What should I expect?

>>72155265
Slint.

something kinda like spiderland but not really

>>72155265
If Steve Albini produced Spiderland

>>72155265
Songs about headphones, burping, twinkly guitar riffs, random noises also

Past where the river bends
Past where the silo stands
Past where they paint the houses
Past where they paint the houses

File: piero.jpg (14KB, 450x300px) Image search: [Google]

14KB, 450x300px

>The album Tweez (Jennifer Hartman, 1989) is one of the most revolutionary works in rock history. Every piece is dedicated to a parent of the quartet (and even the dog of one of them) -- not even Robert Wyatt had ever succeeded in composing such abstract dedications. The music is conceptual, heavily rhythmic (often counter rhythm), nervously noisy and mostly instrumental. It is committed to a stormy tonality and contorted designs, completely outside its classification. The atmosphere, at the same time ethereal and dense, continually comes back into play. It's like listening to a much more eclectic and extravagant version of Big Black.

Big Black mixed with Fugazi played by teenagers

It's ween but more stupid

It's funky

*glass breaks*

>>72155536
>>The album Tweez (Jennifer Hartman, 1989) is one of the most revolutionary works in rock history.
>7/10
Epic.

>>72155265

Big Black but really shitty

>>72155536
>not even Robert Wyatt had ever succeeded in composing such abstract dedications
I had to check his site to see if this was real. It was.

>>72155265
>A lot more aggressive than spiderland
>less meaningful lyrics
>less lyrics
>chorus guitars on every song
>arguably more technically advanced playing than spiderland
>overall surreal atmosphere and very distant sounding from the rock music norm
>steve albini
>"Steve, these headphones are fucked up"
>"PAST WHERE THEY PAINT THE HOUSES"
>generally less fufilling songs

>>72155265
STEVE

>>72156154
pretty much this. less influential in the development of post-rock than spiderland, but a key evolutionary step