New Life Quest #1

>>303059
>B) Head into the next room wearing PJ’s

>>303059
>A) Look for school clothes and get dressed

>>303059
>A) Look for school clothes and get dressed

>>303086
You decide to head into the next room right away.

You poke your head round the corner to find there isn't much more to this new place at all; it's a shabby kitchen-and-living room set up, with the front door not a couple paces from the kitchen table. Your eyes drift across the low-income living space to find a tall red-headed woman washing dishes by the sink. Even from across the room you can see she is beautiful, dressed in a fluffy yellow bathrobe which clings to her curvaceous figure. She looks to be in her early thirties, but for all you know she could be older or younger than that. She must have heard you approach because she turns to look at you, smiling a little.

“Morning, honey, you better get dressed or you’ll be late for school.” She says.

A) Go get dressed.
B) Ask her what’s going on. Who is she. Why are you a girl?
C) Casually ask questions to discover who she is and what has happened to you.
D) Tell her you feel sick and can’t go to school today. You need time to figure this out.

The most votes wins. Will start writing the next post after 15-20 minutes.

>>303167
>D) Tell her you feel sick and can’t go to school today. You need time to figure this out.

>>303167
>A) Go get dressed.

>>303180
You tell this woman that you’re feeling sick and you don’t feel up to going school today. How well do you sell this lie?

Roll 1d10

1-6: Failure
7-10: Success

First roll counts.

Rolled 7 (1d10)

>>303292

You sigh and lean against the wall, putting your head in your hands, licking your palms just in time for the tall red-headed woman to saunter over, her long smooth legs and taut midriff taking up your field of view as she takes your hands in hers, feeling your 'sweaty' palms.

"You're sweating." she says. She squats a little lower to your height, bringing her beautiful face close to yours, placing her right hand on your forehead. Luckily, the sudden intimacy, and just how gosh darn sexy this woman is --- her considerable cleaving is like a cavern, her breasts heaving like a pornstar's inside her fluffy yellow bathrobe -- you blush hard enough to mimic the effects of a high fever, or at least hot enough for this woman to buy your little act.

"Alright. I'll call the school and tell them you'll be going to the Doctor this afternoon."

She stands to her full height and ruffles your hair.

"Why don't you go back to bed?"

A) Go back to bed
B) Ask for some water first, use this time to gather information.

Most number of votes wins. Will start to write next post after 15-20 minutes.

>>303374
>B) Ask for some water first, use this time to gather information.

>>303374
B) Ask for some water first, use this time to gather information.

You ask for some water. The red-headed woman says “Sure thing” and grabs you a glass from the sink. In the mean time you sit down at the kitchen table, pulling up a chair, as you do so you lose your train of thought as you look down to see your new body in the pink onesie again; it’s too weird to ignore. The red-headed woman hands you the water which you sip.
“What are your plans for today?” you ask.
The red-headed woman starts making pancakes, she talks with her back turned to you.
“Might do some shopping, this place needs some tidying, I’m working all day tomorrow so I need to make sure everything sorted here while I can.”
You wait a few minutes, then the red-headed woman puts two pancakes with syrup down in front of view. You realize you’re pretty hungry.

A) Eat the pancakes
B) Don’t eat them

(Ah yes, the hardest choice of them all.)

>>303495
>A) Eat the pancakes
Just sort of poke at them for a bit first since we're pretending to be sick.

>>303495
>A) Eat the pancakes

You decide to eat the pancakes, but do so slowly because you’re still pretending to be sick. You take your time eating one, picking at it a piece at a time, pretending not to enjoy it with every bite. As you sit across from this red-headed woman you catch sight of her cleavage again…you feel yourself getting a little worked up, you start to breathe a little heavy.

“Alright, back to bed with you.” Says the red-head “I can see your temperature going up from here.”
The red-head takes the plate, hands you the glass of water, and presses her hand into the small of your back as she leads you back into the bedroom to the bed.

You climb into bed and pull the covers over you. The red-head gives you a kiss on the cheek.
“I’ll be back soon” she says, and leaves. You hear the front door rattle a minute or so later.

You find yourself alone in the bedroom again.

A) Search the house for information on when and what is happening to you.
B) Stay in bed and ‘explore’ your new body
C) Get change into some new clothes

Most votes wins. Will also be accepting alternative options in the spirit of the previous three. Will start writing in 15-20 minutes (this will be the norm until I say otherwise).

You decide to eat the pancakes, but do so slowly because you’re still pretending to be sick. You take your time eating one, picking at it a piece at a time, pretending not to enjoy it with every bite. As you sit across from this red-headed woman you catch sight of her cleavage again…you feel yourself getting a little worked up, you start to breathe a little heavy.
“Alright, back to bed with you.” Says the red-head “I can see your temperature going up from here.”
The red-head takes the plate, hands you the glass of water, and presses her hand into the small of your back as she leads you back into the bedroom to the bed.
You climb into bed and pull the covers over you. The red-head gives you a kiss on the cheek.
“I’ll be back soon” she says, and leaves. You hear the front door rattle a minute or so later.
You find yourself alone in the bedroom again.

A) Search the house for information on when and what is happening to you.
B) Stay in bed and ‘explore’ your new body
C) Get change into some new clothes

Most votes wins. Will also be accepting alternative options in the spirit of the previous three. Will start writing in 15-20 minutes (this will be the norm until I say otherwise).

>>303603
>A) Search the house for information on when and what is happening to you.

>>303581
>A) Search the house for information on when and what is happening to you.

>>303603
>>303615
>>303630
Same, but lets change soon.

You wait ten minutes to make sure the red-headed woman doesn’t make a spontaneous return, and then gradually get out of bed.
You decide to start with your bedroom; you look around and find that this girl you’ve found yourself as hasn’t many possessions to her name, beyond a wardrobe halfway between being filled with tween and teenage clothes. The only real helpful clue you manage to find it a pink teddy bear with a message written on its stomach: “For my BFF, Ellie”

The teddy bear looks like its seen better days. It even looks kind of sad. You feel an urge to keep the teddy bear with you as you continue your search.

A) Keep it with you
B) Put it back

>>303666
>A) Keep it with you
Those sixes don't scare me.

>>303666
A) Keep it with you
The demon bear will strengthen our resolve.

You decide to keep the pink teddy bear with you. You hug it close to your chest, at that moment becoming aware of the sensitiveness of that region, and the ever-so-slight squishiness there as well.

As you hold the bear close to you, you don’t remember actually seeing any photos of any friends you might have in this new reality you’ve fallen into. There’s no picture whatsoever to go by in your room.

With your bedroom given a rough check, you head into the dual living room and kitchen space and find there’s a photo of you and the red-headed woman; the photo looks to be taken professionally, and recently, which you can tell because it’s been signed and dated in the corner.
You find a newspaper which tells you that today would have been your first day as a year ten at school. The prospect of returning to school doesn’t fill you with confidence. Not least because you have no idea as to why any of this has happened to you at all.

You keep checking the living room but there’s really not much to go by here either. It seems the red-headed woman you live with is in dire financial straits, and by the unpacked boxes lying around the front door you guess you’ve only moved into this place recently.

The only place left to check is the red-head’s room. Do you go in there and look? At first you settle for standing outside the bedroom, opening the door which creaks as you open it. Inside it seems like a pretty standard woman’s bedroom; it’s tidier than yours, but there’s also plenty of places to look for information. But do you want to risk being caught in here?

A) Yes, look around for information and clues.
B) No, go back to your room and do something else.

>>303059
>>303167
>>303374
>>303581
Is this supposed to be a quest or a smut?

>>303790
Quest.

>>303800
Then what's the point of the gratuitous descriptions of the mom?

>>303826
plot

>>303774
>B) No, go back to your room and do something else.
Time to watch the tv.

That's it for now. See you tomorrow.

>>303880
Thanks for running

>>303826
>2016
>not checking out your hot pornstar mom
I shiggy diggy

You decide to go back to your room. Whoever this red-headed woman is to you, you see it best not to risk getting on her bad side.

You return to the bedroom, if only to grab the bed covers, and bring them back to the living space where you crash on the sofa, grab the remote, and watch TV.

You do this for an hour, idly skipping through antic roadshow challenges, hysteric middle-aged women gossiping about men, and a slew of children’s television shows too dumb to be entertaining.

By nine in the morning you’re bored, which is weird considering all the theories running through your head as to what may have caused this to happen.

As you flick through the channels you find a television advertisement for men’s workout for great abs. You find yourself lingering on this advertisement for longer than you expect.

The apartment phone rings. Your concentration is broken. You look to the phone by the front door. It keeps ringing as you look at it.

A) Pick it up
B) Wait for it to go to voicemail

>>305416
>B) Wait for it to go to voicemail

You decide to let it go to voicemail.

When the phone finally stops ringing there is a crackling noise, and then a girl's voice.

"Ellie pick up it's your BFF! If you're pulling a sickie again then you might as well come and hang out...come Ellie pick up, pick up, pick up!"

A) Pick up the phone
B) Leave it

>>305452
>A) Pick up the phone
Ah well, what could possibly go wrong?

You decide to pick up the phone. It keeps ringing even as you rise from the sofa and make a slow approach. With a hesitant breath you pick the phone up and hold it to your ear.

"Hello?" you say.

"Hey!" says the girl on the other end "Why didn't you pick up sooner? You know what, never mind, soooo, I'm thinking we go out and do some shopping, what do you think?"

A) "I can't do that if I'm pretending to be sick."
B) "Who is this again?"
C) "Why don't you...come here instead? We can hang out."
D) "I don't want to go to the mall, maybe we can go someplace else?"

