Write the name of the track you always skip on a certain album and someone who likes that song tells you why you shouldn't skip it.
>Ghost Bitch
Visiting Friends
>Fitter Happier
>skipping tracks
>>71395141
It's a very warm and comfy track. It just breathes really well over the 12 min period with just the right amount of ebb and flow. It's probably my favorite track on the album.
>Nightvision
Or
>The entire fucking thing
>crosswords
not saying its bad and I don't like the idea of skipping tracks but I just really want to hear Butcher Baker Candlestick Maker
>>71395220
Every non instrumental track that isnt that one ballad face to face or fitter happier stronger more comfortable or whatever it is
>>71395205
not to mention it flows very well into the intro of winters love
>>71395193
Especially on that album. It all flows together as an ensemble (except last track). OP is pleb af.
>>71395251
Made me laugh, I'll take it.
Bad Moon Rising [Homestead, 1985]
They're sure to disagree--what else are they good for?--but despite all their apocalyptic integrity and unmediated whoziwhatsis, the achievement of their first halfway decent record is strictly formal: simple, rhythmic songs that neither disappear beneath nor get the better of the clanging and grinding of their brutal late-industrial guitars. Whatever credibility the guitars lend to their no doubt painful but nonetheless hackneyed manic depression is undermined by their usual sociopathic fantasies, and in the end the music isn't ugly or ominous or bombs bursting midair. It's just interesting. B
>>71395151
Not a great "song", but it's important to the album's concept. Keep skipping it and you'll lose the message over time.
>>71395116
>Sin, Naked Sunday, and Where The River Flows
I get no enjoyment from those tracks and really make the album less enjoyable for me when I listen to it in full
Any song on an album that gets overplayed on the raido/muzak stations.
Across The Universe.
Shit's totally out of place. Ruins the flow of the album and really isn't that great.
>>71395220
I love Nightvision, it's very relaxing and comfy especially coming right off of Crescendolls. If you sit back and appreciate it as ambient rather than a house track, it might click for you.
>Somebody's Calling Me
Give me the gun
I end it before the last track, not because it's bad, but because it ends so well on Sleeping Heart
>>71395151
stop that
>>71395116
I think of this album as one long ass song from Intro to Justice is Might + 5 other tacks
For that reason I don't rec skipping the track
>>71395141
i can get why since it's basically just a long interlude but i still like it
i never really listen to individual tracks off st it compels u to play the whole thing
>>71395819
Out of place sure, but it is fucking great.
>>71396689
No. It's not.
It's barely good.
>>71395819
I agree, but I find it strangely amusing. Kinda like the Laughing Gnome of the 70s. Not gonna lie... I kinda like it more than the Phil Specter LP version. Also it's better than John I'm Only Dancing Again.
>>71395116
None because I don't skip tracks like a fucking moron, I listen to albums the entire way through because that's how they were fucking intended to be listened to.
>>71396377
Buried Above Ground is a great song, but it's just so cheerful and doesn't make for a good ending to such a depressing album.
>>71395151
It represents the core ideas of the album, isn't too long, and is continuation of Karma Police
Past Life, every other song is fine.
Buggin
Its too fuckin poppy and irritatingly repetitious. I typically skip it as soon as it reaches that "AND THEY BUZZ IN THE AIR AS YOU COMB YOUR HAIR" I fuckin hate it, not to mention it ruins the streak of consistently good songs on that album
>May We Bang You?
>From a Buick 6 (alternatively, I replace it in the running order with Positively 4th Street)
I've listened to the album around 100 times as it has many of my favorite songs of all time, but I just can't get into Buick, at least not on that album, even Can You Please Crawl Out Your Window? would have been a vastly superior choice in its place