Been loving the point and shoot life lately. Starting out with a roll of Acros I used as a test roll for an XA2 I recently picked up.
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I posted the first few of these in the /fgt/ thread a few days ago.
I really enjoy the XA2, moreso than the XA I used to have. After one roll I understand the scale focus distances and it's so much quicker than focusing via the RF patch on the OG XA.
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Camera-Specific Properties: Equipment Make SONY Camera Model ILCE-7 Camera Software Adobe Photoshop CS5 Windows Maximum Lens Aperture f/1.0 Focal Length (35mm Equiv) 0 mm Image-Specific Properties: Image Width 6000 Image Height 4000 Number of Bits Per Component 8, 8, 8 Pixel Composition RGB Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2016:12:22 23:17:00 Exposure Time 8 sec F-Number f/0.0 Exposure Program Manual ISO Speed Rating 100 Brightness -6.6 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Cool White Fluorescent Flash No Flash, Compulsory Focal Length 0.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Manual White Balance Manual Scene Capture Type Standard Contrast Normal Saturation Normal Sharpness Normal
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There's more highlight detail on the neg but I don't think it's worth rescanning considering he's motion blurred anyway.
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The light is perfect these days on my morning commute.
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Missed the focus on this one unfortunately. I thought setting the scale focus to middle would've been perfect. I learned that if your subject is more than 10ft away setting the focus to 'far' will get your perfectly focused images.
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Moving onto Superia X-TRA 400. I had very low expectations for this film, but I'm pretty blown away by the results. I'll definitely be stocking up on some more 5 packs of this stuff.
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The Stylus Epic showing how damn good it is at focusing and exposing in difficult scenes.
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Rode past this shadow for over a week before I finally stopped to snap a frame.
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Testing night capabilities. Forgot to mention all of the color is shot with an Olympus Stylus Epic. The black and white was all Olympus XA2.
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Hyogo Prefectural Museum of Art by Tadao Ando.
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Interior
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Wish she was one step to the left.
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Renders overcast light really nicely too.
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>>2989406
The colour and light in the trees is so wonderful here I don't know why you would take pictures of anything else
>>2989537
Wow, long time no see junk, hope you're doing well. Didn't have much time to shoot that day so had to fire a few quick frames and move on.
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>>2989543
Yeah likewise, I knew it was you as soon as you started identifying the name and architect of the building in the photos
>>2989418
>>2989419
>>2989421
Pretty neat to see you experimenting with different film and cameras in small format, it looks like you're taking full advantage of living in the proverbial "photography capital of the world" aka japan
>>2989576
I'm 99% sure that the circle was gradually created by the circular shuffling movements of the multiple middle-aged Asian ladies who practiced Tai chi of some sort at that location nearly every day.
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>>2989593
edit that building out
>>2989595
There's a reason I prefer film and it's not so I can doctor my photos like a Khrushchev-era Soviet revisionist hack.
Do you guys develop your own color film?
>>2989851
I hope you make a big thread for your best/favourite japan pictures when it's all said and done, senpai
>>2989597
you're being rather tedious
>>2989937
u know I can never resist an opportunity for some banter
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>>2989941
>>2989593
Maybe Zen walking meditation
>>2989916
Yeah, will do for sure.
Guess I'll post some digisnaps from the past few months. I never bother editing my digital photos. Basically shoot, upload to the comp, and forget about them. This thread will give me good reason to go through and edit the ones that look promising.
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Hiroshima Peace Memorial Museum by Kenzo Tange. Disappointing in terms of content as well as architecture.
Wanna-be Xpan crop.
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Atomic Bomb Dome
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Damn, that previous one is p underexposed.
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The lady shot this one.
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Yokohama Ferry Terminal by Foreign Office Architects
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Hate the distortion on this one
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Prada Aoyama by Herzog de Meuron
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SunnyHills by Kengo Kuma
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Tod's Omotesando by Toyo Ito.
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Himeji Castle detail
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Tadao Ando
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Last one I suppose. I realize this thread is a clusterfuck of images. Crit on any of them would be rad.
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Where can i develop film in tokyo?
>>2990226
I dunno where, there are tons of places tho. Kitamura camera would be one for sure.
why don't you come to discord anymore, man
miss u
>>2990484
It's a p toxic environment senpai, you should leave too.
Miss a few of y'all tho.
Any feedback at all on these?
Weeaboo White piggu go home
>>2990655
Sucks
No good shots itt desu
Typical weeaboo whitey tourist snapshit
>>2990192
In the past I don't think I ever had that much to say about your 6x6 shots since you seemed to know very well what you were trying to accomplish with them formally, but since you're more or less freestyling ITT I might as well write down the thoughts I'm having looking at the pictures. What I mean is just that although I usually am/was too lazy to bother commenting unless I either believed I could prescribe the most correct and/or vital advice for the OP, or if I just wanted to flame them, I'm not making such an egotistical presumption here in relation to your work--i'm just doing the more basic critical thing where I serve as a mirror for your work by describing what I see. (tl;dr I-It's not like I like you or anything, baka)
>>2989398
the light here is good, actually perfect, hopefully this is a place/time you can come back to a lot and "stake it out", as it were, because I think that there is an amazing photo in the scene that will appear under the exact right conditions. In short, the contrast between the figures inside the train and the shadows of the people standing on the platform is very compelling, but it would be better if the people inside the train were most clearly/less blurrily rendered; if the live figure of the train conductor was not part of the crowd of the shadows, or at least was integrated into them in a more meaningful way; and also possibly if the shadows/silhouettes were higher up on the side of the train, more clearly differentiated, and animated in more meaningful poses.
