 4th collab: Isabelle Huppert (Her father was Jewish[2], married to Lebanese Jewish film producer Ronald Chammah) Won best actress at Cannes in 2001 for Piano Teacher with Haneke, then was president of jury in 2009, gave the palme d'or to Haneke for White Ribbon (incestuous conflict of interest/favoritism), champagne socialist and militant against French Front National
(for further ref., Haneke's other "muse" Juliette Binoche has a similar profile: parents were actors/directors, grandparents were in Auschwitz, champagne socialist, pro-immigration, anti FN, close links with Zionist organizations, etc)
>Trintignant (nepotism, wealthy industrialist family, ties to the Kennedy clan, first entry in Cannes was with Jew Claude Lelouch for A Man and a Woman, his daughter (actress/nepotism as well) married a Jewish filmmaker, etc.)
>Kassovitz (his father is a Hungarian Jew[2]), director of propaganda pro-racemixing films like Métisse (Halfbreed) or dishonest race-baiting like La Haine
>Loubna Abidar, Moroccan actress banned in Morocco for "contempt for moral values" (previous film, Much Loved, was pro-LGBT, pro-adultery and anti-religion), the film was screened and praised in Cannes (director Nabil Ayouch: Tunisian Jewish mother)

Pas très catholique tout ça
>>
>>82826759
>implying he's not right
bourgeois detected
>>
>Cannes 2017
>Michael Haneke's "Happy End" premiers to vociferous anticipation
>It is 1 hour and 50 minutes minutes of white upper class Europeans being righteously tormented for their lack of action in the face of the refugee crisis
>It shows every characters' actions and lack thereof as a microcosm of behaviors which the audience unknowingly engages in on a daily basis
>The normally stoic and thoughtful Cannes audience is moved to tears by this thrashing of their ideals and exposure of their privilege
>They give Haneke a 15 minute standing ovation.
>The Palme d'Or winner is announced on the spot: It's Haneke.
>Haneke slowly walks to the stage with a royal dignity
>Another standing ovation drowns out all other noise
>Haneke silences the crowd
>Endorses Martin Schulz
>Pulls out a gun and shoots himself in the head
>>
>>82826801
fuck off and go back to /pol/
>>
>>82826818
>be australian
>in France
>endorsing Schulz
education is not expensive, yet...
>>
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>>82826900
The globe must band together in order to stomp out tyranny you dirty nationalist peasant.
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>>82826674
Was it shot on an iPhone?
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In selection this year:
Loveless, d’Andrey Zvyagintsev
Good Time, des frères Safdie (BOTH JEWISH*)
You Were Never Really Here, de Lynne Ramsay (obligatory female quotas because we're so progressive)
L’amant double, de François Ozon
Jupiter’s Moon, de Kornel Mandruczo
A Gentle Creature, de Sergei Loznitsa (can't find infos but his previous film shown at Cannes was about Jews*, so take a wild guess)
Mise à mort du cerf sacré, de Yorgos Lanthimos
Radiance, de Naomi Kawase (obligatory female quotas because we're so progressive)
The Day After, de Hong Sangsoo
Le redoutable, de Michel Hazanavicius (JEWISH*), about Godard
Wonderstruck, de Todd Haynes (JEWISH*)
Happy End, de Michael Haneke (PRO-MIGRANTS, BORN NON-JEW BUT RAISED BY A JEW*)
Rodin, de Jacques Doillon
The Beguiled, de Sofia Coppola (NEPOTISM, also was married to a Jew, Spike Jonze*) (obligatory female quotas because we're so progressive)
120 battements par minute, de Robin Campillo
Okja, de Bong Joon-Ho
In The Fade, de Faith Akin
The Meyerowitz Stories, de Noah Baumbach (JEWISH*)

Opening film by Arnaud Desplechin (first film shown at Cannes was Esther Kahn, about Jews*)
Claude Lanzmann (JEW*, dir. of SHOAH) also there
Didnt check other sections but the most famous in the list is Mathieu Amalric, who is, you guessed it, JEWISH* and Desplechin's muse/alter-ego
Almodóvar head of jury (Gay, LGBT)
Just a quick reminder about recent editions:
2015 jury presidents: Joel and Ethan Coen (JEWISH*), gave the palm to Dheepan (pro-refugees propaganda)
2013 jury president, Steven Spielberg (JEWISH*), gave the palm to Blue is the warmest color (pro-LGTBT propaganda)

>Cannes International Film Festival's goal is to reflect the diversity of world cinema

* less than 1% of the world population
>>
>>82826980
nope
>>
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>>82826867
Not an argument
>>
>It's another movie where Haneke tortures his characters and then blame the audience for willing to watch people suffer that much on a screen to excuse his own sadism