>>305503
>D) "I don't want to go to the mall, maybe we can go someplace else?"
Preferably somewhere that doesn't require money since we seem to be pretty poor.

"I don't want to go to the mall, can we go someplace else?" you say.

"Well there's this dress I've been dying to buy...are you sure you don't want to go to the mall? There might be some cute boys there..."

Roll 1d10

1-5: You give in and go to the mall
6-9: You convince her to do what you want
10: Something secret

Rolled 5 (1d10)

>>305543
Rolling to avoid cute boys. Also, you okay with not waiting for some other people to show up OP?

>>305554
(It's cool, I'm happy to chug along like this.)

__

Despite your reluctance to go somewhere so public so soon, you give into this girl's demand.

"Alright..." you say.
"Fetch." she says, happily. "I'll be at yours in ten"

The girl hangs up. You put the phone down. You realize you're still in your onesie. You're not going to go out in that, are you?

A) Get changed
B) Take a shower first
C) Figure out what you're going to do about the red-headed woman returning to find out you've gone to the mall
D) Other

>>305579
>D) Other
All of the above please. Seems kind of a douche move but we could leave a note saying we felt better and went out for some fresh air. Shower since we might stink and then we toss on some cute clothes.

>>305579
>B) Take a shower first
We might be in the wrong body, but we still know personal hygiene

>>305596
Eh, I'll go with with this too

You decide to get changed, but to also take a shower first. You head to the only bathroom in the apartment. It's pretty clean considering how shabby everything else is in the place.

You close the door behind you, finding that there is only a shower and a toilet in the bathroom. With the door firmly locked, you turn on the shower and proceed to strip from your onesie.

It takes a bit of effort to wrangle out of it. You manage to do so as the hot shower begins to build a steamy mist in the small bathroom. With the onesie by your ankles, you step out of it, finding yourself completely naked for the first time.

http://pastebin.com/HVwQtSaJ

You step into the shower and enjoy the sensation of the hot water running over your body. Once done, you turn the shower off and grab a towel, finding there's only one available, which you wrap around your body. There's not much you can do about your hair which sticks to your forehead, dripping cold drops onto your bare shoulders and chest.

Feeling a little refreshed, you head into the living room.

Roll 1d10

1-5: Bad
6-9: Good
10: Special

For now first roll counts.

>>305672

Rolled 9 (1d10)

>>305679
>>305672
fuck

>>305683
So close...

You’re about to head into the bedroom when the front door suddenly opens. It’s someone you’ve never met before, but right away you have an idea of who it could be. A girl who’s a little taller than you, with thick wavy brunette hair, and a mouthful of braces, enters the apartment and closes the door behind her. She looks at you and smiles, she’s actually quite pretty, with an infectious smile, her pear-shaped body is dressed for an outing to the mall; a sleek baby-blue dress and black flats. Before you’re ready for it the girl embraces you in a warm hug.

“So, why the radio silence recently? Is something wrong?” she says.

She releases you from her hug and settles for holding your hands.


“You can tell me.” She says.

A) “I’m not feeling like myself…”
B) “You know what? This isn’t even my body. I’m not even a girl. And to be honest I have no idea who you are.”
C) “I’m fine, honestly. How are you?”
D) Other

>>305705
>A) “I’m not feeling like myself…”

>>305705
>A) “I’m not feeling like myself…”
Just a bit under the weather maybe.

>>305705
>A) “I’m not feeling like myself…”

“I’m not feeling like myself” you say.
“You look like you to me” says the girl.
She leads you into your bedroom. “C’mon hurry up and get changed before your step-mom comes back.”
You’re still fairly wet from the shower. You look around your room for clothes to wear. Your current outfit choices range from:

A) A white tank top and below knee-length flowery skirt
B) A pop boy-band tour t-shirt and worn skinny jeans
C) A baby-pink top and a white knee length skirt

Or

“Want me to pick something out for you, Ellie? Your fashion sense is tres-terribles” says the girl.
D) Let her pick something out for you.
E) Mix and match.
F) Other

>>305793
>A) A white tank top and below knee-length flowery skirt
For curiosity's sake, what are you other Anons plans for this? I'm fairly content to just play out the little girl.

>>305793
>D) Let her pick something out for you.
We don't know shit about 15 year old girl's fashion

>>305808
>For curiosity's sake, what are you other Anons plans for this? I'm fairly content to just play out the little girl.
idk, I feel like OP and some other anons want to drive this in the smut direction what with
>>305672
>http://pastebin.com/HVwQtSaJ
but I could be wrong

>>305793
>>305808
>D

Honestly I'd try to figure out how to get out of this situation.

“Do you want to pick something out for me?” you say.

The girl is more than happy to oblige. She picks up the baby-pink top and the worn skinny jeans, laying them out on the bed for you. Finished, she looks at you and waits for you to change.

A) “Can I get some privacy?”
B) Change in front of her

>>305855
>B) Change in front of her
We're both girls.

>>305825
That's probably the normal thing to do. This just feels too much like my japanese isekai books to let the chance slip by me.

>>305855
>B) Change in front of her
I guess it doesn't matter

>>305855
>B

You decide to get changed in front of her.
You undress from the towel and motion to find some underwear for yourself.
“What are you doing?” says the girl.

You freeze, going red in the face. “At least let me leave first.”

The girl leaves, looking back, her face one of confusion. She closes the bedroom door behind her.

Alone, and wondering if undressing in front of her was really the right decision now, you get changed into a pair of panties, foregoing a bra seeing as you’ve got no boobs to support, and put on the baby-pink top and worn jeans. The clothes are a bit tight on you, but maybe that’s just the fashion for girls right now.
The more time passes, the more you feel yourself panicking about your sudden stripping in front of the girl.

Roll 1d10

1-4: You run after her in a panic apologizing profusely
5: You feel yourself panicking but don't act on it right away
6-9: You keep your cool
10: Secret

Rolled 1 (1d10)

>>305918

Rolled 8 (1d10)

>>305918
Secret time.

File: 1414720032751.jpg (2KB, 123x125px) Image search: [Google]

2KB, 123x125px

>>305930
o boi

Stopping here for about two hours. Getting something to eat.

>>305855
>B) Change in front of her
Talk about how her hips look great.

Rolled 2 (1d10)

>>305918
I hope for a 5-9 so we can text her sorry we forgot she was there and yada yada yada while exploring our info on our phone

>>305918
Just something that we should have said if we manage to stay calm. "Why'd ya just stand there waiting if ya wanted me to let ya leave first?"

>>306053
This, put also apologize

>>306061
Agreed

You hurry after her already apologizing for your sudden indiscretion. You find her sitting on the arm of the sofa with her phone in her hand.

"It's fine" she says, "I wasn't thinking. I should have left, and I sought of thought you would at least try to cover yourself. Again, I wasn't thinking."

She looks up and smiles at you. She see's how worried you look, and how heavy you're breathing.

"Honestly Ellie what's wrong with you? You're acting so weird...is something wrong? You know you can tell me anything. I'm here for you."

A) Tell her the unlikely truth of what's happening to you.
B) Tell her you might actually be coming down with the flu or something
C) Tell her you're honestly feeling fine, and you're just having a weird day
D) Other

I'll wait for around 15=20 minutes for votes to come in. Most voted/most agreed upon will be chosen.

>>306460
>C) Tell her you're honestly feeling fine, and you're just having a weird day
It must be my period.

>>306460
>B) Tell her you might actually be coming down with the flu or something
Time to avoid the cute boys.

>>306460
>A) Tell her the unlikely truth of what's happening to you.

>>306508
+1

For a brief moment you consider telling her everything, or at least as much as you know about your current circumstance. But then, where would that get you? You don't even know her name, let alone if you can really trust her, despite what she might say to the person she thinks you are.

You decide to tell her that you're feeling a little unwell, hinting that it might be your time of the month, but not outright saying it. She seems to ease up.

"It's okay" she says "I understand. We can still go to the mall if you like, I just got a text from Kyle, he's gone to see a movie...maybe we could go see him after we're done shopping?"

A) "Sure, let's do it."
B) "You know what, I think I'm going to stay in today instead. I'm just not feeling good."
C) "You could invite him here if you like."
D) "Hey, um, do you like Kyle? 'that way' I mean...?"
E) Other

Roll a 1d10 with your post/vote. It might help with deciding outcomes should a dice roll be needed as a tie breaker.

Rolled 3 (1d10)

>>306612
>B) "You know what, I think I'm going to stay in today instead. I'm just not feeling good."

Rolled 7 (1d10)

>>306612
A) "Sure, let's do it."

Rolled 3 (1d10)

>>306612
>B) "You know what, I think I'm going to stay in today instead. I'm just not feeling good."

The mention of another person you don't know spurs your decision to tell this girl that you're really not feeling all that good, and you're going to stay home instead.

"Alright" she says, not challenging you on it, "I guess I'll have Kyle all to myself."

She flashes you a wink and a mischievous grin.

"It's such a shame too" she says, as she opens the front door. "He was looking forward to seeing you when I told him you were coming."

With that, the girl leaves. In that entire time you never found out her name.

You spend the rest of the day watching TV until the red-headed woman, who you've found out is your step-mother, returns wearing a waitress's uniform; one that leaves very little to the imagination; the cleavage line is deep at the front of her dress, and the hem finishes just above the knee on her tall figure.

"Hey, honey" she says, giving you a peck on the cheek as she sets her handbag down.

You say hi back, and she disappears for a few minutes before returning in a short-shorts and a tank top, crashing on the sofa beside you. She puts her arm around you, playing with strands of your hair whilst she watches TV.

