In this thread I will try to annotate Oneohtrix Point Never's

Track 1: Andro
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOO(sirens and car horns subtly play in the background)OOOOHHHHHHH
>UUUUUUUUUUUUUU(synths in here)UHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUU(sirens fade out)UUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUU(sirens begin to fade back in)UUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
(noise begins to creep into the frame)
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUU(voices, TV/radio static begin to filter in and become clearer)UUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUU(a man's voice repeating what sound like the words "A stop, A stop, A stop, A stop?" become clearer)UUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOOOOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
>OOOOOO(loud, almost chirping sounds begin to play. similar to the sounds squirrels will sometimes make while in trees_OOOOOOOOHHHHHHH
>UUUUUUUUUUUUUUUHHHHHHH
>AAAAAAAAAAAAAAAAHHHHHHH
(at this point, the ethereal oohs aahhs and uhhs have faded out, leading us to the sounds of the jungle, complete with bongo drums, on a loop.)
>WAAAUHW goes the bass
(jungle noises and bongos continue, harsh cut to the beginning of track 2: "Power of Persuasion"

>PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL >PIANO LOOPS LOL

>(HARSH, SHORT CUTS OF WHAT SOUND LIKE SOMEONE SPEAKING ARE INTERSPERSED THROUGHOUT)
>(SYNTH HORNS BEGIN TO PERCOLATE THROUGHOUT THE TRACK, BEING HELD FOR A VERY VERY LONG TIME IN CERTAIN INSTANCES)
>(ALL THE WHILE, THE PIANO LOOPS CONTINUE, UNABATED.)
>SOME BASSY SYNTH SHIT ENTERS THE MIX
>Suddenly the piano loops cease, or are dropped so low into the mix that they are almost inaudible in comparison to how prominent they were before
>Track 2 ends

Track 3: Sleep Dealer
>BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW
>T- T- T- T- T- T- T- T- T- T- T-
>BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW
>T- T- T- T- T- T- T- T- T- T- T-
>Haaa. TA-haaa. TA-haaa. TA-haaa.(synths n shit)
>>T- T- T- T- T- T- T- T- T- T- T-
>BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW
>T- T- T- T- T- T- T- T- T- T- T-
>Haaa. TA-haaa. TA-haaa. TA-haaa.(synths n shit)
(THE SHIT GETS MESSY HERE EVERYTHING BECOMES MIXED AND INDISTINGUISHABLE FROM THE OTHER THINGS)
>T- T- T- T- T- T- T- T- T- T- T- T-
>Haaa. TA-haaa. TA-haaa. TA-haaa. TA-haaa. TA
>EEP! EEP! EEP! EEP! EEP! EEP! EEP! EEP!
>VERY DEEP MAN VOICES AND PRETTY FLUTE MUSIC OR SOMETHING
>CHILDREN SINGING IN SOME KIND OF CHORAL ARRANGEMENT INTERSPERSED AND LOOPED AT RANDOM INTERVALS AND AT RANDOM SPACINGS
>Haaa. TA-haaa. (little EEP EEP's throughout) TA-haaa. TA-haaa. TA-haaa. TA-haaa. TA-haaa. (synth strings and the song begins fading out) TA-haaa. TA-haaa. TA-haaa. TA-haaa.

fuck off (?)

Track 4: Remember
(CLAP) OHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHH(CLAP, lowering pitch)OHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHH(CLAP, ADDING ANOTHER LAYER OF)OHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHHOHHH(CLAP, killing one layer and adding a much higher-pitched vocal track)OHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHH(quiet clap, adding another layer of vocals of a higher pitch)OHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHH(CLAP), VOCALS AND SHIT OHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHHOHHHAHHH(then more vocals)OHHHOHHOHOAHOAHOAHOAHAOHAOHAOHAOAHOAHAOHAOHAOAHOAHA(quiet clap, less vocals)
(THIS CONTINUES FOR A LONG TIME.)

(FADING IN VERY SUBTLY during the choral vocal orgy)
>REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! (MORE CLAPS) REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! REMEMBER! (CHOPPED AND SKREWED) BRAAAAAHHHHHH
BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH..... BRAAAAAHHHHHH.....