Cannot wait
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>>82827115
he's right
>>82827066
not my fault that Jews were much smarter than anyone else throughout the history
>>
>>82827154
>he's right
OMG I CAN'T STOP SUCKING YOUR DICK HANEKE NOMNOMNOMNOM
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>>82827154
>capital J
Berg or Stein?
>>
>>82827174
fuck off contrarian
>>82827208
actually non-Jew here
>>
>>82827306
So you're just a cuck huh? Thank you for confirming that Haneke and his worldview is as "establishment" as it gets.
>>
>>82827341
Yes I am an ideological cuck. Who should I be? A racist like you?
>>
>>82827367
>calling yourself a cuck
True cuck right here.
>>
>A snapshot from the life of a bourgeois European family.

oh gee how original

Haneke is a hack.
>>
>>82827411
Yes, I passed through the denial phase. Wish you the same.
>>
>>82827442
I am not the champion of a filmmaker who wishes Europe to be overrun by smelly refugees. That is you. You are the cuck.
>>
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>>82827441
Look who got out of his room. Hello, would you seat with us?
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>>82827524
OMG look how affluent and white they are! This is an AFFRONT TO CIVILIZATION
>>
He's like a fucking protestant preacher who got hold of a movie camera. It's the worst thing ever.
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>>82827479
You oversimplificating thingos
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>>82826674

Can't wait for the nigger camp scenes.
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>>82827626
says a fan of Michael "The film rapes the viewer, I hated Schindler's List, and let me tell you why Europe needs more brown people" Haneke
>>
>>82827630
You will never see them.
>>82827555
At least you know there are still white people in Calais.
>>
>>82827662
exact quote or didn't happen, /po/tard
>>
>>82826984

Naomi Kawase is good stfu nigger.

I'm ok with the rest of descriptions tho
>>
Am I gonna be glad when all these old cucks die off and stop poisoning us with their cuck agendas.
>>
>>82827707
I'm laughing my ass off
MORE LIKE THESE
>>
>>82827664

What, I want a gangbang scene by Haneke. What a disappointment
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>>82827696
>the film rapes the viewer
http://www.spiegel.de/international/spiegel/spiegel-interview-with-director-michael-haneke-every-film-rapes-the-viewer-a-656419.html
>hating Schindler's List
http://www.indiewire.com/2012/11/watch-michael-haneke-calls-downfall-repulsive-dumb-explains-his-issues-with-schindlers-list-104070/
>wants more brown people in Europe
http://www.hollywoodreporter.com/news/european-filmmakers-call-action-refugee-820907
Bang
>>
>>82826984
>Actually invite some of the few decent female film makers
>LOL FEMALE QUOTA PROGRESSIVE xDDD
neck yourself
>>
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>>82826814
He's not. How about making a movie about all those lower-class/middle-class white families living in Calais who must now live in the middle of a literal jungle, who cannot go out into the city with their kids without encountering aggressive savages, etc? Just a couple weeks ago I was seeing a youtube video of a white trash, prole Calaisian father, who was beaten by antifas and refugees in front of his kid because he dared to speak up against the jungle. Who tells these stories in the film industry? They're all swept under the rug. Countless stories of thievery, aggressions, rapes, who gives a fuck about these families who have to cohabit with these savages, who have to raise their scared children in the middle of this hellhole without any possibility of relocation elsewhere because their livelihood is there and they don't have the means to leaves? This is their home. For people like Haneke and the other cosmopolitan elites who force the little people to share their guilt and compassion, these places are merely hotels. Haneke isn't even French, he has zero legitimacy to talk about these issues, an Austrian raised by a Jew in the culture of guilt who constantly gives moralizing lessons to people... Ask yourself where does his power comes from, who funds him, who gives him publicity? He makes slow, austere supposedly anti-Hollywood films, yet still is revered in Hollywood and he's happy to go to the Oscars? It's all the same network of liberal-libertarian anti-nationalist, you don't need to be a /pol/ nazi to realize this.
>>
>>82826695
>>82826747
>>82826818
he would be perfect as Saruman if he was an actor

>the age of (western) men is over
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>>82827751
BTFO
>>
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>>82827751
same old
same old
never knew that filmmakers were mostly leftist
>>
>>82827853
>Haneke isn't even French, he has zero legitimacy to talk about these issues
DETERMINED BZ PLACE OF BIRTH. You fucking idiot xD
also try to live at least 3 days in inhuman camps in Calais without a shitter, and see how long would you last without protest.
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>>82827971
>also try to live at least 3 days in inhuman camps in Calais without a shitter
YOU LITERALLY CAN NOT UNDERSTAND WHAT IT'S LIKE TO STRUGGLE AS AN ECONOMIC MIGRANT!
>>
>>82827971
Id probably just stay in my own country instead of wasting money trying to even get to europe for alleged handouts
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>>82828049
theoretician of everything.
>>
>>82827971

