Long Exposure thread

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Focal Length (35mm Equiv)	40 mm
Image-Specific Properties:
Horizontal Resolution	70 dpi
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Image Created	2016:11:07 23:01:02
Exposure Time	25 sec
F-Number	f/2.5
Exposure Program	Manual
ISO Speed Rating	200
Lens Aperture	f/2.5
Exposure Bias	0 EV
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>>2966829

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Focal Length (35mm Equiv)	35 mm
Image-Specific Properties:
Horizontal Resolution	300 dpi
Vertical Resolution	300 dpi
Image Created	2016:11:17 23:17:11
Exposure Time	1/60 sec
F-Number	f/2.8
Exposure Program	Aperture Priority
ISO Speed Rating	5000
Lens Aperture	f/2.8
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>>2967052
This one is great. Did you take these?

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>>2966829
It's a pain in the ass to set up but I do it sometimes when I'm too bored to think of anything else.

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That's about it.

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>>2967081
Basically this. Winter activity when there's less to shoot 4 me

Always gotta be prepared for some asshole to come up and start questioning why you're pointing a camera at a big road junction thinking your spying on children or some dumb shit

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I'm not really a landscape fag or even an architecture fag but I find it kind of therapeutic sometimes. Good for hanging around on the ol' street corner while drunk arseholes pass you by. Listen to a Peter Hammill album and take some shots.
My friend who shoots pictures of trash and graffiti loves this kind of inane photography but can't stand actually waiting for a long exposure. I put that down to him getting frustrated and not knowing how to use his camera.
Got this shot from our last visit to a pub while testing an R52. He whined about the cold though so this is all I got.
>>2967098
Is that Livingston m8? Looks familiar.

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Image-Specific Properties:
Horizontal Resolution	240 dpi
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Image Created	2016:10:23 21:15:10
Exposure Time	210 sec
F-Number	f/8.0
Exposure Program	Manual
ISO Speed Rating	200
Lens Aperture	f/8.0
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>>2967056
Not OP. I only took this one. Stopped in DC driving back down from taking my son to meet his extended family in Canada.

I guess 1/60 isn't necessarily "long," but I suppose it's all relative, and that's long for a speeding train.

>>2967115
nope in the UK senpai

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>>2966830
How do you keep the street lights from now blowing out the picture?

Tried some stuff in the city, but the streetlights are way worse than this.

>>2967141
a filter kit helps

>>2967162
Just bought a polarizing filter, would this work at night?

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>>2966829
>kinda entry level
Why is it entry level?

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Use long expos a lot, though for landscapes rather than urban as I don't live near a city. Pic related was exposed for 4 mins.

>>2967184
Damn son, what settings to not blow it out completely? Assuming it was sunrise?

>>2967185
NiSi filter kit, this pic was with a 10 stop ND and 3 stop reverse grad ND. Was actually sunset too, though not the greatest. Huge cloud came over and blocked most of the light coming from on the horizon.

>>2967185
>>2967186
Settings from memory were 245sec, f/13, ISO-100, 17mm.

>>2967187
Nice! As it's just something I do during the winter (this is me >>2967098) it's probably not worth getting all those filters at the moment.

It's meant to be raining super hard tomorrow night but kinda want to do some more traffic ones, how does rain come out in long exposures? Like 5-15 seconds.

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I was wondering why the photos are so low quality
>mfw i have quality set to 4 in Lr
im fucking retarded.
OP btw

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>>2967436
Where did you set the focus point?

Bumping for an answer to long exposures at night in rain >>2967193 as a highway is closed today and traffic is routed on a road that's perfect for exposures

>>2967640
its focused on the bridge, this was shot at f/11 so it has a pretty good depth of field

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>>2967098
>>2967141

Went back to this spot last night. This time with my 5diii, wasn't raining as hard as I'd hoped.

1/3

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Image Created	2016:11:19 19:45:25
Exposure Time	30 sec
F-Number	f/5.0
Exposure Program	Manual
ISO Speed Rating	50
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Exposure Bias	0 EV
Metering Mode	Pattern
Flash	No Flash, Compulsory
Focal Length	24.00 mm
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>>2968278
2/3

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Exposure Time	20 sec
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>>2968279
3/3

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>>2968278
>>2968279
>>2968280
>>2967098
Welcome to /p/, resize your shit now.

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>>2966829
I really enjoy the long exposure shots because there is so much more planning that you are forced to do. I can go out shooting for several hours and come home to review less than 10 images. They can be painful when you've spent so long to set up a shot and then realize you overlooked something (slightly out of focus, light leak, tripod insecure).

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>>2971942

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>>2971948

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>>2971955
This is what terrible light leak looks like. This was a shot with the sun to my back and I forgot to block the sun and also forgot to tape the eye piece.

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Horizontal Resolution	72 dpi
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Exposure Time	30 sec
F-Number	f/14.0
Exposure Program	Shutter Priority
ISO Speed Rating	200
Lens Aperture	f/13.9
Brightness	-3.7 EV
Exposure Bias	0 EV
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>>2971975
30 second exposures are so droll
>>2971956
>he owns a non-light tight photo box
lmao. I guess people who are into bridge photography get what they deserve.

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>>2971978
Droll means funny...
Do you mean dull or drab?

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>>2971956
Why is leaked light always purple? Should sunlight just be yellow or is it because it's coming from the back of the film?

>>2972006
That's a digital camera. Light leaks on film are rarely purple, they're more regularly orange, and yes, for that reason.
Light leaks are also uncommon on a non-broken film camera. You need to remember that film is sensitive to light from the moment it's manufactured up until it is developed, so a film camera into which light can intrude at all is unacceptable, other wise you wouldn't be able to use the thing outside.
Digital cameras, on the other hand, hardly require light sealing at all.
The sensor is fixed in place inside the mirror box, and is only sensitive to light whilst an exposure is being made, during which it's safe to assume the overwhelming majority of the incoming light will be via the lense.
The problem is when you make a very long exposure, the ratio of light coming through the lense to light leaking in through the mount or viewfinder or buttons or whatever might be very different, leading to that kind of result.
It's purple, because most digital cameras are black plastic, which reflects mostly light towards the ultraviolet end of the spectrum.