>In the six years since Fleet Foxes’ last album, their former drummer has eclipsed them in the public eye by embracing a flamboyant persona fluent in sex, drugs, self-awareness, and sarcasm, like a not-so-subtle referendum on his previous gig.
>Pure Comedy makes the game feel rigged to Tillman’s delight, a lecture where we’re all reliant on the professor for the answer key.
Josh Tillman REKT
>Crack-Up contains his most compelling writing to date because it’s so damn relatable in 2017—reacting and retreating inwards as people and institutions fail to meet the standards set in one’s head.
America REKT
>Pecknold signed up for the exact opposite experience, “I Am a Rock” to Ezra Koenig’s Graceland, “sitting outside Dodge Hall, smoking, being mad,” and presumably glowering at the kids milling about with their polo shirts, pop songs, and crushes.
Vampire Weekend REKT
>In an uncharacteristically low and atonal register, Pecknold mutters, “I’m all that I need and I’ll be till I’m through,” on Crack-Up’s opening suite. Even more so than Helplessness Blues, Crack-Up obliterates the superficially genial and harmless image so easily projected onto Fleet Foxes.
Old Fleet Foxes REKT
>Crack-Up likewise takes a condemnatory tone towards men who think they’re special enough to upset the designs of Mother Nature
Trump R-R-R-REKT
>8.7
Fleet Foxes rekt
>>73373357
>rekt
This review reads like a 9.2 tho
saged and reported, see >>73373377