You are that much of a retard, hang yourself
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>>82828049
The simple fact of the matter is basic economics: Europeans have too much money, Syrians have too little. The problem should be easy to solve. I don't expect nationalist proles who care for such petty things as "borders" and "property" to understand.
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>>82828099
I will, don't worry.
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>>82828071
>>82828110
Have either of you talked to any migrants? Ive talked to many from nigeria and they actually pay between 300 and 600 usd each to get the boat from libya to malta. Seems like they could have spent that money on themselves or their future in their own country. They come here with nothing and live off the retards here who give them free shit. I saved 7k euro to take over with me when i migrated.
>>
am i in /pol/ or something?
>>
>>82828171
they just seize the opportunity, like Eminem said, one shot.
They want make their lives easier.
It's better to live in Europa than be blown or hung by Boko Haram
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>>82827856
>implying non Westerners are men.
>>
>>82828200
>am i in /pol/ or something?
You're in a Haneke thread. Where have you been the last two years? Let me gues: Not on /tv/
>>
>fund terrorists groups
>destabilize countries

WOAAAAH *asks NATO to bomb Libya* we did nothing wrong! *tries to remove Assad so he can build your oil pipeline instead of Russia* We re innocent! *starts shit in Ukraine*
>>
>>82828221
They dont understand what europe actually is though, they think everyone is wealthy and life is easy. Easy to find a place to live easy to find work, its really not you have to work hard over here unless retards give everything to you because you're a 'refugee' and they dont want to work hard or they would have stayed at home and bettered their lives the slightly harder way.
>>
>>82828337
>le two wrongs make a right
Predictable liberal response
>>
>>82827821
>few decent female film makers
Female filmmakers are a meme, 99% of female-directed films are technically poor and innovative (don't even try to deny this, this is a fact, women don't care about mastering technique) and are nothing but self-indulgent navel-gazing, they say nothing about the human experience and lack intelligence as well as that "fire" I can't quite define but which is the source of male creativity. Like when you see Apocalypse Now and you can feel Coppola's obsessiveness and personal involvement bursting through the screen, this feeling is utterly absent with female filmmakers. They are, at best, as good as an averagely mediocre male filmmaker. In a true meritocracy, and when compared against historical masters such as Eisenstein, Welles or Tarkovsky, none of these filmmakers would be considered symbols of excellence. Male just have this primal desire to conquer, and male competitiveness which breeds excellence, it's anthropologic key to male survival and why males have always dominated all creative and conceptual fields. If you don't realize that the decline in filmmaking quality these last couple of decades has a lot to do with the rise of feminine and feminized filmmakers (LGBT idols like Almodovar, Dolan, incredibly self-indulgent and vain), and that their place in these festival is the result of agenda-pushing and hard-working lobbies, you're certainly blind. If you look at Cannes selections in the 50's there were no women, and the line-ups were much better, objectively, produced more classics, whereas recently Cannes has mostly been pushing ideologically "progressive" but artistically instantly-forgotten mediocrity. Progressive quotas are the death of art. The rise of someone as technically limited and thematically dishonest as Haneke is also a strong sign of the complete decline in quality of art cinema, in 100 years people will still marvel at Sunrise or Night of the Hunter, no one will give a fuck about this hack.
>>
>>82828337
The governments in europe do not represent the best interests of the people. They can see that in the not so distant future their wont be enough people here to continue paying the taxes needed to fund them, due to declining birth rates. So they have taken the easy option and imported peoples with low iq and high birth rates.
>>
>>82828470
OMG I love these quotes and his serious face
>>
>>82828470
>cue thread deletion
/tv/ mods and janis fucking suck now and its all redwoods fault
>>
>>82828438
And guess who is part of those governments? Europeans, so you are agreeing they are the problem
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HANEKIN SKYWALKER
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>>82828522
Stop misunderstanding satire.
>>
>>82828539
No i am saying the ones in postions of power do not have the regular average european peoples interests in mind.
>>
>>82828539
Silly goy. Do you really not know that banks control politicians now? And the banks are run by Jews. And the media controls the public opinion. And the media are run by Jews. And academe tells students what to think, and the universities are run by Jews.
>>
>>82828200
/pol/ and /tv/ are intrinsically linked, since tv & film are the system's main tool for ideological indoctrination, its industry is owned and massively infiltrated by agents of subversion and their propaganda grows more and more obvious and desperate with every passing day

Cannes is a political event, not an artistic one
>>
>>82828554
>from my point of view the europeans are evil
>>
>>82828286
>Where have you been the last two years?
It wasn't this bad before
>>
>>82827367
Is it "racist" to live your life and pursue your interests without hating yourself? Must you live in a constant state of apology and contrition to anyone less fortunate or successful than yourself? Must you sell out your children's futures in favor of theirs?
>>
>>82828632
Dont forget pop music. Its the main reason /pol/ will never win the ideological battle. Kids grow up listening to it and the majority of the population have listening to it almost all of their lives now.
>>
It's another /pol/ retard goes full retard episode
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>>82828701
>It wasn't this bad before
Haneke is releasing a new movie this year bud. And it's his most fiercely political flick since Cache.
>>
ITT everyone is red-pilled and agrees with each other but let's satirically pretend to be zionist shills otherwise there would be no discussion

