The Entire frozen script.

OPEN ON: ICE.
We’re underwater looking up at it. A saw cuts through,
heading right for us.
EXT. SNOW-CAPPED MOUNTAINS — DUSK
ICE HARVESTERS, dressed in traditional Sami clothing, score a
frozen lake. They SING.
”The Frozen Heart (Ice Worker’s Song)”
ICE HARVESTERS
BORN OF COLD AND WINTER AIR
AND MOUNTAIN RAIN COMBINING,
THIS ICY FORCE BOTH FOUL AND FAIR
HAS A FROZEN HEART WORTH MINING.
The men drag giant ice blocks through channels of water.
ICE HARVESTERS (CONT’D)
CUT THROUGH THE HEART, COLD AND CLEAR.
STRIKE FOR LOVE AND STRIKE FOR FEAR.
SEE THE BEAUTY SHARP AND SHEER.
SPLIT THE ICE APART!
AND BREAK THE FROZEN HEART.
Hup! Ho! Watch your step! Let it go!
A young Sami boy, KRISTOFF (8), and his reindeer calf, SVEN,
share a carrot as they try to keep up with the men.
ICE HARVESTERS (CONT’D)
Hup! Ho! Watch your step! Let it go!
Young Kristoff struggles to get a block of ice out of the
water. He fails, ends up soaked. Sven licks his wet cheek.
ICE HARVESTERS (CONT’D)
BEAUTIFUL! POWERFUL! DANGEROUS! COLD!
ICE HAS A MAGIC CAN'T BE CONTROLLED.
A sharp ice floe overtakes the workers, threateningly. They
fight it back.
ICE HARVESTERS (CONT’D)
STRONGER THAN ONE, STRONGER THAN TEN
STRONGER THAN A HUNDRED MEN!
Massive fjord horses drag heavy ice plows.

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ICE HARVESTERS (CONT’D)
BORN OF COLD AND WINTER AIR
AND MOUNTAIN RAIN COMBINING
The sun sets. Lanterns are lit.
ICE HARVESTERS (CONT’D)
THIS ICY FORCE BOTH FOUL AND FAIR
HAS A FROZEN HEART WORTH MINING.
CUT THROUGH THE HEART, COLD AND CLEAR.
In the dark, Kristoff and Sven finally manage to get a single
block of ice out of the water.
ICE HARVESTERS (CONT’D)
STRIKE FOR LOVE AND STRIKE FOR FEAR.
THERE'S BEAUTY AND THERE'S DANGER HERE.
SPLIT THE ICE APART!
BEWARE THE FROZEN HEART.
The workers pile onto the giant horse-drawn ice sled as it
pulls away.
Left behind, Kristoff and Sven push their ice block onto a
dinky little sled then head off.
We sweep up from them to the Northern Lights filling the
sky...then move across the mountains...beneath the
snowline...and descend upon...
EXT. THE KINGDOM OF ARENDELLE — NIGHT
A humble castle, built of wood, nestled in a deep fjord.
INT. CASTLE, NURSERY — NIGHT
ELSA (8) sleeps in her bed. Her little sister ANNA (5) pops
up beside her.
YOUNG ANNA
Elsa. Psst. Elsa! Psst.
Elsa doesn’t stir. Anna sits on Elsa and bounces.
YOUNG ANNA (CONT’D)
Wake up. Wake up. Wake up.
YOUNG ELSA
(grumbling)
Anna, go back to sleep.
Anna rolls onto her back and spreads all her weight on Elsa.

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YOUNG ANNA
(drama queen-ish)
I just can’t. The sky’s awake, so
I’m awake, so we have to play.
YOUNG ELSA
...Go play by yourself.
Elsa shoves Anna off the bed.
Anna lands butt to floor, sighs, defeated. But then she gets
an idea. She hops back on the bed and lifts one of Elsa’s
eyelids.
YOUNG ANNA
(mischievously)
Do you want to build a snowman?
Elsa’s eyes both pop open. She smiles.
INT. CASTLE STAIRCASE — NIGHT
Anna, now wearing snow boots, pulls Elsa by the hand.
YOUNG ANNA
Come on, come on, come on, come on.
Elsa tries to shush her, but Anna’s too excited.
INT. BALLROOM — NIGHT
The girls sneak into the ballroom. Elsa shuts the door.
YOUNG ANNA
Do the magic! Do the magic!
Elsa laughs and waves her hands together. Snowflakes suddenly
burst forth and dance between her palms, forming a snowball.
Elsa throws the snowball high into the air. Snow bursts out
and flurries around the room. Anna dances about, catching
flakes in her palms and mouth.
YOUNG ANNA (CONT’D)
This is amazing!
YOUNG ELSA
Watch this!
Elsa stomps her little slippered foot and a layer of ice
suddenly coats the floor, forming a giant ice rink. Anna
slides off, laughing.

