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hey /mu/, todd here from r/music. redpill me on the beatles

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Thread images: 3

hey /mu/, todd here from r/music. redpill me on the beatles
>>
THE
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Ersatz shit
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listen to everything post beatles for sale
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>>72079861
besr band ever
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>>72079868
FACT
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>>72081150
THAT
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47KB, 907x718px
>>72079861
Beetles is spelled with two e's in nature

But beatles is spelled with one e in music

Checkmate, Athiests
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>>72081175
SO
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>>72081181
MANY
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>>72081669
BOOKS
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>>72079861
As Robert Christgau says

>The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved.
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>>72081824
BANE?
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>>72079861
Sgt. Pepper's Lonely Hearts Club Band [Capitol, 1967]
A dozen good songs and true. Perhaps they're too precisely performed, but I'm not going to complain. A

Magical Mystery Tour [Capitol, 1967]
Because it begins with the lame theme to their worst movie and the sappy "Fool on the Hill," few realize that this serves up three worthy obscurities forthwith--bet Beck knows the sour-and-sweet instrumental "Flying" by heart. Then it collects the A and B sides of three fabulous singles. "Penny Lane"/"Strawberry Fields Forever" may be the finest two-sided record in history. Goo goo ga joob, so may "Hello Goodbye"/"I Am the Walrus." "Baby You're a Rich Man"? OK, not in that league. Which is why it bows humbly before "All You Need Is Love." [Rolling Stone: The 40 Essential Albums of 1967]

Hey Jude [Apple, 1970]
A commercial ripoff it is, pastiching together singles separated by over five years. And I could care less. Show me an album featuring songs as good as "Can't Buy Me Love" and "I Should Have Known Better" and "Paperback Writer" and "Rain" and "Don't Let Me Down" and I'll show you The Beatles--Yesterday and Today. A

Let It Be [Apple, 1970]
"I hope we passed the audition," says the leader as the record ends, and they do. Their assurance and wit would be the envy of veteran rock and rollers, and though this is a little lightweight, it makes up in charm what it lacks in dramatic brilliance. Even when the arrangements get tricky--"Let It Be" is a touch too ornate in this version--their spontaneity of impulse comes through. And while fave rave "One After 909" is pure teen simplicity, it sounds no fresher than "Two of Us," an adult song about couple bonding that I hope applies to their songwriting duo. The one mistake is "The Long and Winding Road," sunk in a slush of strings worthy of its shapeless philosophizing. But even the great are allowed to falter now and then. A-
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