now we can go back to posting feet
>>
>>82828736
I can't wait for the shitposting when this comes out. This film is going to be von Trier tier trolling.
>>
>> 82828522 "As the cosmopolitan oligarchs continue to destroy our Western White civilisation" ... this civilization made them oligarchs. they have no intension of destroying something that gives them power. its good to be political active. but i believe you are living in a lie that ( bubble) as you would say, that everyone is wrong but you. Haneke is the establishment.
>>
>>82828803
Dumbass see
>>82828438
>>
>>82828732
Yes, porn and the sexualised music industry is crippling our men.
>>
>>82828678
every aspect of our lives is a political event
to say that Cannes is an establishment event . is like saying that "water is wet".
i believe that most know this.
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>>82828381
So what about i.e. Leni Riefenstahl and Agnes Varda? I'd say their personal involvement and obsessiveness is reflected in their films to a large degree
>>
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>nationalists will never appreciate the melodious beauty of my sermonizing parable films.
>>
>>82828863
l!!
>>
>>82828891
He doesn't know about them. It's probably a pasta, anyway. People who love cinema can't be that close minded.
>>
Literally Nazi propaganda. Absolutely disgusting. Why is /tv/ infiltrated by those anti-intellectual apes? /his/ and /lit/ don't have this problem.
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>>82828522
>>82828578
Isn't it funny that mods are so afraid they feel the need to delete my comment which was just slightly political, even though the point I was making was that movies and politics are intricately linked, and as our world heads towards crisis it's only natural that opinions will become increasingly polarised and will spill over into the entertainment industry, hence on /tv/.
>>
>>82828991
Many of his films aren't Austrian.
>>
>>82828868
Not just that its sexualised it promotes messages played on repeat day after day.
Popular song here played all the time still has the chorus 'ive got no roots'
>>
>>82828891
I said 99% leaving room for a few exceptions, Leni is one of them, an amazing visionary. I abhor Varda personally though, she's nothing.
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>>82829010
>opinion
You're repeating Nazi propaganda. It's possible to find similar opinions in Der Sturmer or Der Angriff.
>>
>>82829060
In what way are Leni's propaganda films visionary? She's actually very overrated, stealing mostly from the Soviets and Americans.
>>
>>82826759
>that one Swiss town where after the government told them they had to accept a refugee center but they refused and have to pay an annual fine for it but the fine is technically less than what it would cost to deal with all the crime and other expenses from letting them live there
>that one Swiss town where a single african woman with her 7 niglets, who had to have several caretakers help her(paid for by the town), had to raise taxes in the town to pay for her
REALLY makes you thingk don't it
>>
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>>82829122
>Europe had its chance
>>
>>82829095
Even if that were the case, in what way does calling something "nazi" discredit an argument? It's 2017 senpai (the current year). You're gonna have to do better than just throwing labels around.
>>
>>82828891
Leni is boring. The Nazis didn't understand art.
>>
>>82829060
Quite ironic how you dismiss Haneke as literal propaganda with your taste in films. But I guess politically motivated films are only okay if they fall within your own politcal views?
>>
>>82827442
Rekt
>>
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>>82829234
>The Nazis didn't understand art.
Wot
>>
I love it when the rich extol destructive virtues that those below them SHOULD embrace.

Of course, they don't feel the effects; so, what matter is it to them?
>>
>>82829284
I hope in some shocking twist the movie is about this: the rich family believes Europe should bend over backwards for the smelly refugees and they don't feel the effects of it.
>>
>>82829234
>The Nazis didn't understand art.
This has to be a troll. If there's one thing the nazis got right it was art and aesthetics, just look at their uniforms and shit, Hugo Boss etc.
>>
>>82829276
>let's just copy old stuff but make it bigger
>>
>>82829284
https://www.youtube.com/watch?v=tLUTe9ZQpYk
>>
>there is a janitor camping out in this thread RIGHT NOW hunting and pecking posts he does not agree with and deleting them like an impotent child
>>
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>>82829276
>>82829355
And the opponents of the Nazis clearly did understand art. Look at the magnificent masterpieces they erected...
>>
>>82829122
>deleted
Why, janny?
>>
>>82829276
This is a good example. Shitty, impractical building that couldn't be built. They never created anything worthwhile. They could only copy others. I guess this is what happens when you're led by a dumb mania without any formal education.
>>
>>82829328
Garbage that can only impress video games generation.
>>
>>82829284
They do feel the effect of them, just not the effects most of us experience.
https://www.ft.com/content/8f8722a0-20d2-11e6-9d4d-c11776a5124d
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>>82829385
Speer was at the helm. It could have been done.
>>
>>82829385
yeah just like the romans just copied from the etruscans and the greeks, fucking idiots lmao

>>82829406
You mean impress the majority of Germany at the time? And parts of the population of the countries they invaded? Damn you got me good.
>>
>>82829415
Berlin is literally a swamp. It couldn't be done. Speer's father called him crazy when he showed him this project.
>>
>>82829464
Can you elaborate?
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>>82829464
>Berlin is literally a swamp
So is Miami
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>>82829427
It's still a mystery why Germany fell for the Nazis. It's such a great country.
>>
>>82829539
>It's still a mystery why Germany fell for the Nazis
Not a student of history are you? https://en.wikipedia.org/wiki/Treaty_of_Versailles
>>
>>82829539
>humiliating defeat
>totally unfair peace treaty
>country torn apart
>hyperinflation
>widespread poverty

