ITT: We write the next p4k 10/10 one post at a time

KANYE

BEAT

HIS

WIFE

WIFE

WIFE

WE

AND

WIFE

JOHN

LENNON

IS

A

WUZ

BEATLE

>>74328182
PIECE

MASOCHISTIC

KANGZZZ

FUCK

PROBLEMATIC

PRIVILIGE

I

WATCHED

DA POLICE

WHITE

BEATING

FUCK

THE FACT

STEREOGUM

thefactthatsomanybooksstillnamethebeatlesasthegreatestormostsignificantormostinfluentialrockbandeveronlytellsyouhowfarrockmusicstillisfrombecomingaseriousartjazzcriticshavelongrecognizedthatthegreatestjazzmusiciansofalltimesaredukeellingtonandjohncoltranewhowerenotthemostfamousorrichestorbestsellersoftheirtimesletaloneofalltimesclassicalcriticsrankthehighlycontroversialbeethovenoverclassicalmusicianswhowerehighlypopularincourtsaroundeuroperockcriticsarestillblindedbycommercialsuccessthebeatlessoldmorethananyoneelsenottruebythewaythereforetheymusthavebeenthegreatestjazzcriticsgrowuplisteningtoalotofjazzmusicofthepastclassicalcriticsgrowuplisteningtoalotofclassicalmusicofthepastrockcriticsareoftentotallyignorantoftherockmusicofthepasttheybarelyknowthebestsellersnowondertheywillthinkthatthebeatlesdidanythingworthyofbeingsavedinasensethebeatlesareemblematicofthestatusofrockcriticismasawholetoomuchattentionpaidtocommercialphenomenabeitgrungeoru2andtoolittletothemeritsofrealmusiciansifsomebodycomposesthemostdivinemusicbutnomajorlabelpickshimupandsellshimaroundtheworldalotofrockcriticswillignorehimifamajorlabelpicksupamusicianwhoisasstereotypedascanbebutlaunchesherorhimworldwideyouraveragecriticwillwasteriversofinkonherorhimthisisthesadstatusofrockcriticismrockcriticsarebasicallypublicistsworkingformajorlabelsdistributorsandrecordstorestheysimplyhighlightwhatproductthemusicbusinesswantstomakemoneyfromhopefullyonenottoodistantdaytherewillbeacleardemarcationbetweenagreatmusicianliketimbuckleywhoneversoldmuchandcommercialproductslikethebeatlesatsuchatimerockcriticswillstudytheirrockhistoryandunderstandwhichartistsaccomplishedwhichmusicalfeatandwhichsimplyexploiteditcommercially

MONOGUM

OPPRESSION

this thread is terrible, 3/10

SO PERHAPS MR. WEST DIDN'T EXPECT TAYLOR SWIFT TO DROP THIS SURPRISE MASTERPIECE AFTER ALL THEIR CONFRONTATION SINCE 2009.

THE SHARP CLAUTROPHOBIC LYRICS MEMERIZE THE LISTENER WHILE UNCUT DRAKE SONGWRITTING APPEARS SUDDENTLY ACCOMPANEID BY OVO TRENDMARK DARK R&B PRODUTION ON HANDS OF 40 NOAH SHEBID AND BOI1-DA.

THIS TURN 360 OF A CAREER, IS COMPARABLE TO BEYONCE LATE SASHA FIERCE NOW DOING COUNTRY ON HER LEMONADE.

SEEMS LIKE TAYLOR SWIFT JUST WANTED TO REMARK THAT SHES NOT REALLY JUST A GIRL WHO GOT APPRARENTLY FAMOUS BECAUSA A MTV VMA MESS. SHES THE LAST REAL DEAL OF THE 2010's.

PRIVILEGE

HITLER