Why do his movies have shit editing?

his editor is a female

>>81558668
protip: editing has been historically more of a woman's job, compared to other positions in the industry (as much as 40% in the classic Hollywood era of 1930-1960)

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What's wrong with his editing?

>>81557933
Shit bait. Pity response

What a badly elaborated trolling effort you have displayed here, OP. I'm also referring to your shitty minion first response too.

>>81557933
silence was well edited though

>>81557933
but they don't

>>81558946
A lot of scenes don't match up, delayed reactions (Silence), characters'll be in one spot, then another in the very next shot (Vinyl Pilot and The Departed), also some weird editing effects that don't enhance the experience (Casino). It's pretty noticeable, I think Marty cares for the performance more than the continuity.

>>81559014
>>81559050
It's not trolling, just watch his films, you'll see.

>>81557933
kys

>>81559165

>Intentional continuity errors

It's artistic

>Casino

Maybe.

>>81559165
>some weird editing effects that don't enhance the experience (Casino)
what weird editing effects are in casino?

>>81559260
It's been a while, but I remember a lot of shots being repeated during various montage scenes, one shot will fade into the exact same shot for whatever reason.

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>Thelma Colbert Schoonmaker (born January 3, 1940) is a French-born American film editor who has worked with director Martin Scorsese for over forty years. She has edited all of Scorsese's films since Raging Bull (1980), first working with Scorsese on his debut feature film Who's That Knocking at My Door (1967). Schoonmaker has received seven Academy Award nominations for Best Film Editing, and has won three times—for Raging Bull (1980), The Aviator (2004), and The Departed (2006).

Tarantino also had a lady editor he always worked with until she died. Woody Allen also works with some lady. I assume some of this directors are too lazy to learn how to edit and just have this girls as key pressers

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>>81559260
JUST

Goodfellas is literally edited perfectly though. How can you watch the opening scene without thinking that? "As far back as I can remember I always wanted to be a gangster." Henry slams trunk on murdered body, camera quickly pushes in to a freeze frame on Henry's dazed face, the big brassy horns of Rags to Riches chime in and Saul Bass opening titles fly across the screen, all in about seven seconds. Perfect. Or the paranoid finale? Or the Layla coda? Scorsese meshes image with sound perfectly.

>>81559534
this is not an editing effect, thats a practical effects and unless Scorsese shot from another angle its the directors fault here

>>81559165
As much as I do love all of Scorcese's films I have noticed odd editing like that. Their is a particular scene in The Departed where Leo and Jack are talking in that restaurant where the priest is. The 2 shots between the close up of Leo and Jack have drastically different lighting and I always notice it, I see a lot of odd stuff in his movies like that and it feels very unnatural.

>>81557933
Nope.

Goodfellas was good. Casino was good. Departed was good. Bringing out the Dead was fucking great.

In endings I mean. They suited the movies.

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>>81557933
CUT...OP IS A FAGGOT
Go back to le réddït capeshit.

Because you don't know anything about editing.

Because some nag always wants it cut to less than three hours.

>>81559406
Scorsese was an editor before becoming a director.

He taught her editing.

She is regarded as a genius film editor.

OP is trolling the uneducated.

Ask yourself why she would be kept for 30 years as the editor of the great Scorsese if she sucked.

>>81558668
There are many female editors.

>>81559406
All the awards and critical acclaim she's gotten means nothing. OP fell asleep halfthrough The Silence so that means she's a shit editor.

>>81560331
People have already pointed out weird edited cuts it isn't a matter of "trolling the uneducated"

0:52 always found that edit of when he gets shot weird
https://www.youtube.com/watch?v=eTapR73pfrY