This kills the rocktard

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Dance music of the 1990s largely rejected the simple, jovial, hedonistic approach to body movement that had ruled since James Brown invented funk music in the 1960s. Disco, techno and house had simply imported new technologies (both for rhythm and arrangements) into the paradigm of funk. The 1990s continued that process, one of the most important ideas to come out of Britain was jungle or drum & bass, a syncopated, polyrhythmic and frantic variant of house, a fusion of hip-hop and techno that relied on extremely fast drum-machines, epileptic breakbeats and huge bass lines.

Few genres of popular music underwent so many changes and reached such ambitious heights as jungle did. Within a few years, jungle musicians were already composing abstract and ambient pieces, integrating breakbeats with pop vocals, adopting jazz improvisation Thanks to ever more intricate beats and to free structures borrowed from jazz, jungle music rapidly became the foundation for a new kind of avantgarde music, pursued by the most austere of the genre's visionaries