>percocet >molly percocet damn...

File: 1481383768054.png (2MB, 1146x1146px) Image search: [Google]

2MB, 1146x1146px

>>74078571
>Decidedly anti-Afrofuture, FUTURE and HNDRXX (the latter perhaps to a greater degree) both ignore ideology, precluding specific self-determinative typologies of diasporic history. They instead recognize and affirm a rather difference-blind urban subjecthood, a vague city-centric memory, one with yet finite reaches and concrete denotations. These stories are totems to the individual rather than the collective body, though they are firmly established in pseudo-geographic imaginations, viz the rival topography of Downtown Atlanta. The “kitchen” itself is revisited in “Scrape” and reminiscence is fond and tender, longing for a visually recognizable, though personally uninhabited, pre-Clintonian era of unfettered self-medication and exchange. It is one of FUTURE’s few political moments. Meanwhile, “I Thank U” characterizes a grotesque recognition of socioeconomic aspiration and a personal will, one insincerely personified in the nameless, disregarded, and ultimately discarded female form: “Girl, I thank you, I thank you/ I thank you/ ‘Cause you made me hustle.” Astonishingly, though, pro forma fables of interpellation, hailing by way of repressive state apparatuses (i.e., the 12, the five-o), are limited in narrative and scope, practically absent on FUTURE. The glorious absence of the political, de rigeuer for Wilburn, is notable only for its allowance of other, multicolored elements to shine to the fore.