pictured.
>>74646531
that's not show no mercy
hello
>>74646554
You are correct, that's not show no mercy
Uncle Acids best is not Bloodlust
Prove Yourself, Vegetable and Lurgee are standouts and in general this album should be classfied at the top of the bands discography.
>>74646531
katy perry
Maybe Violator is on the same level, but Music for the Masses is more electronic-based.
Each track has its own interesting approach to the music with different foundation for each track without getting into the gimmicks of his other stuff like The Clown, Pithecanthropus Erectus, The Black Saint, etc. as the album still allows the players to really go all out in the realm of improvisation as well.
>>74646923
Black Saint is better, as well as being one of the most experimental jazz albums.
>>74646951
>more experimental means better
Lmao. Also TBSATSL isn't even that experimental compared to a lot of other stuff in the genre. Hate how experimental has become a buzzword for stupid gimmicks just entering in the middle of a song.
Gotta bring out the classic copypasta.
>very limited amount of improvisation with non-existent amounts of melodic/harmonic development to make up for it
>simplified grooves that take away any of the more subtle/dynamic aspects of jazz drumming (even though many examples in jazz show you can have both)
>large arrangement that weaves in parts like a first year music school kiddie
>a "variety" of different parts that play too close together instead of being more syncopated, thus not being taken full advantage of to create dance rhythms nor actual depth/complexity
It's literally outdated (even at the time), cliche dance music with no depth. The 60s equivalent of The Epic but not as bloated. Note how this album wasn't even that highly acclaimed when it came out; Downbeat gave it a 4/5 when just about any relatively decent record can nab a 5/5 from them (so don't give "le most acclaimed" garbage either). The Black Saint And The Sinner Lady didn't get praise until later by people who hadn't listened to more than a handful of jazz records and were too casual to fully digest the more intricate improvisations in real jazz music but also couldn't handle the depth in compositions of classical music.