Is it really that much of a mystery?
>>
>>82829539
if anything it was waiting to happen given the conditions after WWI.
>>
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>mfw as this thread is picking up steam the black dick spam is beginning on /tv/
Something problematic is going on.
>>
>>82826674
The only thing that faggot did that was good was 7th Continent, he should've just killed himself after that.
>>
>>82829487
You can read about this on Wikipedia. Look for Welthauptstadt Germania and Schwerbelastungskoper.
>>
>>82829640
It seems you have uncovered something interesting.
>>
>>82829630
What's the quote again from some guy who said the treaty was just a rearmament thing and he even gave the right amount of years until shit would hit the fan again?
>>
>>82829564
I'm actually a history major. Versailles is not an answer. The Nazis weren't popular in the 1920s.

>>82829578
You don't know anything about German history. Please stop.
>>
>>82829707
>The Nazis weren't popular in the 1920s.
The Weimar Republic was. That filth of a political institution.
>>
>>82829707
>You don't know anything about German history. Please stop.
He just listed the reasons why. What are your reasons then, "history major"?
>>
>>82829728
Anti-semitism
>>
>>82829735
simply epic
>>
>>82829728
His reasons are wrong. For example hyperinflation ended in 1924.
>>
>>82829140
Sports events of today are still using the grammar and techniques she developed for Olympia, the incredible impact in the collective unconscious of her images of German rallies, imposing symmetrical crowds, etc. which have become synonymous with faceless fascism, endlessly parodied, influenced storytellers from heroic fantasy to scifi... Her technical achievements and aesthetic influence are undeniably strong and still felt today, even if used with subverted intents and meanings (whenever you're watching special olympics and commentators are talking about how wonderful it is that everybody can compete and it doesn't matter who wins, the images were envisioned to create fascination for athletes bodies, pride for one's flag, etc, whenever you're watching PC blockbusters using endless armies as metaphors of nazi evil, etc. you still witness the virtues of order and discipline)

>>82829253
Who would claim Leni's films weren't propaganda? That's the first thing we know about them, and what we have in mind when we watch them. Haneke's films are very dishonest about what they are. My views don't align with communism yet I have immense respect for Eisenstein's objective achievements. Who could deny he had a visionary eye? Haneke doesn't and it's very obvious, his eye is weak and his ideology is weak. If I was Chancellor Soros, I would NOT name him my Minister of Propaganda, because he'd do a real shit job!
>>
>>82829718
What are you even trying to say?
>>
>>82829786
Everything was great in Germany after that, no problems?
>>
>>82829735
fucking lmao jesus christ
>>
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>>82826674
>A snapshot from the life of a bourgeois European family.

wow, unexpected subject from Haneke
>>
>>82829814
https://en.wikipedia.org/wiki/Weimar_culture
A contributing factor to the rise of the Nazi party.
>>
>>82829799
But the Germans aren't actually faceless in her films.
>>
>>82829838
>Prior to the movie's premiere at the Cannes Film Festival, director Michael Haneke predicted that two scenes would elicit the strongest reactions: the death of the fish, and the money being flushed down the toilet. The movie's producer agreed about the fish, but didn't believe people would care about the money. Haneke turned out to be right; during the money flushing scene, he witnessed several people leaving the cinema in shock.

the madman
>>
>>82829820
There were other problems. High unemployment rate that skyrocketed during the Great Depression was definitely one of them.
>>
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This, quite simply, fucking tears it. I want to like Michael Haneke. I think he's got an impressive eye for detail, he manages to get provocative performances from his actors, and even the premises of a lot of his films are interesting. I've watched the majority of his films, trying to understand exactly what makes him tick.

After finishing pic related, I've had enough of trying. I can't believe the audacity of this guy. His capitalist shaming "modern life is empty" bullshit has finally made my fucking skin crawl. Does he want us all to abandon our pursuits and go to places where "life really matters" and people die of the simplest curable diseases every day? Why doesn't the old coot do it himself? Nope, he would rather make his meandering heavy-handed movies designed make Westerners feel guilty and uncomfortable with their lifestyles. Oh my God, they have jobs?! They have possessions?! They have expendable income?! THEY ARE SO UNHAPPY! LOOK HOW UNHAPPY THEIR LIFESTYLE HAS MADE THEM! LOOK HOW EMPTY EVERYTHING THEY DO IS!

Fuck Michael Haneke. Keep on biting the hand that feeds you you old edgy sack of shit. Anyone who takes these "messages" to heart should be deported to North Korea with Haneke.
>>
>>82829845
Not really. Like I said, they weren't really popular in the 1920s. And naturally they weren't the only ones who complained about Weimar 'degeneracy'.
>>
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>>82829935
Haneke is rejuvenated by your tears.
>>
>>82829964
And yet they were the only ones who did something about it.