Track 5: Replica
(very nice piano loop)
(boom boom synths here and there)
(less obvious, quieter electric piano-sounding bleeps and bloops)
(boom boom synths interspersed, followed by static-y sounding synths which hang on for long periods of time)
(piano loops begins to slow down, begins to be played at a lower pitch)
(noise)
The piano loops begin playing again, as they did at the beginning of the track. (screeching synths, bleep bloops, telephone ringing-sounds all over the place, synths and string violin-y shit (OOOOOOH)
>the noise begins to pick up again but quickly fades back out
static-y synths again, holding on for long periods of time.

(END OF SIDE A)

Can't wait for Up

>>71458868
>(a man's voice repeating what sound like the words "A stop, A stop, A stop, A stop?" become clearer)

He's clearly saying "waste". And to think I almost trusted this as a legitimate annotation.

include me in the insanity report screencap

Track 6: Nassau
UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! (FOOTSTEPS WITHOUT ANY SENSE OF RHYTHM BEGIN TO POPULATE THE SOUNDSCAPE) ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! (suddenly dogs barking and a car alarm) ssm-UH! ssm-UH! ssm-UH! (BUBBLES POPPING) ssm-UH! ssm-UH! (THE VERY BEGINNING OF A TRAIN WHISTLE IS CHOPPED AND DISPERSED) ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm- (footsteps and bubbles fill the void the UH! left in the soundscape).
UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH!
(silence)
UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH!
(silence)
(PIANO LOOPS HITS YOU LIKE AN ONCOMING TRAIN)
...
(with footsteps, train whistle, dogs and all)
(piano loop continuing throughout)
ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! (piano loop changes pitch sporadically)

(vibrating synths)
(somebody stepping in shit)

ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! (pause) ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH!
S-S-S-S-S-S-S! SSM
ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH!

ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! ssm-UH! (MORE STEPPING IN SHIT SOUNDS) (PIANO LOOPS ARE STILL GOING ON BY THE WAY)
(VIBRATING BASS, ELECTRIC PIANO NOTES HERE AND THERE)
(BUBBLES POPPING)
(SOME GUITAR (or maybe it's still the electric piano/organ) notes here and there)
Raw synths begin to play, very pretty-sounding despite being such a sharp contrast to their surroundings.
(end of track 6)

Track 7: Submersible
>(synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol) (synths again lol)
(this literally goes on for the first half of the track and I don't know what else to put here)
Some higher-pitched synths come in, providing a much-needed relief from the sheer repetitiveness of the introduction. But then they just loop and we're already two and a half minutes into the song
3 minutes into the song
3 and a half minutes into the song
the song is beginning to fade out now, that was easy.

Track 8: Up
>UP! (at the very moment the track starts, Homer Simpson's "UP!" is compounded by tribal-sounding drum beats, seemingly ripped directly from a mid-1990's video game) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section)
>(more piano loops lol)
>also enters a female voice singing "Gain", "Game", or "Gang" 2.
>UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) (GA-GA-GANG/IN/ME 2!) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) GANG 2 UP! (beats section) GAME 2 GAME 2 UP! (beats section) UP! (beats section) UP! (beats section) (SYNTHS BECOME SO INTENSE YOU CAN FEEL THE HEAT) GA-GA-GA-GA-GA-GAME-
GAME GAME
GANG
GANG 2 GANG 2
>UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) GANG 2 GAME 2
UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) GAME 2 GAME 2 GAME 2 GAME 2UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) GAME 2 GANG 2 GAIN 2 GAIN TO GANG TWOUP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) GAME TOO! GANE TO! GAIME TOO!UP! (beats section) UP! (beats section) UP! (beats section)

UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) UP! (beats section) (GA AG AG AG AG GAME TWO GAME TWO) UP! (beats section) UP! (beats section) UP! (beats section) (the UP!s and the tribal drum beats cease)
GAME 2 GANG 2 GAME 2 GAIN 2 GAME 2 GAME 2 GAIN 2 GAME 2 GAME 2 GANG 2 GAME 2 GAIN 2 GAME 2 GAME 2 GAIN 2 GAME 2 GAME 2 GANG 2 GAME 2 GAIN 2 GAME 2 GAME 2 GAIN 2 GAME 2 GAME 2 GANG 2 GAME 2 GAIN 2 GAME 2 GAME 2 GAIN 2 GAME 2 GAME 2 GANG 2 GAME 2 GAIN 2 GAME 2 GAME 2 GAIN 2 GAME 2
GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA- GA-
(the piano loops become more intricate and less repetitive)
(the GAYs fade out, leaving only the pretty-sounding piano loops until the end of the song)