This is 4/113 btw

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PLAY MONTAGE:
-Anna and Elsa roll giant snowballs and build a snowman
together. Elsa moves his stick arms around.
YOUNG ELSA (CONT’D)
(goofy voice)
Hi, I’m Olaf and I like warm hugs.
Anna jumps up and hugs him.
YOUNG ANNA
I love you, Olaf.
-Anna and Olaf appear to be dancing. REVEAL: Elsa is actually
propelling them across the ice floor with her magic.
-The girls slide down snowbanks together!
-Anna fearlessly jumps off a snow peak into mid air.
YOUNG ANNA (CONT’D)
Catch me!
Elsa makes another peak to catch Anna.
YOUNG ELSA
Gotcha!
Anna keeps jumping. Elsa keeps casting magic.
YOUNG ANNA
(jumping faster)
Again! Again!
YOUNG ELSA
(struggling to keep up)
Slow down!
Elsa suddenly slips.
Her magic accidentally STRIKES Anna in the head. Anna tumbles
down a snowbank and lands, unconscious.
YOUNG ELSA (CONT’D)
ANNA!
Elsa runs to Anna and takes her in her arms. A streak of
Anna’s hair, where struck, turns white.
YOUNG ELSA (CONT’D)
MAMA! PAPA!
The room around them fills with frightening ice spikes.

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The parents burst through the frozen door. GASP at the sight
of the room.
KING
Elsa, what have you done? This is
getting out of hand!
QUEEN
(seeing Anna)
Anna!
The King and Queen rush to Anna and take her in their arms.
ELSA
It was an accident. I’m sorry,
Anna.
QUEEN
(about Anna)
She’s ice cold.
KING
...I know where we have to go.
SLAM CUT TO:
INT. DARK ROOM — NIGHT
The King sifts through a shelf to find an ancient book
inscribed with Old Norse runes. He opens the book, scrambles
to a page with an ancient map.
EXT. ARENDELLE — NIGHT
Carrying the girls, the King and Queen ride their horses out
of the kingdom. Snow streams from Elsa’s hands, leaving a
trail of ice behind them.
EXT. FJORD MOUNTAIN FOREST — NIGHT
A sleepy Kristoff and Sven travel alone through the dark
woods. All of a sudden, the King and Queen race by with the
girls, leaving the wake of ice.
KRISTOFF
Ice?
SLAM CUT TO:

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EXT. BLACK MOUNTAINS — NIGHT
Kristoff rides Sven as they follow the trail of ice.
YOUNG KRISTOFF
Faster, Sven!
EXT. THE VALLEY OF THE LIVING ROCK — NIGHT
Kristoff hops off Sven at the edge of a deep valley. They
hide behind a rock and peek out.
Down below, the King holds a frightened Elsa. The Queen holds
the still unconscious Anna.
KING
Please, help. My daughter!
Suddenly, a bunch of rocks tumble down the valley toward
them. It looks as though they’ll be crushed!
But, luckily, the rocks stop at their feet. The rocks then
unfold, revealing bright faces.
YOUNG KRISTOFF
Trolls...?
The rock in front of Kristoff “wakes up.” Meet BULDA.
BULDA
Shush. I’m trying to listen.
She grabs Kristoff and Sven by hand and hoof and hugs them
close. Sven licks her face and she eyes them both.
BULDA (CONT’D)
Cuties. I’m gonna keep you.
Back below, the crowd parts for a troll as old as the Earth.
They call him GRAND PABBIE. He approaches arthritically, but
determined. He nods respectfully to the king.
GRAND PABBIE
Your Majesty.
(referring to Elsa)
Born with the powers or cursed?
KING
Born. And they’re getting stronger.
Grand Pabbie motions for the Queen to bring Anna to him. She
does. He examines her.

