Chord progressions

>>73036629
do the chords include the major thirds in addition to the removed fifths and added flat 9?

>>73036629
maybe mess around with A-flat7 and g

>>73036800
>>73036629
Oh wait I thought I read C not C#. Maybe A-flat7 and F or f instead

>>73036688

Ah, whoops. I meant drop 3 for both of those. My mistake

That said, you could also think of it as D#(drop 3), C#min/E, since its an arpeggio.

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>>73036886
wouldn't D#(drop 3) be better written as D#5, like a power chord? and i would assume you still have the flat 9 too. so then you would have this?

how do i into theory to apply to guitar

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>>73036965

Yeah, that is correct.
But the flat 9 in the first chord is sort of optional though, since it shows up in the next one.
Attached is the arpeggio

Been mucking about on the keyboard on the keyboard meanwhile
I found I can try following it with Gmin/D, Adim/C if I want to fly off into C dorian.
Still looking for some other solutions though, I'm planning on having that theme occur a couple of times.

>>73037003

Try out Andrew Wasson on Youtube. I don't play guitar myself, but I find he's got plenty of good videos.

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>>73037326
maybe something like this?

>>73037411

Oooh yes. Thanks Dan :)
Not sure if that second E note in the final bar is flattened or not. I found both very helpful though.
For instance, I could use that last F# as a leading tone into G or F, and reverse the direction of the arpeggio.

>>73037850
no problem, happy to help

>>73037888
also the E is a natural, following along with the bass pattern of D#-E