How is a photo similar to this one achieved. By that I mean the lighting being so smooth and uniform, especially in a house. No blown out highlights. Is it a composite, made by merging together different exposures focusing on the foreground, then hallway, etc? Guessing it shot around 18mm? Would a tilt-shift come into play in order to get nicer verticals? Are those used in interior photography?
Full set here:
http://www.seanfennessy.com.au/folk-residence/
Off camera lighting is definitely used.
>>3114732
This. Basically whole lots of soft lighting to just brighten the whole place up. You can see near the bottom of the columns where it gets darker because of the lack of lighting
They either used off camera lighting
Or took advantage of some large windows, and placed parchman or some paper over them to diffuse the light a bit
>>3114732
>>3114733
>>3114750
Gotcha. So basically bounce light around the scene in order to bring up specific areas? Could the same thing be achieved without the off camera lighting, by using a tripod then taking multiple images to bring up certain areas, then masking and merging in post?
Do most prefer continuous lighting rather than flashes/strobes?
>>3114756
I guess you could do that, but it would certainly be more work than moving lights and diffusing them. like, youll be able to see the end result in a single exposure as you're adjusting the lights rather than hoping your post production skills are any good
>>3114756
Get it right in camera first, then touch up later.
Looks like they used some decently powerful lights in the two rooms back there (or natural light). The light in this room emulates a skylight, so it could either be bounced off a ceiling (easiest) or a big softbox was brought in (more work). I can't decide if the bounce was straight up, or up and back a bit.