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GRAND PABBIE
(about Anna)
You are lucky it wasn’t her heart.
The heart is not so easily changed,
but the head can be persuaded.
KING
Do what you must.
GRAND PABBIE
I recommend we remove all magic,
even memories of magic to be
safe.... But don’t worry, I’ll
leave the fun.
Grand Pabbie pulls out a glowing blue energy from Anna’s
head. We see her memories floating right above her. Grand
Pabbie changes all of her magical memories to ordinary
memories -- snowy play indoors with the girls in their
nightgowns changes to outdoors on the winter fjords with the
girls in winter gear. He puts the ordinary memories back in
her head.
GRAND PABBIE (CONT’D)
She will be okay.
YOUNG ELSA
But she won’t remember I have
powers?
KING
It’s for the best.
PABBIE
Listen to me, Elsa, your power will
only grow.
As he speaks, he conducts the Northern Lights to show a
silhouette of an adult Elsa creating magical snowflakes.
PABBIE (CONT’D)
There is beauty in your magic....
But also great danger.
The snowflakes turn to sharp spikes.
PABBIE (O.S.) (CONT’D)
You must learn to control it.
In the Northern Lights display, the sharp spikes cause human
figures to panic and attack Elsa.
PABBIE (CONT’D)
Fear will be your enemy.

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Elsa gasps and buries her face in the King’s chest. The King
wraps his arms around Elsa, protectively.
KING
No. We’ll protect her. She can
learn to control it. I’m sure.
Over the King’s words we...
DISSOLVE TO:
-The Arendelle castle gates shutting.
KING (O.S.) (CONT’D)
Until then, we’ll lock the gates.
We’ll reduce the staff. We will
limit her contact with people and
keep her powers hidden from
everyone... including Anna.
-The castle shutters close.
-Anna sits on her bed as Elsa’s furniture disappears.
-Anna rushes to the hall to see Elsa shut the door to her new
room. Anna watches, confused and sad.
DISSOLVE TO:
INT. CASTLE WINDOW — DAY
We look out on a gentle snowfall. Little Anna skips up to the
window. She lights up at the sight of the snow and rushes
down the hall.
INT. HALLWAY, ELSA’S DOOR — DAY
Anna knocks on Elsa’s door and SINGS.
“Do You Want to Build a Snowman?”
YOUNG ANNA
DO YOU WANT TO BUILD A SNOWMAN?
COME ON LET’S GO AND PLAY.
Anna peeks under the door.
YOUNG ANNA (CONT’D)
I NEVER SEE YOU ANYMORE.
COME OUT THE DOOR.
IT’S LIKE YOU’VE GONE AWAY.

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INT. ANNA’S ROOM — Anna plays with two dolls, gives up, sad.
YOUNG ANNA (CONT’D)
WE USED TO BE BEST BUDDIES
AND NOW WE’RE NOT.
I WISH YOU WOULD TELL ME WHY.
-ELSA’S DOOR. Anna peeks through the key hole.
YOUNG ANNA (CONT’D)
DO YOU WANT TO BUILD A SNOWMAN?
-Anna calls through the keyhole.
YOUNG ANNA (CONT’D)
IT DOESN’T HAVE TO BE A SNOWMAN.
YOUNG ELSA (O.S.)
Go away, Anna.
YOUNG ANNA
(hearbroken)
...OKAY BYE.
-BEHIND THE DOOR — DAY. Elsa sits at the window looking out,
longingly. Suddenly, her icy hands freeze the windowsill.
-LATER. The King slips leather gloves onto Elsa’s hands.
KING
The gloves will help.
He pats her gloved hand.
KING (CONT’D)
See? You’re good....
(starting their mantra)
Conceal it.
YOUNG ELSA
Don’t feel it.
YOUNG ELSA & KING
Don’t let it show.
-INT. HALLWAY, ELSA’S DOOR — DAY. Anna, now 9, knocks on
Elsa’s door.
ANNA (9)
DO YOU WANT TO BUILD A SNOWMAN?
-INT. HALLWAY — DAY. Alone, Anna rides a bicycle built for
two in the hall by standing on the back seat.