"You know" she says "I was talking to a friend from work and she said that she could get you some part-time work on the weekend at the cafe if you want it. It's okay money, you might be able to buy yourself some nice things."

A) "Sure, it'd be nice to help you pay for things."
B) "Em, I would rather focus on school right now. I'm worried about falling behind."

Additionally

C) Return to your room and go to sleep
D) Ask about your step-mom's life, try to learn more about her.

E) Other (preferred as it's more fun for the OP)

Rolled 4 (1d10)

>>306743
>A and D

>>306743
>A) "Sure, it'd be nice to help you pay for things."
and
>E) Other
If it's not too late, lets ask if we can go for a quick walk. Or save it for tomorrow if it's already late. See if we can get an idea of where we are and what we know.

>>306743
>A) "Sure, it'd be nice to help you pay for things."
>D) Ask about your step-mom's life, try to learn more about her.
Suck up to her.
Feels like life of a body-snatcher alien :).

>>306917
"You're pretty. Tell me about your day." make her talk by being nice to her.

File: bear.jpg (59KB, 330x322px) Image search: [Google]

59KB, 330x322px

“Sure, it would be nice to help pay for things” you say.

“Thanks, Ellie.” Says the red-head, who embraces you in a tight hug that makes you feel...happy?

You know this kind of affection wasn’t common back in your old life. It’s not unwelcome.
“I was thinking about going out for a walk” you say.

“It’ll be good for you to get some fresh air.” She says.

“By the way” you say, looking at your step-mom. “What’s your middle name again? I was thinking about it earlier and I couldn’t remember.”
Your step-mon gives you a playful nudge on the shoulder.

“You don’t remember? It’s Anne. Tyler Anne Shelly.” She says.

“And that would make me Ellie Shelly?” you say.

“I can’t help what my name is” says Tyler,

“Though I think Ellie Grace Shelly is a fine name. As far as names go at least.”

“Like my friend’s…” you say.

“Friend?” says Tyler, confused.

“Yeah my friends?” you say.

Tyler goes quiet as she looks at the TV. You do have friends, right? You had one over today.

“You know…” you say, “She has braces, she has wavy brown hair, remember?”

It’s clear that Tyler doesn’t remember. You feel your stomach sink a little bit.

“When did you meet this girl?” says Tyler, “What’s her name?”

Shit. You don't know the answer to that. You spot the pink BFF teddy bear on the floor by the TV where it must have slipped off the sofa earlier. It's sad eyes look up at you, mirroring your confusion.

A) Quickly change the subject
B) Go for that walk
C) Make up a name
D) Go to bed
E) Ask if she knows about Kyle
F) Other

>>306962
>A) Quickly change the subject
"Someone from school. You look pretty in your uniform. Tell me more about your day and that job offer."

>>306962
>B) Go for that walk
As an afterthought toss her a "Just some friend from school, nevermind."

>>306743
A and E
Probably what we're watching but we should talk to the step mom then browse our phone for more info on ourselves

>>306988
>Tyler Anne Shelly
Better look for an internet connection later to research her and us... mobile phone?

>>306996
Oops, do A, B, then D

>>306997
Yeah, we should definitely do that. Also on our jog let's take 5$ in case we find a convenience store and we want a red bull, we will be doing some late night research

"Just a friend from school, never mind" you say.

You get up off the sofa. You spot your shoes by the door. Before you can make to leave for that walk you feel Tyler's hand hold your wrist.

"I'm glad you've finally started making friends." she says "I know it's been difficult for you. Feel free to invite her round some time.

You tell her you'd like that, and keep the day's events to yourself. When she lets go you start thinking about getting serious over discovering what exactly is going on. Why wouldn't Tyler know about this friend of yours? This friend who knows who you are, seems to have a history of knowing you, and knows exactly where you live.

You decide you'll check the internet for more information about things. Though there isn't any indication that you own a phone, or that there's any computing devices in the house. Tyler might have one in her room, which is the only place you haven't looked.

You put your shoes on and a thin navy coat which you suspect isn't yours, but Tylers, because it's about two sizes too big for you. Tyler doesn't seem to mind as you shrug it on at least.

Before you leave you ask if you could have some change to get a drink whilst your out. Tyler obliges, grabbing some loose change from her handbag, just enough for a drink or a snack.

You're just about to leave when you feel an urge to take the pink bear with you.

A) Take it
B) Leave it

Roll 1d10 for tie breakers. Votes will be counted up to 20 minutes from this post.

Rolled 7 (1d10)

>>307099
>A) Take it
Comply with the urges. Lets hope no one tries to bully us.

>>307099
Leave it for now, give it a tight hug and then leave it in our room, also ask about our phone, say we had slight amnesia or a brainfart and we forget if we have one.

>>307122
+1

>>307099
>A) Take it

>>307122
Tyler should know all the answers, true! Then short walk outside to get the lay of the land.
Leave that stuffed animal, bad enough to in the body of a teen.

You decide you're not going to take the BFF bear with you. Instead you pick it up and hug it close to your chest whilst walking back to your bedroom. When you're standing near your bed you can't bring yourself to drop it.

Roll 1d10

1-4: You take it with you
5-8: You drop it
9-10: Secret

Rolled 9 (1d10)

>>307256
We'll get that secret eventually.

>>307292
Like right now, apparently.

>>307292
Yay!

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You find yourself standing trying to drop the bear but not quite being able to. It’s as if dropping the bear would be like losing an arm or leg, the severance of which would cause you extreme physical and emotion pain. So you hold onto the bear, your fingers trembling but not letting go.
The bear begins to suddenly shake in your hand, the fur rippling as if a wind had caught it in a sudden maelstrom, you feel this wind yourself, though the room itself seems to be undeterred, your clothes ripple as you feel yourself being lifted off the ground as if many hundreds of invisible hands were supporting every inch of you.

The bear suddenly melts as your hand holds it, the melted, pink shape snaking like a living thing up your hands to your wrist, where it shrinks down, becoming thin, and shiny, and…plastic? It’s then you can see that the teddy bear has become a different item entirely.

A kid’s watch with the same bear face printed beneath the transparent surface of the watch. You feel yourself touch back down to the ground, along with the sudden spike of adrenaline coursing through your body.

The watch tells you the time; six-forty-five. You try tacking it off but it won’t budge in the slightest. There is no strap to take it off, just a clean pink plastic loop. Perhaps cutting it off might work, but who knows if that might spur it on to transform again.

It's then you feel very dizzy, and tired, and feel a sudden weight take hold of you. Without meaning to you fall directly onto the bed, falling asleep moments after hitting the soft mattress.

It’s dark when you wake. You look to the teddy bear watch on your wrist which glows pink in the dark. It tells you it’s 5:45am. You’re wide awake now, and as you sit up you can see the whole apartment is quiet.

A quick check of the living space shows Tyler asleep on the couch. The television is still on, flashing in the dark.

A) Go back to your room. Maybe get dressed for school and spend time getting ready.
B) Check out Tyler’s room whilst she’s asleep.
C) Go out for that walk now.
D) Other

>>307369
>C) Go out for that walk now.
Jesus, stupid bear all we wanted to do was go for a walk.

>>307369
>C) Go out for that walk now.

>>307369
>>307387
Why not a,b, then c?

You decide to go for the walk. With Tyler's coat on you head out, finding the apartment to be on the ground floor. You head down a dim corridor out onto a quiet street. By the looks of it you're standing in a enclosed block of apartments on all sides, which are many stories high. A quick walk around leads you down an alleyway which leads to a long town square; though its dark you can see a large supermarket chain store across the street, and many more smaller restaurants along both ends of the street, which continues on for some distance before more housing and apartments are visible.

You feel vulnerable now you're out in the dark. At least there doesn't seem to be anyone around at this hour of the morning. You can see that the supermarket chain is a 24 hour one, and seems to be the only thing actually open.

A) Go in and look around
B) Go back to the apartment
C) Other

>>307497
>A) Go in and look around
How odd would a cute schoolgirl look if she wanted to buy a newspaper?

>>307497
B) Go back to the apartment
C) Other
Get some olive oil and try to slip off that bear watch.

>>307515
>>307524
Roll 1d10 for tie break. Highest wins. If both the same I'll decide.

Rolled 9 (1d10)

>>307599
Time to be cursed by the dice gods.

Rolled 6 (1d10)

>>307599
>Try to beat a 9, anon
Damnit

You decide to go in the store and have a look around. With the small amount of change you have you go inside the Buy Mart to find its huge on the inside, though as to be expected it is also pretty much empty, save for a few store staff stocking the shelves and preparing for the day ahead.

You wander over to the magazine isle to have a look at the news, and to get some information about where you are.

The local newspaper; The Stemfield Journal, holds this information for you. You pick up the newspaper and give it a general read.

Stemfield is a large town....

As you read memories suddenly hit you;

You're walking the same street during the day. In this memory you're still a male, around the same age as the girl you are now. There's someone stood beside you but the hazy memory doesn't show who, though you're sure they're around your age.

Of course, you know this town. This is where you grew up! Though precisely where you grew up, and with, you still don't know.

You turn the page of the newspaper and gasp; there is a school field, and a gym, one that is very familiar. It's the school you attended before you woke up as a girl. Even now you can remember the classrooms, and the corridors, but still the teachers and students faces escape you.

This is the very same field you were able to remember when you first woke. But what is so important about it that it's one of the few things you remembered?

The picture of the field and Stemfield's school gymnasium is shown here with an article: "Pink Lightning on Prom Night! What were the student's drinking?"

