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Inception

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>characters that are mostly walking expositions
>interesting premise turns into a run of the mill action movie
>dull directing that does little to nothing to convey movie's themes in a meaningful, memorable way

Why do people rave about this flick, again? I'm assuming because they feel intelligent that they "got" it, even though the movie itself is blatantly direct and Nolan just loves to spoon feed his audience in each of his movies.
>>
The Brilliant Deception of Inception – Wisecrack Edition
https://www.youtube.com/watch?v=p162TQ6NTc0

Inception's Hidden Meaning: The Film is the Dream
https://www.youtube.com/watch?v=LSDQbhC2y7o

A Dream? - Inception Analysis
https://www.youtube.com/watch?v=Svep6expXmA

The Inception Mystery FINALLY Solved!
https://www.youtube.com/watch?v=h11NB7K8B2A

Is INCEPTION Dream Hypnosis ? Part 1 of 3
http://www.youtube.com/watch?v=dC0igjHE7ps

Inception and the Surreal - Between the Lines
https://www.youtube.com/watch?v=PtI5Ni32rRk
>>
>>80341006
This proves nothing.
>>
>>80340538
action movies can be fun, anon. you're just projecting your desire for thinking your taste in film reflects your intelligence on to other people

a film being easy to understand isn't a flaw in itself
>>
>>80340538
>interesting premise turns into a run of the mill action movie
Opinion discarded. Just the sequence with the bridge where you're having 3 levels of reality cutting back and forth between while the premise is being realized to its fullest just shows how full of shit you are.
>>
>>80340538
No one pretends Nolan's flicks are intelligent you quasi-turbo nerd
>>
>>80340538
What else do you expect from one of the most pretentious hacks right now?
>>
>>80340538
It's an interesting action movie. I didn't think it was too deep, but it was pretty cool.
>>
>>80341071
>a film being easy to understand isn't a flaw in itself
Film spoon feeding you it's themes and lacking subtlety is a flaw. Also, the dream sequences were hardly interesting and Nolan played it too safe. Satoshi Kon's Paprika did it far better than Inception.

>action movies can be fun
There are a good amount of great action movies, but this is not even a decent one, let alone a good one. Like I said, it had an interesting premise that boiled down into a generic action movie, and that's why it was bad.

>you're just projecting your desire for thinking your taste in film reflects your intelligence on to other people
There are films that at least bother to challenge the viewer and this isn't one of them.

>>80341202
>premise is being realized to its fullest just shows how full of shit you are.
What I meant was the dream aspect of the film gives a lot of room to play with, but Nolan failed to utilize that and the end result was mediocre at best. Satoshi Kon's Paprika was a real visual treat and used it's dream sequences much better than Inception did. Learn to read.

>>80341269
>No one pretends Nolan's flicks are intelligent
Drag yourself out of the rock you've been living for the past decade to see how wrong you are.
>>
>>80341312
Never expected much, I was just wondering why people think Nolan's work is intelligent.

>>80341323
It wasn't, though. The dream sequences played too safe and the action was very mediocre.
>>
>>80341330
>Satoshi Kon's Paprika was a real visual treat and used it's dream sequences much better than Inception did
Except it didn't. It's visually interesting, but it's a lot less focused than Inception. In Paprika you always know when it's a dream. The whole premise of Inception is to make the dreams some what realistic so that you don't know whether it's real life or not...y'know the central conflict with the main character and his wife. And all of that is tied up nicely and explored in the movie. Sounds to me like you don't even understand the premise or why it works.
>>
>>80341474
>Except it didn't. It's visually interesting, but it's a lot less focused than Inception.
Expect it did. Remember the Parade scene? And in Paprika the blurred line between reality and the dream sequences was one of the best aspects of the film and something Kon does often in his work, just take a look at Millennium Actress in which he did it perfectly. Even though it's his weakest film, it's still a solid one and better than Nolan's copy of it.

>y'know the central conflict with the main character and his wife.
How could I have missed that? It's not like the movie constantly bombarded the viewer with it, but oh wait, it did. That was perhaps the only thing Inception managed to pull off decently. Also, stop being condescending, it brings nothing to the discussion.
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