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ANNA (9) (CONT’D)
OR RIDE OUR BIKE AROUND THE HALL?
I THINK SOME COMPANY IS OVERDUE...
-INT. PORTRAIT ROOM — DAY. Anna runs around the portrait
room, gaining momentum to flip over the arm of the couch.
ANNA (9) (CONT’D)
I’VE STARTED TALKING TO
THE PICTURES ON THE WALLS.
Anna lands PLOP on the cushions, then looks up at the
painting above her of the courageous Joan of Arc.
ANNA (9) (CONT’D)
Hang in there, Joan.
-INT. EMPTY LIBRARY — DAY. Looks like no one’s around.
ANNA (9) (CONT’D)
IT GETS A LITTLE LONELY
ALL THESE EMPTY ROOMS.
But then we find Anna, laying at the base of the grandfather
clock, playing with her braids, bored out of her mind.
ANNA (9) (CONT’D)
JUST WATCHING THE HOURS TICK BY.
Anna’s eyes follow the grandfather clock’s pendulum.
ANNA (9) (CONT’D)
TICK TOCK. TICK TOCK. TICK TOCK.
-INT. ELSA’S ROOM — NIGHT. Elsa (now 12) paces as she panics.
The entire wall is frozen behind her.
ELSA (12)
I’m scared. It’s getting stronger.
KING
Getting upset only makes it worse.
The King goes to hug her.
ELSA (12)
No. Don’t touch me. I don’t want to
hurt you.
He and the Queen look at each other with alarmed sadness.
-INT. LIBRARY — DAY. Anna

10% of the script so far

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INT. KING AND QUEEN’S QUARTERS — DAY. Anna runs into the
room and throws herself into her parents’ arms.
TEEN ANNA
See you in two weeks.
-INT. ELSA’S ROOM — DAY. Elsa curtsies in front of her
parents, formally, not touching them.
TEEN ELSA
Do you have to go?
KING
You’ll be fine, Elsa.
-EXT. DOCKS — DAY. The King and Queen leave on a ship.
-EXT. ROUGH SEAS — NIGHT. Lightning flashes. The sea rages in
a storm. The King and Queen’s ship is lost in the waves.
-INT. CASTLE — DAY. A portrait of the King and Queen is
covered in mourning cloth.
-EXT. CEMETERY — DAY. Anna looks small, standing before her
people, beside burial stones.
-INT. HALLWAY, ELSA’S DOOR. Anna, still in her mourning
clothes, approaches and knocks.
ANNA
(singing)
Elsa? PLEASE I KNOW YOU’RE IN THERE
PEOPLE ARE ASKING WHERE YOU’VE BEEN
THEY SAY HAVE COURAGE
AND I’M TRYING TO
I’M RIGHT OUT HERE FOR YOU.
PLEASE LET ME IN.
Anna slides down the door and sits with her head against it.
ANNA (CONT’D)
WE ONLY HAVE EACH OTHER.
IT’S JUST YOU AND ME.
WHAT ARE WE GONNA DO?
(weak, internal)
DO YOU WANT TO BUILD A SNOWMAN?
We move through the door...
-INT. ELSA’S ROOM — DAY. Elsa is sitting in the exact same
pose as Anna. Her bedroom is frozen with ice. Snowflakes hang
in the air, suspended by grief.

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EXT. THE KINGDOM OF ARENDELLE — MORNING
A new dawn rises over the fjords.
Ships pull up to the docks. Guests pile out.
DOCK MASTER
Welcome to Arendelle!
A BOY tries to get away as his MOTHER tries to stuff him in
his bunad jacket.
BOY
Why do I have to wear this?
MOTHER
Because the Queen has come of age.
It’s Coronation Day!
BOY
That’s not my fault.
They pass the May Pole being raised and a Sami ice harvester
chatting with his reindeer. We recognize them as Kristoff and
Sven, all grown up. Sven hops around excitedly like a dog and
nuzzles Kristoff’s chest.
KRISTOFF
What do you want, Sven?
Kristoff leans in and speaks for Sven, as if he can.
KRISTOFF (AS SVEN) (CONT’D)
Give me a snack.
KRISTOFF (CONT’D)
What’s the magic word?
KRISTOFF (AS SVEN) (CONT’D)
Please!
Kristoff pulls a carrot out of his shirt pocket and hands it
to Sven. Sven tries to bite the whole thing.
KRISTOFF (CONT’D)
Hey, hey, hey! Share!
Sven takes a smaller bite. Kristoff then has a bite himself,
not seeming to care that it’s covered in reindeer slobber.
We move on to PERSI and AGGIE, a super-excited couple who
rush towards the castle.

