OI M88 DIGGERYDOOS HUH M8? EHEHEHEH MAAAATEE GOOD ON YA MATE

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>>4618848
>be american
>get shot

>>4618848
is he holding 2 beary nices?

>>4619683
>he

>>4619688
sorry
"it"

The village's name is thought mean dwelling (-bý) of a person called Skítr, ("Skyti's farm") the words are of Scandinavian origin.[13] An alternative origin meaning 'firewood place' (from skið and by), an origin from the person's name skiði has also been suggested.[14] Other alternatives are 'dirty place', from the old English scite.[13]

The village name 'Skidby' is first recorded by Oswald, Archbishop of York in the 10th century, as Scyteby: the bishop Oscytel was recorded as having acquired it for £20.[15] In the Doomsday Book it is referred to as Schitebi - at the time of the survey it was recorded together with 'Burtone' (near Bishop Burton): the land belonged to the manor of Beverley (in the hands of the church), with over 20 villains and 3 knights.[16]

The forms Skipbie,[13][17] and Skitby were in use in the 16th century,[18] in the 19th century 'Skitby' was a common form,[14][19] as was the current form Skidby.[20][21][note 2]

The church of St Michael dates to 1777, with a tower built in 1827.[21] The church was designated a Grade II* listed building in 1968.[23] Weslyan and Baptist chapels were built in the early 1800s, and a school and teacher's house built in 1849.[21] A cornmill, Skidby Mill was constructed in 1821, raised in the 1870s and listed in 1952.[24]

Around 1885 the Hull and Barnsley Railway was constructed (section closed 1960s), running north-east through the parish: no stations were constructed on the section near Skidby; at the point the railway crossed the Eppleworth valley a five arched brick viaduct was constructed, known locally as 'five arches', or as 'Eppleworth viaduct'.[25][map 8] [note 3] Northwest of the viaduct the line required a 83 ft (25 m) cutting, known as the Little Weighton Cutting.[note 3]

In 1972 120 acres (49 ha) of land north of the Eppleworth to Raywell road was acquired for the Hessle Golf Club, which was relocating due to the construction of the Humber Bridge; the nine-hole course was opened in 1975.[29][map 5]

>>4619688
nice dubs btw

>>4618859
>be liberal
>cry about guns until everyone is disarmed
>be puzzled when forced to do manual labor
>realize it was all a trap

Frickin libturds

>>4619691
check your shit, privilegelord

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fuck aussies

Vladimir Aleksandrovich Dukelsky (Russian: Bлaдимиp Aлeкcaндpoвич Дyкeльcкий) was born in 1903 into a noble family of mixed Georgian-Austrian-Spanish-Russian descent, in Parafianovo, Minsk Governorate, Russian Empire (in present-day Belarus). The 1954 Grove's Dictionary of Music and Musicians referred to "one of his grandparents" (Princess Tumanishvili) as having been "directly descended from the kings of Georgia". His birthplace was a small railroad station in Minsk Governorate. At that time his mother "happened to be traveling by train".[2] The Dukelskys resided in Kiev, and Vladimir's only visit to Saint Petersburg and Moscow occurred in the summer of 1915. The impressions of that remarkable summer were later echoed in Dukelsky's most daring classical composition, the Russian oratorio The End of St. Petersburg (1931–37).[citation needed]

At the age of 11, Dukelsky was admitted to the Kiev Conservatory where he studied composition with Reinhold Glière and musical theory with Boleslav Yavorsky. In 1919, his family escaped from the turmoil of civil war in Russia and spent a year and a half with other refugees in Constantinople. In 1921, they obtained American visas and sailed steerage class on the SS King Alexander to New York.

He underwent his immigrant inspection at Ellis Island; on the passenger list, the purser of the King Alexander recorded his name as Vladimir Doukelsky in the French fashion. It was in 1922 in New York that George Gershwin befriended the young immigrant; Gershwin (himself born Jacob Gershowitz) suggested Dukelsky truncate and Americanize his name. Dukelsky's first songs published under his nom de plume were conceived that year, but he continued to write classical music and Russian poetry under his given name until 1955.