The article reads:

>On the night of Stemfield's school prom, many students report an impossible occurrence; Pink Lightning punched through the gymnasium roof just as the prom was to be underway. Luckily no students were hurt. Police report the addition of 'pink lightning' to be an exaggeration by students who were no doubt inebriated at this time.

You put down the newspaper. You know the pink lightning was real. A brief flash of memory returns to you; you, looking up at the night sky, seeing the very lightning yourself punching into the gymnasium, then, a blinding, red-hot pink light engulfing you as well...

"Were you there?" says a voice from behind you.

You turn to see a tall, rather good looking young man in the store's uniform walking up to you. He looks to be around sixteen, maybe seventeen.

A) "I'm beginning to think I was..."
B) "Who are you?"
C) Where you there?
D) Put the newspaper back and leave
E) Other

>>307610
Good!
>>307599
Do we have any clues to where in the fuck we are? Like defining features such as currency, store chain, state Flags, etc?

>>307750
I'll be honest and say the exact location of the town isn't a huge deal. It's a town that you know you're from, and the currency/location is meant to be generic.

>>307738
A, B,C,and E: say what the hell is going on with us and then awkwardly apologize about it

>>307738
>C) Were you there?
Stranger danger, but lets not run away just yet.

>>307758
I don't have auto update enabled so your update didn't show up until I posted, sorry mate

"Were you?" you ask.
"I asked you first" says the young man.

Now you really look at him you can tell he's someone who's probably part of a football team, or some similar sport. With his blonde hair, blue eyes, and a confident smile you can tell he's not short of friends.

"Well" he says, "I was actually supposed to be prom king. That was before the roof fell in on us. You don't look old enough to have gone to prom. Are you?"

You shrug. He grins.

"Do you go to Stemfield school?" he says.

You nod.

"That's weird, I think I would have remembered seeing a girl as pretty as you. Are you new?"

Roll 1d10

1-4: You can't help but giggle and blush from his compliment
5-8: You keep your composure.
9-10: Secret

Rolled 9 (1d10)

>>307843
5-8 please. We're not some dirty slut.

Rolled 1 (1d10)

>>307843
We should go to our old house if it's in walking distance

>>307874
>>307884
So we do 1 and 9 or how will this work

You feel your watch suddenly feel warm on your wrist. You look to the watch, and then to the young man who begins to shrink in height right in front of you until he's eye to eye with you; his toned frame dwindles until he is as skinny as you are, without much muscle definition at all.

"W-what's going on?" he says, his voice cracking until it sounds both geeky and whiny.

Within moments the confident young man standing before you is gone, replaced by the same young man, except smaller, physically weaker, and a good deal more nerdy looking.

He looks at his hands, and touches his face, looking over his changed body, then to you.

"Are you seeing this right now? Please help me."

He continues to shrink even more as you feel you watch vibrate, feeling warm. The young man shrinks until he is eyeline with your nose. He looks up at you, red-faced and terrorfied.

"Are you doing this?" he says.

A) "Yes"
B) "No"
C) "Maybe"

(I don't know, can you repeat the question, YOUR NOT THE BOSS OF ME NOW~)

D) Take him away from the store and help him
E) Leave quickly

>>307934
Going with the first roll familia.

>>307949
>C) "Maybe"
Let this be a lesson. Don't mess with cute little girls.

File: image.jpg (260KB, 1779x2200px) Image search: [Google]

260KB, 1779x2200px

>>307949
C as in maybe we don't fucking know

>>307984
Is OP kill?

>>307949
E) Leave quickly

>>308138
Nope still here.

"Maybe I don't know" you say in a panic.

The young man, now a boy, looks around the store isle to see if anyone else saw what happened. Luckily it seems nobody else saw anything.

The boy looks to you.

"Please change me back" he says. "Your watch. I saw it glow. I beg you undo whatever this is."

You tell him you have no idea if its you causing it or not.

The boy grabs you by the wrists, rage and tears in his eyes.

"Change me back you little bitch!" he yells, loud enough that you're certain someone will come running to see what happened any moment now.

A) Leave now
B) Stay with him and try to convince him
C) Try to change him back somehow
D) Leave and take him with you
E) Other

>>308228
>A) Leave now
We got some nice information, we can go back home now.

>>308228
Try to convince him it's not in your control, if it doesn't work, buy the paper and BTFO

>>308228
>A) Leave now

"Please believe me it's not me that's doing this" you say as you back away, still holding the newspaper as you run out of the store. The boy gives chase but is stopped by a store staff member who grabs him by the wrist, holding him still long enough for you to run back to the apartment block.

Breathing heavily, and still in panic mode after what just happened, you slink back to the apartment to find Tyler is awake.

"Where have you been?!" she says, still in the clothes she wore last night.

She closes the door behind you and holds you by the shoulders, her red hair falling in front of her enraged face. She shakes you with enough strength to make you feel like the little girl you are.

"What the hell do you think you're doing leaving the apartment this time of night? You could be stolen away but some sick people and there would be nothing I or anyone else could do about it. Well you can kiss that job opportunity goodbye, I thought you were responsible enough for it, but it seems your not ready. Oh, and your grounded for the rest of the weak. Now go get ready for school."

A) Tell her your sorry and you know it was a stupid thing to do
B) Go get changed for school.
C) Other

>>308394
>C) Other
"Sorry, I just thought I'd take that walk since I fell asleep early last night. I'll be more careful next time." Then go get changed I guess.

>>308394
>B) Go get changed for school.
>C) Other
Check out that watch thing.

>>308419
+1

You tell her you're sorry and that you went for the walk because you went to bed early last night. Tyler doesn't seem like she's interested in hearing any excuses. She leaves for her bedroom and closes the door behind her. Left alone, you go back to your room and decide to get changed for school.

You find your school uniform on the inside door of the wardrobe. It's a navy blue blazer, white shirt, tie, and navy skirt.

With your mind still racing about what happened to that guy in the store ,and whether you were the cause of it or not, you get dressed, changing into your school clothes.

When you look in the mirror you are momentarily stunned by the figure looking back at you. It's the second day and already you seem to have adjusted to this new body and reality.

Still, before it seemed it had only effected you, as far as you could tell. But now you know there is someone else out there who is being effected by all this. Are you going to leave the young man to his fate, or try to find him before school?

A) Go search for him and help him.
B) Go to school. He'll have to look out for himself for now.

Additional

A) See if you can use the watch alone in the room
B Leave it alone. You don't know what you're messing with.

>>308617
>B) Go to school. He'll have to look out for himself for now.
>A) See if you can use the watch alone in the room

>>308617
B for both. We can play with the watch at night or when we aren't about to go out to a public place. Sure would suck to have to tell our mom that we can't go to school because our watch turned us into a 5 year old or something.

>>308622
My vote as well.

You decide you're going to leave the young man to his fate for now. However now you know the watch really is part of whatever is causing all of this craziness to happen, you're tempted to see if you could have some control over it yourself.

A)Try to use the watch to do something
B) Leave it alone

Redoing this vote with rolls this time. Vote with a 1d10 the anon with the highest roll wins. First three rolls with be counted.

Rolled 2 (1d10)

>>308690
>B) Leave it alone

Rolled 5 (1d10)

>>308690
>A)Try to use the watch to do something
Turn it into a cell phone.

It's pretty slow tonight. Going to call it until tomorrow. See you then. Would like to hear your thoughts about the Quest so far as it would help me moving forward.

>>308745
See ya later OP. It's definitely a curious quest, tons of "secret rolls", slightly random lewds, a demon bear turned into a watch and then turned back someones time. I'm interested in seeing where this all goes and I will take the chance to play my part as the little girl.
Is it too early to start wondering about what would have happened if we had managed to get all the secrets so far?

>>308745
Buh bye

>>308745
Images are lewd-restricted on blue boards, not the text. The lewd kept me reading (thanks for the step-mum)... 18+-year-olds characters without stuffed animals would feel more comfortable though.

It's a strange quest ... and at first reminded me of that other quest (Depression #16?) where nothing much happens besides emotionally burdening the female lead. The body-snatching, lewd and magic aspect piqued my interest though. I can imagine that this goes the horror or super-powers route.

Thanks for running this quest!

>>308811
>get all the secrets
We would now be surrounded by children who all claim to be adults? (shrink ray)

You decide to leave the young man from the supermarket to his fate for now. Maybe you’ll help him later, maybe not. You still have no idea what you’re mixed up in. One thing is for certain, you have a history in Stemfield town before waking up in your new body. The Pink Lightning event, your familiarity with the town, and the strange connection you have to the watch on your wrist.

You have to ask yourself; is it you doing all of this? Was it something you wanted? Or was it the act of another, or numerous others? Perhaps none of this is connected and it’s all reality crashing in around you.
The watch on your wrist is too big a question to leave untouched. You decide to try to use whatever power seems to lie within the watch; though you’re sure to be careful about it.
You decide that you haven’t had the use of a mobile phone, or a computer for that matter, for the time you’ve spent in this new girl’s impoverished life with Tyler. Because of this you decide to attempt turning the watch on your wrist into a mobile phone…

Roll 1d10

1: critical fail

2-9: Degrees of success

10: Critical success

(Also want to mention I'll be posting somewhat infrequently today. Will likely match the frequency of votes to the Quest. The more unique responses the faster I'll likely post. Good luck.)

Rolled 4 (1d10)

>>309747

Rolled 6 (1d10)

>>309747
Time for a crit.

Rolled 1 (1d10)

>>309747

You concentrate on the watch on your wrist trying to will it into a new form, imaging it's plastic shape twisting and contorting like the teddy bear did before. For a brief moment you feel like someone is watching you. You can hear strained breathing. And then its gone. You fall back onto the floor, head reeling from the mental effort and kickback from the strange force confined to the watch.