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PERSI
I can’t believe they’re finally
opening up the gates!
AGGIE
And for a whole day! Faster, Persi!
They pass a tiny but menacing DUKE, who wears taps on his
shoes to “enhance” his presence. Two THUG guards follow close
behind him.
DUKE
Ah, Arendelle, our most mysterious
trade partner. Open those gates so
I may unlock your secrets and
exploit your riches.
(catching himself)
...Did I just say that out loud?
We leave him and head down the bridge towards the castle
gates, passing an Irishman and a Spanish Dignitary.
IRISHMAN
Oh, me sore eyes can’t wait to see
the Queen and the Princess. I bet
they’re absolutely lovely.
SPANISH DIGNITARY
I bet they are beautiful.
We move past them, to a particular castle window.
CUT TO:
INT. CASTLE, ANNA’S BEDROOM — DAY
Anna, 18, snores. Drools. KNOCK. KNOCK.
KAI (O.S.)
Princess Anna...?
Anna sits up. She’s got major bedhead. She coughs. Snorts.
Pulls a hair from her mouth.
ANNA
...Huh? Yeah?
KAI (O.S.)
Sorry to wake you, ma’am but--
ANNA
No, you didn’t. I’ve been up for
hours.
FROZEN - J. Lee 13

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She falls back asleep while sitting. She snores. Her head
drops, startling her awake.
ANNA (CONT’D)
Who is it?
KAI (O.S.)
It’s still me, ma’am. Time to get
ready.
ANNA
Ready for what?
KAI (O.S.)
Your sister’s coronation, ma’am.
ANNA
My sister’s cor-neration...
One eye opens enough to catch sight of her coronation dress.
She bolts, wide awake in excitement.
ANNA (CONT’D)
Coronation Day! Ha ha!
SLAM CUT TO:
EXT. CASTLE HALL — DAY
Anna bursts out of her room, wearing her coronation dress.
She finishes pinning ribbons in her hair. Seeing the hustle
and bustle of preparations, she can’t help but SING.
“For the First Time in Forever”
ANNA
THE WINDOW IS OPEN!
SO'S THAT DOOR!
I DIDN'T KNOW THEY DID THAT ANYMORE.
WHO KNEW WE OWNED 8000 SALAD PLATES...?
-Anna slides along the floor of the ballroom in her socks.
ANNA (CONT’D)
FOR YEARS I HAVE ROAMED THESE EMPTY HALLS
WHY HAVE A BALLROOM WITH NO BALLS?
FINALLY, THEY'RE OPENING UP THE GATES!
-She shakes hands with a suit of armor. Breaks it. Hides the
evidence.
FROZEN - J. Lee 14

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ANNA (CONT’D)
THERE'LL BE REAL, ACTUAL PEOPLE -
IT'LL BE TOTALLY STRANGE.
BUT WOW AM I SO READY FOR THIS CHANGE!
-Anna comes to a window and jumps out onto a window washer’s
pulley. She raises herself up to see the ships arriving.
ANNA (CONT’D)
FOR THE FIRST TIME IN FOREVER,
THERE'LL BE MUSIC, THERE'LL BE LIGHT.
FOR THE FIRST TIME IN FOREVER,
I'LL BE DANCING THROUGH THE NIGHT.
-Anna walks through the garden and follows a family of geese.
ANNA (CONT’D)
DON'T KNOW IF I'M ELATED OR GASSY,
BUT I'M SOMEWHERE IN THAT ZONE
'CAUSE FOR THE FIRST TIME IN FOREVER,
I WON'T BE ALONE.
(speaking)
I can’t wait to meet everyone....
(GASP) What if I meet THE ONE?
-Anna twists herself in a velvet drape like it’s a gown. She
acts like she looks gorgeous, but she looks ridiculous.
ANNA (CONT’D)
TONIGHT, IMAGINE ME GOWN AND ALL-
FETCHINGLY DRAPED AGAINST THE WALL.
THE PICTURE OF SOPHISTICATED GRACE.
-She notices the bust of a man across the room.
ANNA (CONT’D)
(google-eyed)
I SUDDENLY SEE HIM STANDING THERE,
A BEAUTIFUL STRANGER TALL AND FAIR.
(mouth full of chocolate)
I WANNA STUFF SOME CHOCOLATE IN MY
FACE!
-She grabs the bust of the man and swings it around.
ANNA (CONT’D)
BUT THEN WE LAUGH AND TALK ALL EVENING,
WHICH IS TOTALLY BIZARRE.
NOTHING LIKE THE LIFE I'VE LED SO FAR.
The bust goes flying and lands on the top of the cake.
-Anna bursts into the portrait room, bounces on the
furniture, and interacts with the paintings.
FROZEN - J. Lee 15

