Getting ready to peace out from this place after two years. Here's some recent stuff. Crit plz cause that's the only reason for poasting.
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>>3113240
>two years
New as fuck
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>>3113243
What did he mean by this?
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This place meaning Japan or /p/?
>>3113265
Japan, I'm never leaving u guis <3
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>>3113267
if I were you I'd do it the other way around
>>3113240
meh. might work better if the shadow cast was longer and if you use a longer lens.
>>3113242
>>3113244
great use of shadows.
>>3113245
might want to bring up the reflection.
>>3113247
bad colors and boring.
>>3113248
nice symmetry.
>>3113249
i want to see more starts in this.
>>3113261
if only there a car or bike in this. other wise cool back ground pic.
>>3113267
very nice lines, cool colors.
>>3113268
nice.
>>3113269
weak pic by it's self.
>>3113270
>>3113270
If you think /p/ is bad, don't go to Japan.
>>3113271
Pretty much agree with everything you said. Some of these are defo too empty.. Cheers for the thoughts!.
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>>3113272
this is cool. great shapes
>>3113244
I like this one a lot
>>3113274
Cheers! Lucked out with the red nail polish.
>>3113295
Totally get ya, lots of these are definitely missing something to round out the photo/composition.
>>3113480
Thanks budday.
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What have you been doing in Japan for the last two years, OP? Teaching?
I'm on my way over there in a couple weeks, not long-term though. I work for a Japanese company and I'm headed over for a few work events.
>>3113244
I like this one a lot. The reflections really make the shot for me, especially because they show things that aren't visible directly.
>>3113261
This is a cool one too, but I'm biased since I'm a car guy who loves twisty roads.
Good shit JapanAnon
>>3113267
>tfw ur here 4eva
>>3113738
Yeah been teaching English at a high school. Been fun, but I'm ready to move on to bigger/better things. Not sure if you'll have much free time, but if you're a car guy and you'll be in Tokyo check out www.fun2drive.co.jp for some sweet cars you can rent.
>>3113744
Film stock is Lucky 100 SHD. Really liked it, plan to get more eventually.
Cheers for the comments. Totally agree with your crit. In regards to the last one, I think a tighter crop would benefit it massively. Wish I could reshoot...
>>3113748
Thanks anon!
Here's one from the winter. Been biking to work in 35C lately, snow looks nice.
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>>3113763
Oh, those are the guys who set up that Initial D tour thing with 7Tune, aren't they?
My boss is actually a big car guy with some badass stuff (McLaren 12C, F488, Aventador, Cayman GT4, etc.) he keeps offering to lend me, but I know from experience that driving in Japan kinda sucks and I'm terrified at the thought of doing it in a car that's worth so much money. (Not to mention the damage that fucking up my boss's supercar would do to my career...)
>>3113808
Not sure about that desu.
Not all the cars they have are expensive. Just some fun JDM stuff like old GT-Rs, an NSX, plus weirdos like a Caterham 7. Just get insurance :D
>>3113809
Yeah, some of the more "attainable" stuff on their list might be an option. Maybe I'll go with an S2000, because I own one and could probably have more fun in a car whose dynamics I'm familiar with.
That said I think I'm going to try to avoid driving altogether, except during a planned trip to Hakone where I'll be driving one of my boss's cars but only on fun roads and won't have to deal with city traffic.
>>3113267
Which film did you use?
Love the colors here.
>>3113817
Forgot to mention, that company is based in Hakone and those roads are the very roads you'd be driving their cars on! I'm still trying to organize taking their NSX for a 3 hour spin around Mt. Fuji...but it's looking like I won't have enough time. :(
>>3113820
Velvia 50 rated at 40.
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Think that's it.
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Before I give any critique, it must be observed that all of this says as much about my own predilections as it does your work. I am in no way qualified to make objective or representative critique. Nonetheless, here goes.
>>3113240
Under exposed. I can't see the girl, I can barely see the tunnel.
>>3113242
I like this one for the diagonal in the background, but I think it's a touch dark. The cyclist's head intersects the diagonal line.
>>3113244
This is nice. The colour, reflections in the train, and bluring of the train, along with the high contrast between light and shadow work really well. The perspective and leading lines also work well.
>>3113247
I like the colour, but to me it's not really a photo of anything. I see no story, nothing interesting is grabbing my attention.
>>3113248
This is a good photo. If I were you, I'd crop either most of the sky, or most of the wheat out, and I'd crop out the power lines.
>>3113249
Photo of nothing again. Vaguely interesting light effect, it would probably be helped by a brighter exposure.
>>3113261
Good photo, but no strong subject. Would be better with someone using the road.
>>3113267
Good colour, interesting composition, I like the figure, but it could be cropped tighter on the top right. That's just a nothing little triangle.
>>3113268
Lovely little photo.
>>3113269
Foreground is distracting and adds nothing.
>>3113272
I like this one, I see no major flaws.
>>3113703
I love this one. All of the elements are justified, and it tells a lovely little story with the two children.
>>3113705
Another photo of nothing.
>3113733
There might be too much foreground.
>>3114002
Continuing from this one. I wrote too much and can't be nothered editing.
>>3113763
Good photo, but the cropping is a little in between. It has to be either much tighter on the blue building or slightly wider. I would have gone with tighter because of the power pole.
>>3113774
This is a great photo. I love the blur on the cyclist.
>>3113942
The fence shouldn't be in the photo. Or the photo should be of the fence.
>>3113943
I love this photo. You probably don't know about japanese architectural theory, but this is a lovely illustration of japanese frontal space.
>>3113946
Reflections are nice.
>>3113965
Nice photo of an interesting space. The perspective is a little off, you have to be very careful about pointing the camera slightly up or down, I would have shot slightly wider or from futher back.
>>3113966
This is a nice photo. You could have had a touch less ceiling and more floor, otherwise nice.
>>3113967
I like this photo, but I don't know why. Maybe it's because the grain removes some of the figuration which photography cannot normally avoid.
>>3113969
Crop out the nothing little triangle of overhand at the top left of the window.
>>3113972
>>3113973
>>3113974
These are nice. It tells a good story of the site with the reflections off the rice field (I presume it's rice)
>>3113978
I like this photo. In particular I like that you cropped the horizon out, it makes the city feel like a much stronger force.
>>3113980
There's a bit too much of the foreground building, but this is otherwise a very good shot.
>>3114002
>>3114004
Hey anon, appreciate the thorough crit a ton! Some good thoughts for sure. Every image you called out in terms of having no story is 100% true. Dunno why I still fall for capturing such scenes, but I do...
Glad you picked up on >>3113943 in particular. Main reason for moving to Japan was to study / experience Japanese architecture. Leaving to pursue my M.Arch.
For this shot >>3113978
I didn't even think about how cropping out the horizon led to that sort of feeling. Good call!
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>>3114494
No worries. Good luck with the masters. If you want to read about Japanese architecture, you should read kazuo shinohara's essays. They're really good.
I like the film stock that you used on that photo. The bottom right portion is really nice.
>>3114514
Thanks again anon, I've read a few essays by him. Definitely good stuff.
Bumpin for any more feedback.
>>3113240
Recent nippon photos
1/?
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>>3116743
2/?
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>>3113242
>bw photo
>one cyclist in the light
>one cyclist in the dark
it's like pottery