The watch remains unchanged. But who did you see? You feel disorientated, and have to use the chair by the make-up station to climb to your feet. You think you have enough in you to attempt changing the watch again, though if you mess it up the price might be higher --- then again, what could you stand to gain?

>Try again
>Leave it alone and go to school

I'll wait 20 minutes and then start on the next post.

>>309763
>>Try again

>>309763
>>Leave it alone and go to school

>>309763
>Leave it alone and go to school

Rolled 6 (1d10)

Despite being tempted you decide to leave the watch alone.

Dressed in your school uniform you take a few minutes to freshen up in the bathroom then leave for school with a rucksack on your back filled with a pencil case and a blank notebook.

Your journey to school is uneventful, made somewhat easier now you remember the rough layout of the town. You keep an eye out for the young man from the supermarket who is no doubt looking for you.

Roll 1d10

I'll also roll against you.

Rolled 7 (1d10)

>>309803

Rolled 7 (1d10)

>>309803
Might as well roll even though >>309805 already cleared it.

Luckily you manage to avoid the young man from this morning and make your way into Stemfield School. You find yourself just another student in a throng of many; as far as you can tell no one is paying you any particular attention. With so many people around you can't help but feel acutely aware of the difference in your new self. As a girl even the boys who look rather meek feel dangerous considering the sideways glances they give you.

The bell rings for first period, not knowing where else to go you head into the main office where you're directed to class W16 in the West Wing of the school....

END OF PART ONE

PART TWO:

Your name is Christopher Cruise and you’re a year ten student studying at Stemfield High. Your life is pretty uneventful. You’re not nerdy enough for the geeks, nor charismatic or good looking enough for the popular crowd. So you exist somewhere in the middle, with very few friends. Not that you actually care for those. Human being can be horribly messy individuals who make no sense whatsoever, and wear their emotions on their sleeves. You’ve always been more of a calm, reserved person. People tend to think you’re pretty smart though you put that down to the serious look you seem to always have, and the hard black glasses you wear. In truth you’re actually something of an underachieving student, not that you suspect anyone cares.

You expected today to be like any other school day. You woke up, ate cereal with your sister and said see you later to your parents, then walked to school before finding your seat in class W16 near the back.

The day took a sudden interesting turn with the arrival of a new student. A girl by the name of Ellie Shelly, who is small, kind of plain looking in a cute way, and quite nervous as your tutor introduces her. It just so happens that there is a seat vacant next to you, which Ellie takes. There’s something about her that makes you take an immediate liking to her. Maybe she’s just your type. You think that pink watch she’s wearing on her wrist is kind of cute too. She looks at you, clearly nervous, and forces a smile.

You sort of smile back, but decide to leave her alone. You continue through the same boring routine of the day, only to find that Ellie is in every single one of your classes. She’s given attention from the other students, so you just sit back and get on with your work, eavesdropping when they ask her questions. Questions she gives cryptic answers to.

You notice she’s already made a friend; a girl you’re not familiar with but vaguely remember the name of: Rebecca, the girl with the braces and the brown wavy hair.

(1/??)

Whilst you listen to your teacher drone on about the symbolic importance of the blue curtains in Frankenstein, you also overhear the conversation between Ellie and Rebecca.

“Do you want to hang out tonight?” says Rebecca.

“I don’t know.” Says Ellie. “I’ve got this headache; I’m not really feeling too good; you know?”

“Jeez I’m starting to think you don’t want to be friends with me anymore.” Says Rebecca.

“No, no, I do, it’s just, it’s weird time for me right
now.” Says Ellie.

“Maybe it would do you some good to come out and have fun for a change? You’ve been so quiet lately. You need to let loose a little. Come on, there’s going to be a house party tonight. Don’t make me go alone.” Says Rebecca.

Ellie seems to think on this for a bit. Every so often she looks to that pink watch of hers, as if that holds all the answers.

“Fine.” She says. “But I don’t have anything good to wear.”

“Fetch.” Says Rebecca, chewing on her pen and smiling, facing the front of the class.

You didn’t even know there was going to be a house party tonight. Not that you’re ever invited to those sort of things. Part of you thinks it might be worth going just so you can talk to this new girl. She seems to have this…aura, a strange feeling that you can’t ignore.

Later, once school has finished for the day and you’re walking home, you spot Ellie up ahead. She’s alone now, and walking fast. As she crosses the street you spot a boy running at sprinting speed toward her. It happens so fast you’re not sure what to do. The boy tackles Ellie to the ground, shaking her, shouting something you can’t make out.

A) Step in. Help her.
B) Keep watching.
C) Shout from across the street for the boy to get off her.
D) Other

>>309840
>A) Step in. Help her.
Play the hero, hit him on the head. Don't let that kid continue to harass her. It doesn't seem like he's her brother.

>>309847
This. We'll protect this little girl.

>>309850
Against the even smaller boy. Haha, easy win! Then we'll help the girl home and meet the hot mum.

>>309855
As long as we don't turn up the charm too much. The little girl must stay pure, I don't care about the mom though.

I hate POV changes, is it going to be a frequent thing?

>>309840
A) Step in. Help her.

>>309840

Take a Swiss Knife if we have one and shank this motherfucker like the badass we are.
>A

You decide to step in and help Ellie. You rush over to them, nearly getting hit by a charging car in the process which narrowly misses you, and grab hold of the boy by the scruff of his blue shirt, sending him falling, and squealing, onto his back.

Ellie looks up at you, her face red and scratched, her hair disheveled.

"He won't leave me alone." she says. "Help me."

The boy climbs to his feet, huffing and building himself into a rage again.

"She's turned me into this!" he says "She's an evil witch! Change me back!"

The boy seems to be raving, and he's not making much sense either.

"Please believe me" he whines "She's a witch I swear it."

Ellie starts to cry. "Please just go away." she says.

A) Tell the boy to back off or else
B) Hear the boy out. Try to get him to calm down
C) Other (retards will be ignored, etc.)

Most votes wins. Roll 1d10 for tie breakers. If you don't roll your vote counts as 0. .

Rolled 3 (1d10)

>>309901
>C) Other (retards will be ignored, etc.)
Lets just walk away while carrying the kid and head to a police station. Tell them he was making a scene. Maybe talk to the kid as we walk to calm him down a bit.

>>309901
Drag boy to police station and let parents deal with him

>>309901
Tell him to fuck off, he's clearly on LSD or some shit.
His problems are his and he needs mental help. They aren't hers

Rolled 2 (1d10)

>>309910

>>309906
Let's do this actually but bring her too for proof

Rolled 9 (1d10)

>>309901
>C) Other (retards will be ignored, etc.)
Punch him once, call the police!

>>309919
I see the future: Hot mom hugs Christopher, thanks him profusely, invites him to dinner. Victory.

>>309919
Yaaay we're all in agreement!

You decide it's best to get the boy away from Ellie. This is out of character for you. You've never been the hero in a situation like this. You see Ellie give you a hopeful smile as you take the boy by the collar and march him off down the road.

"Go home" you say to Ellie, and continue down the road with the boy.

"Get off me, man" he says, sniveling, tears in his eyes.

"If you keep this up I'm going to have to call the police." you say.

You stop walking, still holding onto the boy who looks up at you.

"You don't get it" he says. "My entire life has changed. Everyone I know thinks I've always been this little boy. I'm not. I swear. That girl changed me into this with her magic. I don't know how but she did. Please believe me. If you don't the same thing could happen to you too, and then who would believe you?"

The boy shrugs out of your grip.

"Who are you anyway?" he asks.

"I was on my way home." you say. "I don't even know that girl. Not really."

"Look" says the boy. "I'll leave her alone if you can do me this favor. Can you find out what she's after? You know, infiltrate her life, but be careful, or she'll change you too. I need you to help me find a way out of this."

A) I don't believe you, but it couldn't hurt to make sure.
B) I'll do this is you promise to stay away from her.
C) No. Get lost. And if I see you near her again I'll call the police.
D) Ask him more questions.

>>309938
>B) I'll do this is you promise to stay away from her.
We were gonna get to know her anyways, so why the hell not

>>309938
>B) I'll do this is you promise to stay away from her.
Agree with the crazy boy to get him off our back. Then we can accompany the girl home.

>>309938
>B) I'll do this is you promise to stay away from her.

>>309941
Do we know first aid to treat her wounds a bit first? Wash those wounds, that boy scratched her.

>>309939
Inner monologue: 'I have to get closer to the girl because reasons.'

>>309938
>B) I'll do this is you promise to stay away from her.

>>309938
B,C,and D

You tell the boy you'll do this as long as he stays away from her.

"okay, sure, sure." he says, eagerly, thankful for even the slightest bit of hope.

"I'll be outside the school gates tomorrow as soon as the school day finishes. Now I've got to go home. My mother says I've got to do my chores. Fucking CHORES. I fucking hate being a kid again."

The boy starts to walk away. "What's your name?" he asks. "Mine's Jamie."

"Christopher" you say.

Jaime turns down the road out of sight. You wonder what it must be like for a kid to be that messed up in the head.

You look back to see Ellie turning the corner also, perhaps hoping to make a getaway whilst you're both distracted.

A) Catch up to her
B) Wait until school tomorrow

>>309978
>A) Catch up to her
Try not to be creepy about it

>>309978
>B) Wait until school tomorrow
We're gonna play a cool silent hero.

>>309978
>A) Catch up to her
My damsel runs away!
>>309984
>cool silent hero
not fun without a reward!