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ANNA (CONT’D)
FOR THE FIRST TIME IN FOREVER,
THERE'LL BE MAGIC, THERE'LL BE FUN.
FOR THE FIRST TIME IN FOREVER,
I COULD BE NOTICED BY SOMEONE.
AND I KNOW IT IS TOTALLY CRAZY
TO DREAM I'D FIND ROMANCE.
BUT FOR THE FIRST TIME IN FOREVER,
AT LEAST I'VE GOT A CHANCE!
-INT. LIBRARY. ELSA, now a very poised 21, watches out the
window as the coronation guests arrive.
ELSA
DON'T LET THEM IN.
DON'T LET THEM SEE.
BE THE GOOD GIRL
YOU ALWAYS HAVE TO BE.
Elsa moves to a painting of her father’s coronation. She
takes off her gloves and mimics the painting by holding a
candlestick and ornament in place of an orb and scepter.
ELSA (CONT’D)
CONCEAL. DON'T FEEL.
PUT ON A SHOW.
MAKE ONE WRONG MOVE
AND EVERYONE WILL KNOW.
The candlestick and ornament ice over. Elsa gasps, slams them
back down onto the table. She tries to reassure herself.
ELSA (CONT’D)
BUT IT'S ONLY FOR TODAY.
We cut between Anna’s excitement and Elsa’s nerves.
ANNA
IT'S ONLY FOR TODAY!
ELSA
IT'S AGONY TO WAIT.
ANNA
IT'S AGONY TO WAIT!!!
ELSA
TELL THE GUARDS TO OPEN UP THE GATE.
ANNA
THE GATE!!!
-Finally, the gates are open! Anna moves through the crowd,
admiring the people around her.
FROZEN - J. Lee 16

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ANNA (CONT’D)
FOR THE FIRST TIME IN
FOREVER.
ELSA
DON'T LET THEM IN
DON'T LET THEM SEE
ANNA
I'M GETTING WHAT I'M DREAMING
OF
ELSA
BE THE GOOD GIRL
YOU ALWAYS HAVE TO BE
ANNA
A CHANCE TO LEAVE MY SISTER'S
WORLD
A CHANCE TO FIND TRUE LOVE
ELSA
CONCEAL.
CONCEAL. DON'T FEEL.
DON'T LET THEM KNOW.
-Anna hurries over the bridge and into the village square.
ANNA (CONT’D)
I KNOW IT ALL ENDS TOMORROW,
SO IT HAS TO BE TODAY!!
‘CAUSE FOR THE FIRST TIME IN
FOREVER. . .
FOR THE FIRST TIME IN FOREVER!
NOTHING'S IN MY WAY!!!
-Anna SLAMS right into the breast of a HORSE!
She falls back and lands in a small wooden boat. It tips off
of the dock. She’s heading overboard. But just then, the
horse slams his hoof into the boat and steadies it.
ANNA (CONT’D)
(frustrated)
Hey!
HANS
I’m so sorry. Are you hurt?
The rider, HANS, sure is handsome and regal.
ANNA
(gentler)
Hey. I-ya, no. No. I’m okay.
HANS
Are you sure?
ANNA
Yeah, I just wasn’t looking where I
was going. But I’m okay.
He hops down from his horse and steps into the boat.
ANNA (CONT’D)
I’m great, actually.
FROZEN - J. Lee 17

