FIRE

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BZZZZZZZZZZZZZZZZ-SHEWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW

Fun fact: Rick Berman fired the original composer for TNG for literally being too good.

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>>79565096
>I am the cutest of Borg
What did he mean by this?

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WATER

>>79565727
source?

The post-omnirangeban state of /tv/ trekthreads is pretty awful.

Shame that the more creative /tv/ trekthread posters won't just pay for Passes. It supports the site.

>>79565727
Did he fire? I knew he hated music in shows and said it should never stand out.

What a retard.

>>79565727
I have a fragment of hope for Discovery because Berman isn't involved.

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>>79565096
>Beards internally

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>he hasn't told her about his sexual organs yet

>>79565096

>watching a behind the scenes thing for the first time
>Brent Spiner's normal voice is the douchy Noonan Singh one

WTF

>>79565727

Yep, what we got instead was sterile boring crap.
Season 1-3 had great music.

https://www.youtube.com/watch?v=UZXIDBpACnM

>>79567894
I hated when Data did one of his stupid voices. He was only good as normal Data.
Not as Shakespeare Data or as Sherlock Holmes Data.
Or deceitful Data.

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>>79569167
WATER

>>79569224
shit meant to be directed to OP I fucked up

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>>79565096
WALK

>>79566558

http://www.jammersreviews.com/articles/trekmusic.php

>In an article in the October 1993 issue of Cinefantastique magazine, I read an interesting article about the music on TNG and DS9. Apparently, the linear-restrained quality has nothing to do with the composers' abilities, but rather the wishes of the producers, and the strict guidelines they impose. It appears to be the reason that led to the firing of Ron Jones (who turned out some of TNG's best scores, including "The Best of Both Worlds" parts I and II, as well as "Brothers," "Final Mission" and many more). Jones was reported as an overbudgeted "troublemaker" who decided to ignore these guidelines—i.e., they got rid of him because his music was too "noticeable." For some reason, the producers decided they wanted no recognizable or recurring themes in the episode scores.