Track 9: Child Soldier
(the music sounds like a cartoonish interpretation of a drunk person or someone who has just been hit in the head with a very heavy object)
(CHILDREN'S VOICES COUPLED WITH GENERIC, SLIGHTLY DISPARATE SOUNDS OF ARCADE VIDEO GAMES)
GAY! (FEMALE VOICE: HA!) GAY! HA! (the HA!'s begin to echo from this point, creating the impression of two separate HA!'s, the former slightly more prominent than the latter.) GAY! (HA!) GAY! (HA!) GAY-GAY-GAY! GAY! GAY! GAY! GAY! GAY! GAY-GAY-GAY! (HA!) GAY! (HA!) GAY! (HA!) (HA!) GAY! (HA) GAY-GAY-GAY! GAY! GAY! GAY! GAY! GAY-GAY-GAY! (VIDEO GAME NOISES CEASE COMPLETELY)
(black man's voice pitched very low) (TOM FORD) (GAY!) (black man's voice, no longer pitched low) (YOU TURNT!)
GAY. GAY, GAY-GAY-GAY GAY. (TOM FORD) GAY. (YOU-) GAY. GAY, GAY-GAY-GAY GAY. (TRRRRM FORD) GAY. GAY, GAY-GAY-GAY GAY. (UNDLUINFUNLUNF) GAY. GAY, (TOM FORD) GAY. (YOU TURNT!) GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (TOM FORD) YOU-) GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (INNININLINLINLINGLINLINLIN)
(CHILDREN'S CHORUS) AAAAAHHAHAHAAAAAAAH.
(HA! (TOM FORD!) HGAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. A! HA!) (CHILDREN'S CHORUS) AAAAAHHAHAHAAAAAAAH. (DOG DYING)
GAY. GAY, GAY-GAY-GAY GAY.
GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (TIME'S GOLD)
GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY.(YOU-)
(INTENSE SYNTHS) (TIME'S FOR) (YOU) GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (TIME'S FORWARD) GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (TIME'S CORD)
GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. GAY. GAY, GAY-GAY-GAY GAY. (The synths just be going up and down and shit, and then string sections are playing very peaceful back-up to this fucking mess) (Time's GAY. GAY. GAY, GAY-GAY-GAY GAY.)
(everything fades out except the strings)
(then the strings fade out too)

Track 10: Explain
(synths and a female voice saying ahh and ooh and shit)
(creaky doors or wind blowing things AHHHHH OOOOH AAAAAAAHHHHH (sounds sort of like what you'd imagine heaven to be like) AAHHHH---- AHHHHHHH WHEE whistling and shit, sounds like the Cocteau Twins if they got rid of all their instruments but kept the pixies in jars they used to create their backing tracks)
creaky doors and shit
(this goes on for 2 minutes.)
finally, some bassy synths enter the mix, gently guiding us along the path of clouds, towards heaven's gates while the angels sing and the creaky doors and open windows and weather vanes and whatever else creaks in joyful unison. it is very nice. it feels like the closing credits of a video game, but the video game is actually your life, and you are looking back on your time spent on earth while you are led towards your long-awaited place in the afterlife.)
(faintly, some semblance of a percussionist's rhythm is heard in the background. it may be a beat boxer, it may be thigh-slapping. as it becomes clearer, you realize it is a man's voice. he is taking on many voices. he is singing from each of his 12 faces, different notes, with different tones. he is a supernatural being. he is welcoming you home.

He is God.

(END OF SIDE B)

(END OF ALBUM)

This is retarded. But refreshing!

>>71460048
Thanks mang. I tried my best!

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I just wandered in here
what the fuck

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This is a good thread

will you ever do R+7 or Garden of Delete?
please say yes

>>71460213
Definitely.

>>71459015
kek, actually pretty accurate. my fav track on the album

>>71460262
>Le FAUX News man
/pop/ pls go

>>71460385
Your life is fake news.

I feel pathetic getting chills reading some of this

OPN is a treasure

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101KB, 256x256px

>>71458608
pretty good op, do this again with more opn