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HANS
Oh, thank goodness.
He offers her a hand and their eyes meet. Chemistry. He helps
her to her feet.
HANS (CONT’D)
(bowing)
Prince Hans of the Southern Isles.
ANNA
(curtseying)
Princess Anna of Arendelle.
HANS
Princess...? My Lady.
He drops to his knees, head bowed. The horse bows too,
curling his hoof up and out of the boat.
The boat tips. Hans tumbles on top of Anna. Awkward.
ANNA
Hi...again.
The horse slams his foot back into the boat to stabilize it.
Anna and Hans tumble the other way. Anna lands on top of him.
HANS
Oh boy.
ANNA
Ha. This is awkward. Not you’re
awkward, but just because we’re--
I’m awkward. You’re gorgeous.
(did she just say that?)
Wait, what?
Hans quickly gets to his feet and helps Anna up again.
HANS
I’d like to formally apologize for
hitting the Princess of Arendelle
with my horse...and for every
moment after.
ANNA
No. No-no. It’s fine. I’m not THAT
Princess. I mean, if you’d hit my
sister Elsa, that would be-- yeash!
‘Cuz, you know...
(patting the horse)
Hello.
FROZEN - J. Lee 18
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(to Hans)
But, lucky you, it’s-it’s just me.
HANS
Just you?
Hans smiles, amused. She smiles back. The bells RING. She
doesn’t notice at first; she’s too busy drinking in Hans’s
handsomeness.
ANNA
...The bells. The coronation. I-I-I
better go. I have to...I better go.
She hurries off, stops, turns back. Gives Hans a little wave.
ANNA (CONT’D)
Bye!
As she rushes off again, Hans waves back. The horse waves
too, once again taking his hoof out of the boat.
HANS
Oh no.
The boat falls, with Hans in it. SPLASH! It lands upside down
in the water. Hans raises it up off of him, gasping for air.
CUT TO:
INT. CHURCH CHAPEL — DAY
Elsa stands at the alter. Anna stands off to one side. She
peeks out to the audience.
Hans waves at her from the pews. He’s changed his clothes.
The crown is placed on Elsa’s head. The scepter and orb are
presented to Elsa on a pillow. She slowly reaches for them.
BISHOP
(a whisper)
Your Majesty, the gloves.
Elsa hesitates. She breathes nervously, removes her gloves,
places them on the pillow. Her hands shake. She takes the orb
and scepter, then turns to the people.
BISHOP (CONT’D)
(formal, in Old Norse)
Sehm hon HELL-drr IN-um HELL-gum
AYG-num ok krund ee THES-um HELL-
gah STAHTH, ehk teh frahm FUR-ear U-
thear...
FROZEN - J. Lee 19
ANNA (CONT'D)

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The scepter and orb start to freeze over.
BISHOP (CONT’D)
...Queen Elsa of Arendelle.
CROWD
Queen Elsa of Arendelle.
Just in time. Elsa manages to set the orb and scepter back
down on the pillow before anyone notices the ice. She picks
up her gloves and slips them on. She made it.
CUT TO:
INT. GREAT HALL — NIGHT
Springy music fills the Great Hall. Guests dance. Eat. Laugh.
TRUMPETS SOUND.
KAI
(announcing)
Queen Elsa of Arendelle.
Elsa enters, poised and looking surprisingly content. She
stands under a formal awning.
KAI (CONT’D)
Princess Anna of Arendelle!
Anna runs into the room, waves awkwardly. Kai ushers her over
to stand right next to Elsa.
ANNA
Here? Are you sure?
She and Elsa sneak awkward peeks at each other.
ELSA
...Hi.
ANNA
Hi me...? Oh. Um. Hi.
ELSA
...You look beautiful.
ANNA
Thank you. You look beautifuller. I
mean, not fuller. You don’t look
fuller, but more beautiful.
FROZEN - J. Lee 20

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ELSA
Thank you.
They look out at the celebration.
ELSA (CONT’D)
So, this is what a party looks
like?
ANNA
It’s warmer than I thought.
ELSA
And what is that amazing smell?
They both close their eyes and inhale.
ANNA AND ELSA (TOGETHER)
...Chocolate.
Their eyes pop open. They laugh.
Elsa looks back out at the party. Anna looks at Elsa. She
wants to say so much, but she can’t think of where to start.
Just as she finds her way, Kai interrupts.
KAI
Your Majesty. The Duke of
Weaseltown.
DUKE
Weselton. The Duke of Weselton.
(to Elsa)
Your Majesty, as your closest
partner in trade, it seems only
fitting that I offer you your first
dance as queen.
The Duke does a funny flitter of his feet, a hitch-kick, and
a deep bow.
DUKE (CONT’D)
(whispers to himself)
One, two, three. Jump.
As he holds out his hand, head down, his toupee dips forward.
Anna giggles. Elsa looks at Anna, stifles a giggle herself.
ELSA
(to the Duke)
Thank you...only I don’t dance.
FROZEN - J. Lee 21

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DUKE
(offended)
Oh...?
ELSA
But my sister does.
ANNA
What?
DUKE
Lucky you....
ANNA
Oh, I don’t think--
The Duke grabs Anna’s arm and yanks her away before she can
protest.
DUKE
If you swoon, let me know, I’ll
catch you.
Anna looks back at Elsa, desperately.
ELSA
Sorry.
OUT ON THE DANCE FLOOR: The Duke showboats, but he’s just
awful. Anna tries to make the best of it.
DUKE
Like an agile peacock... CLUCK-
CLUGGLE-CLUCK!
He lands on her feet.
ANNA
Ow. Ow.
DUKE
Speaking of, so great to have the
gates open. Why did they shut them
in the first place? Do you know the
reason? Hmm?
He gets in her face, suspicious.
ANNA
...No.
FROZEN - J. Lee 22