But you offer no answers yourself so let me ask: Why DID the Nazi party rise?
>>
>>82829935
but isn't that what most of you people do anyway? you always talk about western people being empty and having lost any meaning and caring more for dumb stuff like capeshit and nerd culture than stuff that actually matters and needing nationalism and strong morals to fight off this cultural decadence
difference is that you accuse only leftists of being this way
>>
>>82829935
It's based on a true story though, why are you blaming him.
>>
>>82829370
Jesus christ that is horrifying.
>>
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While not espousing a specific economic philosophy, Hitler employed anti-semitic themes to attack economic systems in other countries, associating ethnic Jews with both communism ("Jewish Bolsheviks") and capitalism, both of which he opposed.[21][22]

The German economy, like those of many other western nations, suffered the effects of the Great Depression with unemployment soaring around the Wall Street Crash of 1929.[1] The Nazis came to power in the midst of Great Depression. The unemployment rate at that point in time was close to 30%.[27] By 1938 unemployment was practically extinct.[10] Wages increased by 10.9% in real terms during this period.[2]
>>
>>82830082
Mostly because of the Great Depression, good propaganda and help from old elites
>>
>>82830211
>Hans Schmidt
Yup, a very reliable source. A former Waffen-SS soldier helping ex-Nazis after the war.
>>
>>82826674

Tell me Michael

If Islam is so great then why are there no good Muslim films?
>>
>>82829328
Do you even know why Hugo Boss designed for them? Aren't you disgusting. Don't spell 'art' again you greasy repulsive fuck.
>art and aesthetics
go read about the view nazis had on art and don't come back to /tv/
>>
>>82828337

Western leftists like Haneke bitch about Assad and his "war crimes" against moderate terrorists all the time.
>>
Entartete Kunst
>>
>>82826984
You can dislike Haneke but don't post shit like this. There is not a single film about Jews in the competition this year. There is nothing wrong with female directors. Loznitsa last film was about tourists acting like idiots in former German concentration camps, not about Jews.
>>
>>82830545
Eyes wide shut
>>
>>82830577
?

Oh, and Dheepan isn't really about good immigrants. But I agree that it wasn't the best film.
>>
>mfw Haneke will be the first person to win three Palme d'Or
>conservacucks and meme nazis can't do anything about it
>>
>>82830769
Michael Moore won a Palme d'Or no one should give a good fuck about that toilet trophy.
>>
>>82830810
Everyone makes mistakes. Cannes is usually right about the winner.
>>
>>82830872
>Cannes is usually right about the winner.
Elephant won the year before lol. Cannes is trash.
>>
>>82829578
would you care to explain as to why the treaty was unfair? mind that there had been no major war even comparable to WWI within modern times so comparisons are excusable.
>>
>>82830908
Tree of Life, Uncle Boonmee, Winter Sleep, Blue is the Warmest Color. All good movies that will be remembered for a long time.
>>
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>>82830985
Uncle Boonmee and Winter Sleep aren't even remembered at all. Nobody gives a shit about them anymore. Not to mention all the other garbage that's won like pic related.
>>
>>82829735
Why were they antisemitic? Why did that idea gain enough traction to throw an entire continent into turmoil? Nothing justifies mass murder/genocide, and that's why the Nazis failed. They went too far, too cruel, and the rest of the world could not condone or allow it. But shit like that doesn't just happen for no reason at all, does it?
>>
>>82826984
>Loveless, d’Andrey Zvyagintsev
>Mise à mort du cerf sacré, de Yorgos Lanthimos
>Okja, de Bong Joon-Ho
Of course the best directors aren't jewish. At least they invite some talent
>>
Extremely sad film and it made me want to give up my apartment, my used car, my job, all my money and everything I own to random brown people from third world countries
>>
>>82830985
Venice is best of the big three. Cannes is just a celebration of degeneracy.
Also, Blue is the Warmest Color belongs in the trash.
>>
>>82830985
>Tree of Life
Yes
>Uncle Boonmee
Only in elitist circles
>Winter Sleep, Blue is the Warmest Color
No
>>
>>82831352
this unironically,.
>>
About Cannes being trash posts, I'll repost one I made 1 year ago, includir huur duur explanations:

Literal Bad Winners (facts)

1982: Yol (Dude Director is in Jail lmao)
2001: Fahrenheit 9/11 (Dude Bush is bad lmao)
2015: Dheepan (Dude Refugees lmao)
2016: I, Daniel Blake (Dude Capitalism is dying It's 2016 lmao)

Bad Winners (Opinions)

1979: Die Blechtrommel (Dude Fuck Coppola you'll not win your 2nd alone lmao)
1980: All That Jazz (Dude this movie doesn't belong to this year but we don't give a fuck lmao)
1997: Ta'm e guilass (Dude 2/3 the movie in the same car lmao)
2010: Uncle Boonmee Who Can Recall His Past Lives (Dude Tim Burton was on drugs that night lmao)
2013: La vie d'Adèle (Dude Homosexual relationship in the year when France didn't wanted to approve homosexual marriage lmao)
>>
>>82828381
>films from the 50s
>were classics
wow really niggled my noggin
>>
>>82831361
In what way Venice is the best? It's easily the worst. In 2015 From Afar won Venice - a film about an old man having sex with a teenage boy.
>>
>>82831788
read Death in Venice you pleb.
>>
Why is nobody here talking about the movie or movies in general in this specific thread?