>>309978
Catch up, not in a "hey babe" way, but in a "holy shit are you okay!?" Way

>>309998
>"holy shit are you okay!?"
the Concerned stance, smooth
"Do you want me to call someone? You don't know your mum's number? Well, I will help you home then!"

You decide to catch up with Ellie. You hurry down the street and turn down an alleyway which leads onto a rundown apartment complex. You manage to catch up to Ellie just before she enters into the first floor apartment building.

She jumps in fright when you call her name.

"Oh, it's you." she says.
"Hey, I just wanted to make sure you're okay. Are you hurt at all"? you ask.

Ellie's face has a little scratch on her cheek but beyond that she seems fine. She shrugs.

"I'll be okay I guess" she says. "Did...he cause you any trouble?"

A) Well he was ranting about some crazy stuff. But I made him promise to leave you alone.

B) He said he thinks you have mystical powers or something. I don't believe him, of course.

C) Are you...really a witch?

D) Other

>>310015
I think asking about her mom's phone is a great idea.

>>310022
>A) Well he was ranting about some crazy stuff. But I made him promise to leave you alone.

>>310022
A all the way, mention the crazy's deal. Jokingly, of course. We don't believe that nutjob

>>310023
https://www.youtube.com/watch?v=dZLfasMPOU4

>>310032
Kekkles

>>310022
>A) Well he was ranting about some crazy stuff. But I made him promise to leave you alone.
>>310026
Yes +ask about mum's phone number or if she doesn't know, wait for her mum to return - for safety purposes.

>>310043
meant to link >>310023

You tell Ellie that you don't really think the boy, who you've found out is called Jamie, is really all there in the head, but at least you've managed to make him promise to not bother her anymore.

"You did?" says Ellie. "Thank you so much."

Ellie smiles.

"I'm Ellie, by the way." she says.
"Christopher." you say.

You both feel yourselves smiling, enjoying each other's company.

"I was on my way home." says Ellie. "...do you have plans?"

A) Yeah, I better get going actually. Maybe I'll see you tomorrow.

B) No, not really. Why?

C) Other

>>310056
>B) No, not really. Why?

>>310056
B) No, not really. Why?

>>310056
B and maybe joke about the kid

>>310056
>B) No, not really. Why?
"Can I come in? We can wait for your parents together."

>>310089
>information gathering quest

You tell her that you don't really have any plans, and ask her why.

"Well, it's just I'm worried about the boy -- Jamie, coming back. And I sort of don't want to be alone right now. Would you like to hang out for a little while?"

Roll 1d10

7 or more counts as a 'success' for this secret roll.

Rolled 4 (1d10)

>>310101

Rolled 2 (1d10)

>>310101
If I fail, will we leave?

>>310104
>>310103
nooooo!

Rolled 6 (1d10)

>>310101

>>310114
See? Even the dice gods don't want us to hang with her. We should back out with a "Don't worry, I took care of him." and run away.

Rolled 3 (1d10)

>>310101
!!!!!!!10

The hot mum escapes?!

You decide to go with Ellie into her apartment. She leads the way to her apartment. She knocks on the door, and a tall beautiful red-headed woman answers the door in nothing but a towel around her body.

"Hey, Ellie." says Tyler. "How was your day?"
"Yeah it was okay." says Ellie, stepping aside to reveal you standing outside the apartment.

"This is Christopher. He's a friend I made at school. I know you said I was grounded but---"

"---Grounded? When did I ground you? Honey you have to do something wrong for me to do that." says Tyler. She looks to You.

"Hey, come in. Will you be joining us for dinner." she says.

"Sure, Tyler." says Ellie. "C'mon, Chris."

Ellie leads the way into the apartment which is pretty shabby on the inside. She leads you straight to her room. As you follow her you spot Tyler closing the door, shooting you a sultry wink that makes you gulp.

"She's not my real mother." says Ellie. "She's my step-mom. She's pretty cool, really."

Ellie sits on the bed, putting aside her school bag. She looks up at you, smiling, then frowns.

"Do you think she's...hot?" says Ellie.

A) "Em, well, she's okay..."
B) "Yeah she's pretty damn hot to be honest."
C) "Why do you ask?"
D) "You think she isn't?"
E) Other

Also roll 1d10 to keep your composure.

7 or more required to play it cool.

Rolled 6 (1d10)

>>310128
>B) "Yeah she's pretty damn hot to be honest."
If we're aiming for the mom then I'll play along. Rolling to drop all the spaghetti though.

Rolled 8 (1d10)

>>310128
>B) "Yeah she's pretty damn hot to be honest."
"Don't kick me out."

>>310137
Say it jokingly and I'll +1 this.

>>310128
>When did I ground you?
Magic teddy changes all of reality, pretty OP!

You find yourself stammering as you tell her that you do find her to be pretty hot. You feel your face flush red as you do so, and you can see what cheerful mood she's in now breaks for an instant before she sighs, and lets herself fall back onto the bed, looking up at the ceiling.

"Yeah, I think she's pretty hot too." says Ellie.

Ellie springs up, hair falling in front of her face as she pulls it away. You can't help but notice she doesn't behave in the cutsie way girls tend to do, instead she's rather boyish in her mannerisms. She gets up off the bed and heads for the bathroom.

"Be right back." she says, and closes the door behind her.

You find yourself stood in Ellie's room not really knowing what to do.

A) Wait for Ellie to come out.
B) Look around Ellie's room.
C) Go into the living room / kitchen space.
D) Other

>>310163
wait for her sitting at the foot of the bed like a normal person.

>>310166
Yeah this sounds good.

>>310163
>A) Wait for Ellie to come out.
>>310166
Don't want her to catch us searching the room.

>>310166
Is OP kill?

You decide to wait for Ellie to come out. You take a seat and wait, idly looking about her room, trying to get an idea of who she is exactly. As you do so you hear a sudden clattering sound come from within the bathroom, along with a sudden gust of air from beneath the door. You ask if Ellie is okay, but receive no answer.

You stand, going closer to the door....

Then the door opens. It's Ellie, but not as you knew her. She stands before you, physically older, where before she looked to be around fourteen or fifteen, now she looks to be seventeen or eighteen. Her overbite has gone, along with her freckles; her face has the shiny smooth quality that only the beautiful young woman of the world possess naturally.

Ellie takes a confident step forward, her school uniform having changed to fit her new body. Even as you look at her now you can see her chest expanding until her unseen breasts grow to C-cups in size. She flicks back her silky smooth shoulder length hair and smiles.

"Something wrong?" she says.

A) You look...different.
B) Holy shit you are a witch.
C) Nope. Everything's fine. Are you okay?
D) Other.

>>310224
I'll let you guys know if I'm leaving for the night, mate.

>>310225
>C) Nope. Everything's fine. Are you okay?

>>310225
A or B

>>310225
>C) Nope. Everything's fine. Are you okay?
Yay, Christopher is happy to be alive.

>>310267
And pretending everything is fine, prevents her to 'change' us + she's hot, so it's a-ok.

You tell her everything's fine with you. You then ask if she's okay.

Ellie giggles. "More than okay." she says. "I think I'm understanding how this thing works." she says.

She raises her wrist to look at her watch.

"I don't know if I can trust you." says Ellie.

"This...the new me....it was a happy accident. Or should I say a happy experiment just now. I want you to know that I didn't mean to do anything to Jamie, it just happened without me meaning it to. I know it's weird, but I feel like I can trust you." she says. "Can you keep this as a little secret between me and you?"

Before we answer that question. Let's decide how we feel about this:

A) We'll definitely go along with whatever is happening to her. She's hot. And we're interested. Fuck Jamie.

B) It's morally wrong that she do that to Jamie. If she wants you to go along with this, she'll have to change Jamie back first.

C) Pretend to be enthusiastic about her gifts, and tell her she can trust you, with your ulterior motive being to help Jamie.

I'd appreciate you guys really discussing this, as this will effect how Christoper's role in the story will move forward. There are steep consequences for this choice. It's also very helpful for me to know exactly where Christopher stands so his character doesn't get wishy washy later.

>>310308
Fuck Jamie, he can jump off a bridge

>>310308
>B) It's morally wrong that she do that to Jamie. If she wants you to go along with this, she'll have to change Jamie back first.

>>310308
>B) It's morally wrong that she do that to Jamie. If she wants you to go along with this, she'll have to change Jamie back first.
Kind of a pain but I feel like going neutral if I had to choose.

>>310308
I say we do B. It's worth a try. I mean, what the hell did we come here for in the first place? We can still help Ellie (and maybe get some fuck on) if we try changing Jamie back.

>>310308
>A) We'll definitely go along with whatever is happening to her. She's hot. And we're interested. Fuck Jamie.
When we're old and can't get it up, we can be moral - till then, dismiss all those nagging questions in the back of our mind. We were average, now: it's a fun ride!

>>310331
>what the hell did we come here for in the first place?
Now that's a good question. I wasn't even planning on getting involved on getting involved with Ellie.

>>310331
I say we at least ask if she can control it, for example, swap ages and shit on command

>>310331
>>310328
>>310327
The morality faction comes out! What is this?

>>310345
character building

>>310343
>ask if she can control it
In the name of self-preservation, probably a good idea! Thinking about Jamie's fears...
Can we at least do a soft approacj for choice B) ? She's magic fairy or whatever and making her angry at us isn't the way... to live long?
>>310347
True.

>>310308
>"Can you keep this as a little secret between me and you?"
Assure her we're keeping the secret in any case.

