which G is superior?

Obviously the first.

>>70209681
1st one or barre

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This one

>>70209681
First, it doesn't double the third.

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>>70209681
>GG

>tabs
Read sheet music you pleb

>>70209720
How is that bad? The standard position C does too

I rarely use standard position G though. I prefer a partial barre or the major 7th power chord

>>70209681
second

first ones great if you want to play some corny bullshit and follow it up with a cadd9 and a basic ass d

>>70209866
Doubling the third adds unnecessary overtones that muddy the sound. Plus it can lead to problems should you care about voice leading.

>>70210202
but it doubles the fifth, what's the difference

>>70210202
Doubling the fifth is grosser

>>70210253
When doubling, the order of importance goes root, 5th, 3rd. It's because the first few overtones on G go G G D G B D. For D, it's D D A D F# A, and for B, it's B B F# B D# F#. Doubling D in a G chord sounds nice because all of the notecards for the first few notes in the series are also in the G scale, but for B there's a lot of F#s that grind against G and a non-diatonic D#. You can double any note you like but if you want a pure sound it's best to follow the overtone series.

neither
G is a crap chord

>3
>x
>0
>0
>3
>3

emotions are for pussies

>>70210353
>notecards
Kek autocorrect. honestly I'm not even sure what I wanted to write here. Overtones maybe.

>>70210353

o fuck where can I learn more about this shit? Any recommendations or should I just google it?

>>70209681
first one but with the E string open

>>70210480
I got it from google. You might also want to look into the problems of equal temperament and trying to tune chords correctly but idk you might know that already.

>>70210515
high e or low e?

G minor is where it's at

>>70210253
>>70210284
It's mostly a voice leading issue, doubling the third more often leads your inner voices to have awkward leaps and parallel fifths and octaves.

It's a classical (Hayden era) rule, but of course these rules were made to be broken ;)

>>70210852
Probably high, it makes it a G6

otherwise it's just an Em7

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>>70210970
>add6ths chords

Why this crusade against the 9th? Gmaj9 is one of my favourite Gs

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>>70211088
>jazz

>>70211088
9ths are tasty as fuck. Add2s are shit though

D --0
B --0
G --0
D --0
A --5
D --5

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>>70209681
The straight G

>guitarfags talking about chords

lmoa

>>70211346
>eazy
>straight

>>70210386
Thats how you do a fuckin G

>>70211191
>>70211410
you wouldn't understand, ladies

>>70209681
Super G of course

>>70211201
Add2s are great fuck off

>>70209848
they're chord charts you retard

>which note is the best