dare I say it, but are you guys a "faggot"?
>>
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>>82831755
>1997: Ta'm e guilass (Dude 2/3 the movie in the same car lmao)
get out of that fucking car
>>
>>82831881
/pol/ ruins everything with its anti-intellectualism.
>>
>>82831922
Haneke is pretty far from intellectual though
>>
>>82831788

Festivals from best to worst in quality:

Locarno > Valladolid > Annecy > Toronto > Mar de Plata > Sitges > Rome > Moscow > San Sebastián > Venice > Cannes > Sundance > La Habana > Austin > Berlin > Tribeca
>>
At least the butthurt this movie will provoke will give get some discussion going about Cannes and arthouse films, no matter how political they will get
>>
>>82831968
>tronno that high
a fucking leaf
>>
>>82831968
Elaborate. What's so great about Locarno? How many films that won Leopard are still remembered?
>>
>>82831968
Mostly agree with this
>>
>>82831976
Great, some /pol/acks watch non-mainstream and foreign movies. This thread is still terrible.
>>
>>82832314
>This thread is still terrible.
Haneke is pretty fucking terrible. it's only fitting.
>>
>>82832347
i'm going to kick your ass
>>
>>82832347
It's irrelevant. There is no discussion in this thread.
>>
>>82832390
maybe if you ask nicely your bull can do it for you, cuckboy.
>>
>>82831976
Speak for yourself, I plan to use the movie to trigger /pol/ while only posting cunny and blacked threads on /tv/
>>
>>82832441
>There is no discussion in this thread.
it happens to be the best thread on /tv/ for the past several hours.
>>
I bet this fruitcake thinks marvel flicks are better than snyder's dckino.
>>
>>82831755
I'll try to be fair and mention palm winners that still elicit a positive consensus and I still see get mentioned often in cinephile circles, ignoring the ones that don't

40's -- they skipped a few years
Rome, Open City (Rossellini)
Brief Encounter (Lean)
The Lost Weekend (Wilder)
The Third Man (Reed)

50's -- lots of classics from different countries, feels balanced, lots of influential directors
Miracle in Milan (De Sica)
Othello (Welles)
The Wages of Fear (Clouzot)
Gate of Hell (Kinugasa)
Marty (Mann)
The Cranes Are Flying (Kalatozov)
Black Orpheus (Camus)

60's - Italian cinema at its peak, Euro (and Jap) cinema in general very strong, no politics shoved down your throat
La dolce vita (Fellini)
Viridiana (Bunuel)
The Leopard (Visconti)
The Umbrellas of Cherbourg (Demy)
The Birds, the Bees and the Italians (Germi)
Blowup (Antonioni)

70's -- Euro cinema going to shit, New Hollywood innovates
MASH (Altman)
The Conversation (Coppola)
Taxi Driver (Scorsese)
Apocalypse Now (Coppola)
The Tin Drum (Schlöndorff)

80's -- both Euro and New Hollywood are dead, poor decade artistically
Kagemusha (Kurosawa)
Paris, Texas (Wenders)
The Mission (Joffe)

90's -- offbeat indie Americans and auteurs from third world countries mostly for political reasons
Wild at Heart (Lynch)
Barton Fink (Coens)
Pulp Fiction (Tarantino)
Underground (Kusturica)
Taste of Cherry (Kiarostami)

2000's -- festival more political than ever, most winners are small societal dramas, two most memorable winners are anti-Nazi remembrance
The Pianist (Polanski)
The White Ribbon (Haneke)

2010's -- only non-political films are memorable
Uncle Boonmee Who Can Recall His Past Lives
Tree of Life
>>
>>82829370
nothing wrong with some brutalism architecture here and there
>>
>>82832464
/tv/ is more about memes than films.
>>
>>82832746
We are discussing the film, fool. This film is fiercely political, and unapologetic about it. The discussion will be the same. It's what Michael "White is a Blight" Haneke would want.
>>
>>82832669
Why are you posting this shit again? Most films on your list at very political. Italian films in the 60s were more political than modern films.
>>
>>82832807
You are not discussing this, or any other film.
>>
>>82832669
It would be more accurate to compare films in competition amongst the big three over time so you can see the Cannes drift.
>>82832888
Why is Italian film so superior?
>>
>>82832957
Neither are you. Go find a Rick & Morty thread. I run Haneke threads, you're just some poor little tourist.
>>
>>82832888
Political but not preachy, had a strong sense of anesthetic meaning they could be enjoyed as art regardless of political ideas, transmitted said ideas in creative ways such as surrealism or satire instead of bland social realism without any imagination or universal appeal
>>
>>82826984
Almodovar is gay? Next you'll tell me Mel Brooks is Jewish.
>>
>>82832669
The best films in Cannes usually win the FIPRESCI, and there are a lot of good movie that win other awards not to mention some snubbed masterpieces here and there, Holy Motors for example.
>>
>>82833042
>not preachy
They are blunt and often even more preachy than modern films. La Dolce Vita is a good example.
>>
>>82829838
did you see the last scene of Seventh Continent?
>>
>>82830810
not for the best film though
winning in this category is fair since 50s
>>
>>82831062
>best
>most remembered
this is how you spot a plebeian. What is popular = the best.
Fucking popculture, Who's the marxist now?
>>
>>82829838
>>82833779