You're a little conflicted about what has happened to Jamie. You decide that if you can help Jamie you will, but you not going to let that get in the way of this great opportunity you've landed for yourself. Because this is about self-preservation first, worrying about the expense of others second. You've lived an entire childhood as a nobody at school, and now you've discovered true, incredible magic of some kind, and here's a beautiful girl, now a young woman, who's offering to share it with you. Sorry Jamie, but you're going to have to sort out your own problems for yourself for now. Ellie is yours.

"Can we keep this a secret between us? That's what I would prefer we do. And I'll make sure Jamie doesn't come around bothering you anymore." you say.

You win Ellie over with this. Her hands caress her chest, and another strokes down her stomach to her waist.

"Thank you" she says. "But I'm going to need more than that if I'm going to trust you. I want you to promise me, no, swear to me that you'll keep this a secret between us no matter what. If you break your promise, there'll be consequences, agreed?"


Last chance to back out.

A) Agree
B) Tell her that you need time to think this over. Just in case.
C) (In the spirit of your new outlook: i.e: Jamie is his own problem, and Ellie is your new opportunity.)

>>310389
Maybe I'm just stupid but I don't understand what C means. Is C even a choice?

>>310389
See is 'other' apologies.

>>310389
>>310389
A

>>310389
Are we that impulsive??
>B

>>310389
>A) Agree
Won't back out, but seize the chance.

>>310389
>A) Agree

>>310389
>B) Tell her that you need time to think this over. Just in case.
Ah well, I'll just go with B.

>>310427
>impulsive??
Or we just know that the magic girl won't really wait, but do something serious about us keeping that secret...

>>310427
No, but we already have incentive

>>310389
B)

You're quiet for a long moment as she looks at you. You begin to speak but even as you say the words you're not sure what they're going to be, you just know what you say next will have serious consequences.

"I agree. This will stay a secret between you and me. I won't tell anyone anything about what you can do." you say.

On the inside however you're not so sure. In truth you're going to see where this goes. This is an opportunity not to be wasted, yet there is still much you don't know.

"Thank you." says Ellie. The watch on her wrist glows bright pink in a sudden flash, then fades back to normal.

This little light show distracts you from Ellie's sudden movement. She sits beside you on the bed. Again, you're aware that she's a good three years older than you now at least. You can feel her nylon clad thigh press up against your leg, she leans in close. You can feel her warm breath as she plants a soft wet kiss on your cheek. When she pulls back you can see the confidence in her eyes.

"Are you both ready for dinner in half an hour?" says Tyler, who's standing by the door.

"Yeah, starving." says Ellie.
"Sure." you say.

Tyler leaves again. You know you should probably call your parents to let them know where you are. But maybe that's not a good idea considering the new secrecy pact between you and Ellie.

"Seeing as we're now friends." says Ellie. "I want to tell you what really happened to me."

(1/?)

In a low, secretive voice Ellie tells you that she woke up in a new body, and in a new life, without any idea over how this happened to her. She tells you that the watch she was wearing was a teddy bear before, which then became a watch on her wrist which she can't take off. Finally, she tells you that what happened with Jamie was not something she planned, or had any control over.

However, she also tells you that during her fast day at school she discovered that she could have a modicum of control over the watch. She was sitting in her science class when she wondered how much prettier Rebecca would be if she didn't have those braces. She describes to you Rebecca's braces suddenly vanishing, and Rebecca becoming prettier not just because she no longer had the braces, but due to the watch's magic as well.

This gave her the idea that she was really in control of the watches' magic, but she didn't know how to use it fully yet. So she was going to test it out when she got home. Which is when Jamie attacked her.

"And that's when I decided I'm going to leave him as he is. He called me a witch, and I don't think he would just leave me alone if I somehow managed to change him back. So I won't. Besides, he seemed like a complete football-head when I met him in the morning." says Ellie.

She yawns. "Damn" she says "I'm really tired now I think about it."

Just then, your phone rings. It's your parents.

A) Answer
B) Don't answer.

>>310500
Answer it, don't want them to call the police or some shit

>>310500
>A) Answer

>>310500
>A) Answer

>>310500
Answer it with a text,

>>310500
>A) Answer
We'll probably better leave, return home and meet again the next day. Say bye to the hot mum.

>>310505
>don't want them to call the police
So true: son goes to school but never returns

We're in the how now about the body-snatch: Christopher dosn't know she was a dude before, right?

You decide to answer the phone.

"It's my parents" you say.

Ellie watches you.

"Hello?" you say

There is a crackle on the other end of the line. The voice is indistinct and distorted.

"Don't make any sign that I'm not your parents." says the voice. "If you don't play along I assure you something terrible will happen to you. If you understand what I'm saying, say "Hey Mum, I'm round a friend's house right now.""

A) Play along
B) Tell Ellie its not your parents.

>>310523
>B) Tell Ellie its not your parents.
I'm kind of curious to see if we can force a dead end and get back to being a little girl with time powers.

>>310523
>B) Tell Ellie its not your parents.

>>310523
A) Play along

>>310523
Play along on the phone but motion to Ellie it's not our parents.

>>310546
>46 ▶
>>>310523
>Play along on the phone but motion to Ellie it's not our parents.
Your*

>>310523
B) Tell Ellie its not your parents.

>>310523
Play along but signal Ellie that there's someone on the line that's not your parents

>>310550
>>310585
>>B) with mix of A) Play along on the phone but motion to Ellie it's not your parents.
We decided to ally with Ellie, everyone else can't intrude!

>>310523
>something terrible will happen to you
ah, could it be that one has our parents as hostages?

You decide to tell Ellie that's it's not your parents. You've made an alliance with her and you're going to stick to it.

"Whoever this is on the phone isn't my parents." you say "I have no idea who it is. Whoever it is says that if I don't do as they say something terrible will happen to me."

You've held your hand over the mouthpiece so this isn't heard by the person on the other end.

Ellie doesn't say anything. She just looks serious. Her beautiful face leaning closer to yours.

She whispers "play along."

You nod.

"Hey Mum, I'm round a friend's house right now." you say.

There's silence on the phone as you wait for a response.

"Bad choice." says the voice on the phone. "You could have walked away."

Ellie grabs the phone from you.

"Who is this?!" she says.

Whoever it is on the other line hangs up.

"Fuck!" says Ellie, chucking the phone on the bed. The phone tumbles and hits the carpet with a thud. Luckily it was an old one and pretty durable.

You feel an uneasiness in the pit of your stomach.

"Thank you." says Ellie. "You're really not just talk. We're going to find out who's doing all of this, and stop them. Who knows, maybe you'll get one of these of your own."

Ellie holds out her hand, showing off the watch. You take her hand as she leads you into the living space where Tyler has not so much made dinner, but ordered several large boxes of pizza for you all.

(1/?)

You sit with Christoper at the kitchen table. Tyler opens up the pizza boxes and says dig in. You take a big cheesy slice and wolf it down, all of today's transforming giving you a big appetite. You love the feel of your new, taller, and more beautiful body, not to mention the new additions to your chest. You can't believe how easy it was for you in the bathroom to make the watch do what you wanted. You looked in the mirror...thinking about how Christopher was there to save you from Jamie, and how you wish you were more of a woman so he might be better inclined to help you again. And then the watch changed you, power surging into your body which grew into what you are now. Even as you sit eating the pizza you can't help but have a grin on your face, despite knowing now that someone somewhere is spying on you. What are their plans for you? Again, there's much you don't know, but now your determined to find out who started this crazy chain of events.

On the other hand. Is this so bad? Would you want to go back to your old life. You can't remember it all that well, not your name, not your family, sure, you know the town, and that you were a student, and a boy, who attended Stemfield school, and you know this all has something to do with a pink lightning strike at the gymnasium...and the girl in a green dress, and a tune you can't quite place.

But even if you could would you want to go back to your old life now? Now that you have so much power attached to your wrist? A hot step-mother bring you pizza, and a new ally who seems to be ready to do whatever you tell him to at the drop of a hat?

A) Maybe this is all a mistake. You should reconsider what you're doing. Maybe go back and help Jamie after all. And try to reverse all of this before you get too deep into the rabbit hole.

B) No, you're finally in the driver's seat of what could be an amazing life. Why let one person get in the way of that?

C) If you're not going to help Jamie, then perhaps you'll resolve to do your best not to change someone else in the future. As long as they don't get in your way, that is.

D) Combinations of the above, or you your own additions.

>>310640
This is back to ELLIE's POV. Put it in the subject line but realized that wouldn't work after posting.

Also for those that hate perspective changes. It's probably going to keep happening. Just a heads up.

>>310640
>A) Maybe this is all a mistake. You should reconsider what you're doing. Maybe go back and help Jamie after all. And try to reverse all of this before you get too deep into the rabbit hole.

>>310640
>C) If you're not going to help Jamie, then perhaps you'll resolve to do your best not to change someone else in the future. As long as they don't get in your way, that is.
No need to go around flashing power. We'll be a sneaky timelord that uses our power to advance our own plans. Plans that would have involved being a little girl but have now changed to just being a cute girl with variable age.

>>310640
>A) Maybe this is all a mistake. You should reconsider what you're doing. Maybe go back and help Jamie after all. And try to reverse all of this before you get too deep into the rabbit hole.

>>310645
Ehh im reading this and im like ellie wtf are you doing.

>>310640
>A) Maybe this is all a mistake. You should reconsider what you're doing. Maybe go back and help Jamie after all. And try to reverse all of this before you get too deep into the rabbit hole.

>>310640
>B) No, you're finally in the driver's seat of what could be an amazing life. Why let one person get in the way of that?

>>310653
>>310681
>>310649
Conscience, go away!

>>310651
>sneaky timelord
Sounds good, evade that possible enemy and advance plans :).