>>2989402
very good composition, very good contre-jour, also I don't know if you've noticed but the image ultimately seems to focus all our attention on the shiny black shoes of the students because 1) they appear in the compositional focal point, 2) they have a lot of visual contrast and detail--deep blacks and bright white reflections, etc. etc. 3) they are mostly distinctly shaped in contrast to the blurryness of the students.
Continued, probably
>>2989402
The only reason I bring it up is because it's something that suddenly made me give a fuck about the subject (the students)/gave me something to think about RE the fetishized status of the schoolgirl in Japanese photography. (There's even a brief hilarious scene from "Near Equal" where moriyama is sneakily taking low-angle shots of schoolgirls.)
>>2989411
I would keep trying at this location
>>2989418
>>2989419
>>2989421
compositions are nice and crisp but on a more tangential note I've been wondering lately if architecture photography should really be all about compressing the building down into a flat (2D) modernist abstraction or serviceable approximation thereof. I mean, in one sense it's kind superfluous given what the building already does, don't you think? But also in the sense, which Douglas Crimp has suggested, that the photos tend to become mnemonic, recognizable, semiotic, etc. Of course, having human figures in the image is a way to combat this but personally that seems lame and also full of other issues about how to represent the architecture. I like your first pic of the Hyougou museum the best because the incorporation of the mountains in the background and the glass facade on the right helps re-assert a sense of depth but the diagonal shadows still suggest a sort of overall flattening schematism.
>>2990098
I like this a lot
>>2990116
the sky in this is really pleasing
>>2990120
This particular shot isn't really doing it for me (I just am biased against street photography of human figures) but this building, this observation-deck type area, seems to have a lot of potential
>>2990158
cute. in fact probably too cute.
>>2990184
The composition with the pillar bisecting the frame is really good, I wonder what it would look like in different lighting conditions though? (specifically so that the background had less of an extreme contrast of light and dark and was thus more uniform)
>>2990489
>>2990655
these are nice, like little atmospheric samples of the environment. it's the kind of thing you construct a big series out of.
>>2990981
also pic related RE the thing about architecture
>>2990489
check dms
>>2991148
>check dms
let me guess, you want to invite him to the one that bans people, huh?
>>2991176
yes
>>2990660
8 more months and I'm getting the fuck outta here! :)
>>2990662
Guess I should have said *constructive feedback*
>>2990665
I feel like at least a few of these aren't typical weeaboo tourist snapshits. Shit, not a single neon light or temple in this thread!
>>2990950
>i'm just doing the more basic critical thing where I serve as a mirror for your work by describing what I see
Awesome, exactly what I want!
>the light here is good, actually perfect, hopefully this is a place/time you can come back to a lot and "stake it out"
I transfer trains at this station 5 times a week every morning. In this instance I figured it'd be cool to have the train blurred so I waited until it was departing to fire a frame. In retrospect I don't think this was a good choice. I'm definitely going to reshoot this a ton of times. Thankfully the extreme punctuality of the trains here means I get this exact same scene every morning, so long as the sun is shining.
>the image ultimately seems to focus all our attention on the shiny black shoes of the students
Stoked you picked up on that! I've noticed that longish exposures tend to leave the feet in focus with everything else blurred, so it's something and seek out in the right conditions. To be honest, I wasn't expecting it to happen with this shot...but I guess the 100 speed film caused the camera to shoot at a slower shutter than I was anticipating. My main draw to the scene was the shadowed figure in the window + the totally visible students further out on the platform.
> I've been wondering lately if architecture photography should really be all about compressing the building down into a flat (2D) modernist abstraction or serviceable approximation thereof.
Man, totally agree with this train of thought! It's something I'm totally into exploring, and I have explored it a bit in the past at another Tadao Ando building I visit (picture related).
>>2991656
cont...
This flattening of space is something I really want to explore more, and I tend to do it when possible (here's another example). Sometimes I'm photographing architecture for my own personal library to fall back upon once doing my Masters, but other times I'm simply wanting to abstract it to the point of confusion/nonrecognition.
>I wonder what it would look like in different lighting conditions though?
I'm wanting to find some scenes close to me where I can do just that. How a simple change in light can change a space and it's sense of depth is incredibly interesting.
>these are nice, like little atmospheric samples of the environment. it's the kind of thing you construct a big series out of.
Shit, maybe I should start a side series...
>>2991148
Saw the invite, cheers. I might join but desu I realized how much of a waste of time it was. I've been much more productive on my daily commute (shooting photos and/or studying) since deleting the app.
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>>2991659
>Sometimes I'm photographing architecture for my own personal library to fall back upon once doing my Masters
nice, good luck!
>>2992838
Thanks, gunna need it!
Junk has eliminated any need for me to give you any actual critique because anything I say would have no value next to the detail he has given. But these are the photos that grabbed my attention the most.
>>2990104
>>2990107
>>2990109
>>2990116
>>2990120
>>2990123
>>2990489
Real nice to see you both here on /p/.How often do you visit? Junk are you currently posting photos anywhere online?
>>2995121
charlie you shouldn't shy away from trying to translate your sensory impressions into language, maybe it will help you get out of the 2+ year rut you seem to be stuck in.
>are you currently posting photos anywhere online?
>current year
>taking photos
>>2995121
Cheers charlie, always appreciate your comments. Feel free to tear into any image!
I lurk /p/ and post a fair bit, usually trying to help out with questions. This is the only place I know of where you may luck out with some critique so I make photo threads once I've built up 20 or so images. I've been really slacking with the digital stuff though. Haven't bothered editing much from 2015 up until mid 2016.