Oh god I really fucking hate Seventh Continent jesus christ I wanted to rescue that little girl from all this fucking shit
>>
>>82832669

I like this chart, good job
>>
>>82831968
>Valladolid so high
why?
>>
>>82834221

They used to give awards to Bergman before he went mainstream
>>
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>>82834044
>>
>>82832669
>only non-political films are memorable
Uncle Boonmee Who Can Recall His Past Lives
HOLY FUCK, Boonmee implies regional thailand politics, Boonmee was the first to kill commies
>>
>>82832669
again, Umbrellas of Cherbourg has strong anti-war message about Algeria
>>
>>82834044
But they were all rescued from all this fucking shit.
>>
>>82826984
you faggots gonna ruin cannes threads now? fuck off with that shit
>>
>>82834395
shut up u sjw reddit tumblr cuck
>>
>>82835871
They ruined the festival, They ruined cinema. Are we supposed to pretend nothing changed?
>>
>>82833042
>had a strong sense of anesthetic
Have you been given one?
>>
>>82835035
No, no. You were watching a Marvel movie.
>>82835971
Anons love capeshit instead of true international cinema. What did you expect? It's reddit'
>>
>>82835971
Without da evil joos cinema as a medium wouldn't have ever progressed as anything other than a novelty

If you're so bothered by them go make your own fucking movies with other pepe posting faggots
>>
>>82835971
>The Cannes Film Festival has its origins in 1932 when Jean Zay, the French Minister of National Education, on the proposal of Philippe Erlanger and with the support of the British and Americans, set up an international cinematographic festival.
>Jean Zay (6 August 1904 – 20 June 1944) was a French freemason[1] politician. He served as Minister of National Education and Fine Arts from 1936 until 1939. He was imprisoned by the Vichy government from August 1940 until he was murdered in 1944.
>Zay was born in Orléans, in the départment of Loiret, about 130 kilometres (81 mi) south of Paris. His father, Leon Zay, descended from a Jewish family from Metz,
Looks like the ruin started before it even began
>>
>>82836193
>on the proposal of Philippe Erlanger
>Philippe Erlanger est le fils du compositeur Camille Erlanger (1863-1919) et d'Irène Hillel-Manoach (1878-1920), qui appartient à la famille Camondo. Ses parents sont juifs non pratiquants.
>juif
Really made me think
>>
>>82836273
>that witch hunting
>>
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>>82836131
Muybridge, Edison, Lumière brothers, Méliès, Edwin Porter, DW Griffith, John Ford, Frank Capra, etc. were Jews? Why do Jews dominate the industry? You can't make films without money, and who has the money, the banks, who practices nepotism to the point where every single person in charge of all the big studios is Jewish? Who owns the press and media, that does the marketing for the industries products? All this network is made in such a way that works going against their will simply don't get produced.

>Playboy: For many years, American letters seemed dominated by Southern writers but as you have said, “during the last ten years the large % of the more talented American writers are urban Jewish intellectuals.” How do you feel about this shift in ethnic, geographic and literary emphasis?

>Capote: Well, it has brought about the rise of what I call the Jewish Mafia in American letters. This is a clique of New York-oriented writers and critics who control much of the literary scene through the influence of the quarterlies and intellectual magazines. All these publications are Jewish-dominated and this particular coterie employs them to make or break writers by advancing or withholding attention. I don’t think there’s any conscious, sinister conspiracy on their part–just adetermination to see that members of their particular clique rise to the top. Bernard Malamud and Saul Bellow and Philip Roth and Isaac Bashevis Singer and Norman Mailer are all fine writers, but they’re not the only writers in the country, as the Jewish literary Mafia would have us believe. I could give you a list of excellent writers, such as John Knowles and Vance Bourjaily and James Purdy and Donald Windham and Reynolds Price and James Leo Herlihy and Calder Willingham and John Hawkes and William Goyen; the odds are you haven’t heard of most of them, for the simple reason that the Jewish Mafia has systematically frozen them out of the literary scene.

Replace literature with cinema
>>
>>82836574
Edison was probably the biggest Jew of all time the way he took credit for everything
>>
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>>82836574
>who practices nepotism to the point where every single person in charge of all the big studios is Jewish?
Not anymore
>>
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>>82836564
Thread posts: 224
Thread images: 35


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