>>310645
>perspective changes
I like them. It's refreshing and makes people aware how the previously player-controlled character is perceived.

>>310697
>previously player-controlled character is perceived.
I only hate this change since we ended up turning into some slut. I'll learn to deal with it though, since it can't possibly get any worse.

>>310640
We should find our old Self. Maybe the girl we are is in our old body.
MAYBE help Jamie
However don't fix everything just yet

>>310640
>hot step-mother and
>a new ally
more like subordinate
+ Ellie changed her school friend Rebecca

>girl in a green dress, and a tune you can't quite place
I imagine an entity that gives away super-powers and looks happily at the chaos this causes - and those powers competing against each other...

>>310710
And if we find our old self and she wants to swap, we shold make a deal to try and better both if our lives before we swap back.

>>310707
>turning into some slut
True, the player-controlled Ellie probably wouldn't have done this or that... 18+-year-old woman-body feels better though...

>>310710
>Jamie
Can we make him our subordinate too? Or just make him compliant with magic.

>swap
Yes!

>>310640
>A) Maybe this is all a mistake. You should reconsider what you're doing. Maybe go back and help Jamie after all. And try to reverse all of this before you get too deep into the rabbit hole.

You use muse on how best to move forward. You decide you'll not go out of your way to help Jamie, but if you see him again you'll try and help him as best you can. You giggle to yourself as you eat another slice of pizza. Tyler and Christopher ask why you're giggling, and you play it off as nothing. The reason you giggle is because you think about how damn slutty you've been behaving in just two days. You didn't know you had such a potential for it. Maybe you should reign that in, you muse.

Whilst you've been lost in thought you haven't been paying attention to what Tyler and Christopher were doing.

One of them just made a joke because they're both laughing, then sighing. You feel the table shift just a little. You lean back just enough to see Tyler playing footsie with Christopher under the table, her foot stroking his shin, and going higher...

A) You don't give a shit. Let them have their fun.
B) Fuck them. Chris is yours. Tyler is YOUR hot step-mom.
C) Other

>>310760
>A) You don't give a shit. Let them have their fun.
I can still save this! Even if I'm alone in this, I'll keep trying.

>>310760
Kick Tyler

>>310760
>A) You don't give a shit. Let them have their fun.
>>310769
really torn between harem building and sympathy towards formerlly controlled Christopher

>>310760
C) Other
For Pete's sake, I'm still here. Calm down for a minute.

Maybe too much too soon isn't good if we want to cultivate our subordinate Christopher. He shouldn't get too greedy.
>>310779

>>310760
Remove Chris. Have talk with Tyler.
I seriously hope we arent jumping on dick when we were a guy few days ago

>>310777
I just don't want Ellie getting dicked, that's really all it comes down to. I wouldn't mind aiming for girls since we are a dude in a girls body but I'm also fine with just avoiding any romance at all.

>>310791
Ah, I can understand and support that! no or just girl romance!

>>310760
>Tyler playing footsie with Christopher
Did Ellie subconsciously change mum Tyler to be more ...horny? Christopher isn't that good looking

You give Chris a nudge with your foot, but also give a slight annoyed smile to show that you're not angry with him, it's just not good timing.

Tyler seems to have her own plans anyway. She asks if both would like a drink, and pours you some coke each, as well as one for herself. She sets Chris's glass right beside him, standing over him, so that he looks up to see a clear view of her considerable bust and her long red hair.

You wonder if Tyler is playing a joke on your or something. You used your watch to change your own body, and by extension it did as you expected and she didn't even notice the changes which you did to yourself. But at no point do you remember changing her. You look at Christopher, you admit half the reason you liked him in the first place was because he had a kind of plainness about him that put you at ease. He seems almost too simple, and too easy to make him do what you want.

Doesn't Tyler have other men in her life she would be interested in? Maybe you're looking to much into it.

"Will you be staying with us tonight, Chris?" says Tyler, twirling the coke in her glass.

"I better be getting home now" says Christopher, "I forgot to call my parents."

With that Christopher gets up, goes back to your bedroom to grab his phone, and leaves for the night.

"See you tomorrow" he says.

When the door closes you're alone with Tyler at the kitchen table.

A) Ask what's with the sudden attention on Chris
B) Let it be and go to bed. You're really tired anyway.
C)

>>310820
>A) Ask what's with the sudden attention on Chris

>>310820
>B) Let it be and go to bed. You're really tired anyway.

>>310820
A) Ask what's with the sudden attention on Chris

>>310820
>A) Ask what's with the sudden attention on Chris
Check whether she's acting differently now compared to before.
And: Can we get that job to buy a phone. Or can we just magic people to give us money? Worth a try.

>>310820
ask the stepmom

You decide to ask Tyler what's with her newfound attention for Chris. She blushes as she packs away the empty pizza boxes.

"What, I can't have a little fun of my own? You want to keep a little toy like him all to yourself, is that it? I don't know when you got so grown up, but I bet you have plans for him of your own."

You ask if she thinks that its weird she's interested in one of your friends.

Tyler gets a little more serious, sitting her behind against the kitchen sink.

"You only just met him today." she says. "Besides with your looks you'll have boys all over you at school. Besides, I'm just having a little harmless fun. He's such a nice boy after all."

A) Tell her to stay away from him.
B) Fuck this. Go to bed.
C) Use your magic to teach her a lesson.

>>310875
Go to bed, it's probably not worth getting all worked up over

>>310875
Since when did we get hungry for dick? Wink and tell her to go easy on him, he's but a little boy.

Go to bed afterward.

>>310883
This.

>>310875
D) "Who said I'm jealous about him?" kiss her goodnight and go to bed.

>>310875
>C) Use your magic to teach her a lesson.

>>310875
>>310883
Supporting.
>>310886
sounds good too.... choices choices.
>B) Fuck this. Go to bed.

>>310886
>jealous about him
maybe a bit too much too soon, her being our step-mum and all...

>>310886
Supporting.

You decide you're not in the mood for this argument, and you don't like the insinuation that you're hungry for Chris's dick or anything. He helped you, and now he's an ally who you feel you can trust in return.

Before you walk back to your bedroom you take a glance back at Tyler who washes the coke cups in the sink. She really is beautiful, with a killer ass inside tight denim jeans, and when she turns and looks at you go you can see her considerable bust heaving in the black tank top she's wearing.

If you were a boy you would be hungering after her in an instant. Now you're a girl you can admit she's still got the body that gets your imagination running, but as you strip from your clothes and get into bed, you start to wonder why you didn't really consider making a move on your hot aunt. You certainly could now, right? But do you want to?

You fall asleep wondering what it is you really want at all.

>>310875
>Fuck this. Go to bed.

>>310909
Why did I say "hot aunt"? Weird. Scratch that freudian slip for 'step mom'

Roll 1d100

I'll roll against you. If you roll anywhere from 1-10 it's a critical fail. If it's 90-100 it's a critical success. First rolls counts.

Rolled 93 (1d100)

>>310924

>>310927
Jesus, ya nailed it Anon.

>>310927
:) nice crit.

>>310909
>But do you want to?
Duh, yes. Still a guy - no matter the body.

>>310927
like this?

You're in the midst of a deep sleep, the image of the beautiful young woman in a green dress, unmoving, laying on a slab of stone in a dark place comes to you. There's silver words written in jagged edges below and above her, though you can't put the words together in your mind. A tune plays in your head, that same tune that you don't know the origin of. It's simple, but powerful, as if being played by many individuals in a band...

You wake with a start to find something unusual. There is an orb of pink light above you on the bed, within it is the boy, Jamie, who is dressed in black clothes. His arms and legs are spread wide as if he were held by invisible chains. You get out of bed and turn on the light to find that he's being held by light from your watch.

It takes you a split second to realize what's happened. Jamie tried to sneak into your room to get you to change him back to normal, but your watch protected you and held him in a force field, in the midst of all this you woke up.

"You bitch." says Jamie, struggling futily to be free. "Let me go! Change me back!"

Despite his shouting his voice comes through quiet and muffled. It seems the watch is looking out for you without you even need to command it.

A) Tell him that's what you plan to do.
B) Tell him you're not going to do shit until he calms down
C) You know what, don't change him back. Why not solve this problem another...more enjoyable way?
D) Other

>>310947
B) Tell him you're not going to do shit until he calms down

>>310947
>D) Other
We crush him right? That's enjoyable right? If not then we could just change him back on the condition that he speaks of this to no one and that he doesn't get involved with us.

>>310947
I'll go with B) too

>>310961
>>D) Other
>crush him
True, no other choice, have to protect our secrets. He didn't even adhere to his promise to Christopher (does the MC know that?)

>>310947
>B) Tell him you're not going to do shit until he calms down

>>310947
B
His insanity is his issue. Either way we should file a restraining order later on since he somehow found our house.

>>310947
>B) Tell him you're not going to do shit until he calms down
>D) "THIS IS THE REASON WHY I DIDN'T CHANGE YOU BACK, YOU CREEPY ASSHOLE. (sighs) Pull this shit again, I'm going to turn you into Baywatch era Pamela Anderson, and we'll see how YOU like being hit on all the time."

You tell him you're not going to do shit until he calms down. He tries again to break free of the magical bonds but it's impossible. He goes quiet, watching you, his skinny chest heaving with rage.

Now he's calm, what will you do?

A) Change him back
B) Change him into something less difficult to handle
C) Change him into something more 'pleasing' to the eye
D) Don't change him at all. Let him go if he promises to behave.
E) Other

Going to require d10 roles on this. Say what you want to do. If there's a consensus, I'll go with that, if not, highest roll decides. Enjoy.