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35mm or 50mm?

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Thread replies: 30
Thread images: 5

File: DSC_0708.jpg (285KB, 1440x960px) Image search: [Google]
DSC_0708.jpg
285KB, 1440x960px
I'm planning on buying either a 35mm or 50mm lens that's under $500 AUD for my D3100. I own the 18-55 kit lens and the 55-200. They're both rather shitty, but the kit lens pales in comparison to my 55-200. So I thought I'd get something that's significantly better closer up and in low light like the 35 or 50. If I'm wanting to do portraits and close-ups, which one would be better? Should I just save up for something more superior or what? Or would that be a waste of money?

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Equipment MakeNIKON CORPORATION
Camera ModelNIKON D3100
Camera SoftwareAdobe Photoshop CC 2015 (Windows)
Maximum Lens Aperturef/5.7
Sensing MethodOne-Chip Color Area
Color Filter Array Pattern794
Focal Length (35mm Equiv)300 mm
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>>
go a 35 for crop, your zoom starts at pretty much 50 anyway

35 on crop is pretty much you standard everyday length imo
>>
28mm on crop

40-45mm master race
>>
43mm on FF master race
>>
I recommend the 35 1.8 in your situation.

As an aside, 14-45, 45-175, and 25 1.8 was the three lens setup I was happy with for years, very similar to your 18-55, 55-200, and 35 1.8
>>
50mm crop is patrician choice
>>
85mm f/1.4
>>
>>2902935
>>2903159
that's what I was thinking because the 35mm on a crop is essentially 50mm, right? And to me 50 seems like something I'd like a bit more so it's easier to isolate the background and I don't have to get up in people's faces and whatnot.
I don't think I'll have a full-frame anytime soon, I only recently got the one I have now just a couple months ago.

>>2903191
Fat chance
>>
File: Portrait-Focal-Length-II[1].jpg (2MB, 2324x1728px) Image search: [Google]
Portrait-Focal-Length-II[1].jpg
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>>2902904
>35mm or 50mm
>>2902935
>35
>>2902942
>28mm
>>2903068
>43mm on FF
>>2903159
>35
>>2903169
>50mm
ITT: anons who don't what facial distortion means.
On my full frame, nothing beats the 70-200 2.8 for portraits. I live at 200mm.
For portraits, OP, you want at least 85 on your crop. Better would be 100 and ideal would be 135. Longer focal range means less distortion, plus your models will be more comfortable because the lens isn't all up in their face, like a 35mm.

[EXIF data available. Click here to show/hide.]
Camera-Specific Properties:
Camera SoftwareAdobe Photoshop CS5 Windows
Image-Specific Properties:
Image Width576
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Image Width2324
Image Height1728
>>
>>2905109
Alright I take back what I said about the 85mm. I never realised how bad the distortion can be for portraits... but $2.5k seems a bit pricey for a prime. Wouldn't it be better in the end to spend a little extra for the 70-200mm 2.8 like the one you have?
>>
>>2905109
Focal lenght change with Apsc, so is the distance to subject, you fruit. Portrait at 35mm is ok as long as you don't get too close or try some akward poses.
> 200mm on crop
Lol no.

Op, get the 35mm. The 50 would be a better choice for portraits, but a normal prime is life.
>>
>>2902904
>35mm or 50mm?
It all depends on what kind of photos you want to take.
50mm on crop sensor is quite close, works well for portraiture and shooting some details, your distance with the subject will be more than with the 35mm, this could be a good or bad thing depending on the situation
35mm will be more "all-purpose" giving you the chance to do more things, like landscapes for example, it brings you closer to your subject and it's easier to separate the subject from the background, but you'll have more distortion.
To cut it fast: buy both lenses
>>
File: 50vs135.jpg (485KB, 1500x1114px) Image search: [Google]
50vs135.jpg
485KB, 1500x1114px
>>2902904
Testing my lenses, this is straight out of the camera. I'm on full frame, I think your D3100 is 1.56 crop factor, so take that into consideration.
>left = 50mm
>right = 135mm
>>
>>2905250
>that lighting
absolute garbage
>>
>>2905109
>I only take photos of peoples faces
>>
>>2905109
>TT: anons who don't what facial distortion means.
Considering that those are words you just mashed together is that super surprising? The term you're looking for is "perspective distortion". A related and acceptable term is "telephoto compression"...well, more acceptable than your "facial distortion".

>On my full frame, nothing beats the 70-200 2.8 for portraits. I live at 200mm.
It's like you don't know that compression is only flattering to certain kinds of faces.
>For portraits, OP, you want at least 85 on your crop. Better would be 100 and ideal would be 135. Longer focal range means less distortion, plus your models will be more comfortable because the lens isn't all up in their face, like a 35mm.
50mm is perfectly fine to use on a crop. I mean, it's not like the 85mm (on 135) is a common portrait length or anything. A 35mm on APS-C means you'll likely be framing at near to a normal focal length on a 135, which means minimal perspective distortion. Going longer than 35mm (ish) means you're increasing perspective distortion, just a different kind than going wider than 35mm would be.

