Hello guys.
I need some advice that possibly can be given by fellow singers/singerettes.
I'm a decent singer, I can manage myself singing fairly difficult stuff and different types of things.
But I could never achieve a specific and well known distorted/broken timbre.
Examples: Paul McCartney at Oh Darling choruses.
Julian Casablancas (The Strokes) every now and then.
A little bit different one: Jeff Buckley at the end of Grace.
Trying to learn how to do that, I learnt how to distort my voice in the bluesy, twanged/nasal way (in a healthy way, btw). But I can seem to grasp the specific technique needed to do these other kind of vocal distortions.
Anybody knows how to do this and can give some good advice for me to try?
Bump with a pic of a silhouette who sings 2 octavas wide 1/16s
I can see that my brilliant images and smart-written texts don't appeal to you, fellow singers
Final bump before dying in my bed
you should just accept your voice for what it is cherish it and nurture it
>>74574110
That's a conformist attitude towards musical options.
I'm not trying to sing always in that way, I'm trying to learn it as a resource, to use in specific situations to create certain feelings. Musical and technical growth
It kinda goes against conventional singing wisdom. You have to feel like you're really choking it out. Try extending your neck and putting pressure on the bottom of your mouth. You still need a lot of air in actuality, but sing trying not to use it. It's tricky.
>>74572062
I've been singing for a long time in Choir and in my band/solo effort.
I find it easier to represent different styles and sounds not through my voice but through the music itself. Plus, I think it could possibly hurt your voice if you fuck with different sounds too much.