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This was my last elsa image, im now just gonna pick random stuff

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DUKE
(offended)
Oh...?
ELSA
But my sister does.
ANNA
What?
DUKE
Lucky you....
ANNA
Oh, I don’t think--
The Duke grabs Anna’s arm and yanks her away before she can
protest.
DUKE
If you swoon, let me know, I’ll
catch you.
Anna looks back at Elsa, desperately.
ELSA
Sorry.
OUT ON THE DANCE FLOOR: The Duke showboats, but he’s just
awful. Anna tries to make the best of it.
DUKE
Like an agile peacock... CLUCK-
CLUGGLE-CLUCK!
He lands on her feet.
ANNA
Ow. Ow.
DUKE
Speaking of, so great to have the
gates open. Why did they shut them
in the first place? Do you know the
reason? Hmm?
He gets in her face, suspicious.
ANNA
...No.

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Anna’s smile drops. She tries not to get emotional.
ANNA
Excuse me for a minute.
She walks away. Elsa watches her go, saddened.
Moving through the crowd, Anna gets bumped by a bowing man’s
butt. She falls. Just before she hits the floor, Hans catches
her. He smiles perfectly.
HANS
Glad I caught you.
ANNA
Hans.
He smoothly sets his drink down on a passing tray. He lifts
her up and leads her in a romantic dance.
DISSOLVE TO:
LATER: Anna and Hans drink and chat.
ANNA (CONT’D)
I often had the whole parlor to
myself to slide... Oops. Sorry.
She hits him in the face by mistake with her hand. He laughs.
DISSOLVE TO:
-THE CASTLE DOORS: Anna and Hans stroll out of the castle.
ANNA (CONT’D)
...Your physique helps I’m sure.
DISSOLVE TO:
-THE ROSE GARDEN... Hans notices her white streak.
HANS
(about her white streak)
What’s this?
ANNA
I was born with it, although I
dreamt I was kissed by a troll.
HANS
I like it.
DISSOLVE TO:
FROZEN - J. Lee 24

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EXT. BALCONY — NIGHT
Anna teaches Hans how to eat krumkake.
ANNA
Yeah, the whole thing! You got it.
They laugh as the krumkake crumbles in his face.
ANNA(CONT’D)
Okay wait, wait. So you have how
many brothers?
HANS
Twelve older brothers. Three of
them pretended I was invisible...
literally...for two years.
ANNA
That’s horrible.
HANS
It’s what brothers do.
ANNA
...And sisters. Elsa and I were
really close when we were little.
But then, one day she just shut me
out, and I never knew why.
He takes her hand. Leans in close.
HANS
I would never shut you out.
ANNA
Okay, can I just say something
crazy?
HANS
I love crazy.
“Love is an Open Door”
ANNA
(singing)
ALL MY LIFE HAS BEEN A SERIES OF
DOORS IN MY FACE.
AND THEN SUDDENLY I BUMP INTO YOU.
HANS
I was thinking the same thing,
because like. . .
FROZEN - J. Lee 25
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I'VE BEEN SEARCHING MY WHOLE LIFE
TO FIND MY OWN PLACE.
AND MAYBE IT'S THE PARTY TALKING,
OR THE CHOCOLATE FONDUE.
ANNA
BUT WITH YOU-
HANS
BUT WITH YOU,
I FOUND MY PLACE.
ANNA
I SEE YOUR FACE.
BOTH
AND IT'S NOTHING LIKE I'VE EVER
KNOWN BEFORE.
They jump to the neighboring balcony and enter a door.
They come out on top of one of the castle’s towers.
BOTH (CONT’D)
LOVE IS AN OPEN DOOR!
LOVE IS AN OPEN DOOR!
Cut to them sliding across an empty hallway in their socks.
BOTH (CONT’D)
LOVE IS AN OPEN DOOR
ANNA
WITH YOU!
HANS
WITH YOU!
ANNA
WITH YOU!
HANS
WITH YOU!
BOTH
LOVE IS AN OPEN DOOR.
They hop up on the castle roof and watch a shooting star.
HANS
I MEAN IT'S CRAZY.
ANNA
What?
FROZEN - J. Lee 26
HANS (CONT'D)

Ok im bored ill continue later