Don't try to sound like you know some shit when you don't know what the fuck you're talking about.
>>
>>2905109
50 looks best.
200 looks like a man.
>>
>>2905263
It's facial distortion because only faces can be distorted by lenses you idiot
>>
>>2905266
The Poe's Law is strong with this post.
>>
>>2905260
Good thing its a test that has nothing to do with lighting.
>>
>>2905261
>What is a headshot? What is a comp card?
is this nigger serious?
>>
File: _98A0618.jpg (97KB, 1000x667px) Image search: [Google]
_98A0618.jpg
97KB, 1000x667px
>>2905260
>>2905283
In those test shots, I was setting up to do the Dylan Patrick cinematic headshot technique. I'll explain.
It's all about having that super blurred background, sort of like you saw on the right hand test image.
So forget the model for a moment. I'm just exposing for the background and trying different compositions to see what background works best.
pic related: I'm using a 135mm prime, ISO 100, 1/3200 sec @ f/2.0
Now here's where Dylan Patrick's technique comes in.
First I got my shot exposed for the background, and then I light my model to match the background exposure. I come from real estate photography and we do the same thing inside rooms with bright windows: we expose for the brightest object (the windows) and use speedlites to light the room to match.
The real trick is getting around my camera's limit of 1/200 shutter speed so I can shoot at 1/3200 sec. To do that, I put my speedlites into High Speed Sync mode (Nikon calls it Auto FP, Canon calls it HSS).
That's the technique in a nutshell.

[EXIF data available. Click here to show/hide.]
Camera-Specific Properties:
Equipment MakeCanon
Camera ModelCanon EOS 5D Mark III
Camera SoftwareAdobe Photoshop Lightroom 6.4 (Windows)
Maximum Lens Aperturef/2.0
Image-Specific Properties:
Horizontal Resolution75 dpi
Vertical Resolution75 dpi
Image Created2016:08:17 21:42:06
Exposure Time1/3200 sec
F-Numberf/2.0
Exposure ProgramAperture Priority
ISO Speed Rating100
Lens Aperturef/2.0
Exposure Bias-1 EV
Metering ModePattern
FlashFlash, Compulsory
Focal Length135.00 mm
RenderingNormal
Exposure ModeAuto
White BalanceAuto
Scene Capture TypeStandard
>>
File: DPP_0369-Edit[1].jpg (315KB, 2048x1363px) Image search: [Google]
DPP_0369-Edit[1].jpg
315KB, 2048x1363px
>>2905563
cont.
>pic related is example of Dylan Patrick headshot.
Anyone interested in this technique, the gear used, or more headshot examples, I recommend his site
http://dylanpatrickphotography.com/

[EXIF data available. Click here to show/hide.]
Camera-Specific Properties:
Equipment MakeNIKON CORPORATION
Camera ModelNIKON D700
Camera SoftwareAdobe Photoshop Lightroom 5.7 (Macintosh)
PhotographerDylan Patrick
Maximum Lens Aperturef/2.8
Sensing MethodOne-Chip Color Area
Focal Length (35mm Equiv)200 mm
Image-Specific Properties:
Horizontal Resolution72 dpi
Vertical Resolution72 dpi
Image Created2015:02:11 08:18:32
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Exposure ProgramManual
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CommentEds d700
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Exposure ModeManual
White BalanceManual
Scene Capture TypePortrait
Gain ControlNone
ContrastNormal
SaturationNormal
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Subject Distance RangeUnknown
>>
>>2905563
dude the problem isn't exposure but more about how the flash you used was harsh as hell, made her face looks oily and unflattering. I mean, look at your image and then the Dylan Patrick example for god's sake
>>
>>2905529
I'll take not the only two fucking forms of photography, alex
>>
>>2905635
>not understanding the meaning of test shot
Listen, Charlie, why you give round eye such hard time? Hanoi number ten, America number one. Di di mau!
>>
>>2905109
that only holds true for headshots. Try shooting a sitting person and you'll need a megaphone (not exaggerating)
>>
>>2905563
all that to end up with shitty lighting and poor framing?
>>
>>2905643
>hurr durr forms of photography
Per OP, he wants to shoot "portraits and closeups."
Learning how to take a proper commercial, theatrical, and corporate headshot is like bootcamp for portrait photography. Good headshot photographers are always in demand.
>>2905660
here's your (((you)))
>>
>>2905664
>here's your (((you)))
Oh, you meant to go to >>>/pol/ but hit enter two letters too early.

Btw, if you're going to use pol memes, try to use them in a way that makes sense.
Thread posts: 30
Thread images: 5


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