>C G Am F

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>all chords and notes in the song are diatonic

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G Em C D

>>70112347
these threads always make me sad because i can't read a note of music, and therefore can't understand any of the jokes posted

>>70112419
Can confirm as someone with absolute pitch and playing both back in my head, this is much much worse.

>>70112442
learn it, ya dip, the basics aren't hard

you don't even have to memorise scales or anything to know half of this shit lol

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>>70112442
G B C Cm

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G Am C D

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I IV ii iii

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G B7 Em A7 D7

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Bm F# A E G D Em F#

>>70112635
Dude that's not even a fixed scale the fuck
Jimmies rustled

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How about a bit of Proclaimers?
C E Am F

>>70112566
how does this work

>>70112523
>Am F C G

C Em Am F G

>>70112419
But In the Aeroplane Over the Sea is pretty much "G Em C D - the album" proving that those chords can be done pretty well.

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>song is just one chord

>>70112419
Gem CD :^)

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E7 Eb Ab6 Ab D

>>70112796
What is non guitar music lmao :^)

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B F# Gadd7 A

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C5 A5 F5 G5

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A# A# A# A#

>>70112840
More than 1 chord, usually

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ii7b => V => I or VI

>>70112481
be careful with parallel 5th there

who here is playing all these on their keyboard right now

you guys don't get that a chord progression without the melody, metric, polyphonic elements, root notes etc. doesn't mean anything. It could be bad, but it could also be good. Most Mozart or Beethoven sonatas are not much more complex if you just take the basic harmonic changes. On the other hand something can have crazy chord changes and be dull and boring

>>70112347
ha ha wow

>>70113035
Listening in head

>>70113035
no need, play it in my head

>>70113020
it's creep

>>70113020
>be careful with parallel 5th there

EAT SHIT BAX

>>70112670
what?

>>70112723
C F dm em (e.g.)

Is it just guitar players who think in chord progs all the time?

>>70113217
every Jazz and Pop fag and people who didn't go the way polyphonic->homophonic

>plebs don't even know roman numberal analysis

>>70113254
maybe they do and dislike the progression in only one key

>>70112670
that one's hotel california you moron

>>70113119
sorry I meant key not scale, durr

>american notation

>>70112796
>What is James Brown

>>70113035
Either on guitar or in head if it's simple. I'm doing other stuff, so yea.

>>70113333
Quads of Jeopardy

>>70113217
musicians in general? what tonal songs dont use them?

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Gm F D# Dsus4=>Dmaj
makes me cum

>>70113408
sax players, etc. ?
do they think more in notes than progs?

>>70112848
what the fuck is a Gadd7

>>70113461
you're still playing notes within the context of a chord

>>70113506
True.
I play bass and think more lines than chords, whereas they guitar players I know, think seem to only think in chord terms.

>>70113090
>>70113095
how did you learn this

>>70113599
do lots of ear training
start with guessing intervals

>>70113333
HOT PANTS
SMOOOOOKIN'

>>70113599
Lots of playing and practice. Also a little studying in music theory. You just start remembering what they sound like after a while.

>>70113461
For monophonic instruments, yes, unless you have the chord names written in above the staff. Obviously if you see a bunch of arpeggios or have a good ear, you could quite easily figure out chord progressions, but in general there are other things to think about while playing.

>>70113624
>>70113716

thank you. Reassuring to read that, I thought you needed some kind of special talent, like absolute hearing to pull this off. not to diminish what you are able to do though.

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D A Em G

^^

>>70112848
Lol Gadd7. Do mean G7no5?

>>70112723
The root chord (Let's say E Major) you know it's major because it's upper case. Then the fourth chord in the key, or "subdominant". It's also major in a major key, and you know for sure, because it's upper case. The subdominant of E would be A major. Then the second chord, which, in a major key, is always minor. You can tell it's minor becausr the 2 is lowercase. That would be f# minor. Finally, the third chord, also minor, in this case, a g minor.

The major key is I-ii-iii-IV-V-vi-vii* the asterisk is there becausr the seventh chord is diminished. Its basically to figure out if the chord is major or minor in a key.

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>0-8
>0-8
>0-8
>0-8
>0-8
>0-8

>>70113314
but it is, it has only #

>>70112419
as he lights an american spirit

he asks how i can smoke such shit

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ii6 - V64-53 - I

>>70114603
I told him there's nothing like chain smoking gcp cigarettes, because any smokes will kill you, but these will make you feel like it.

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>Fmaj7 D-7 G-7 C7 Fmaj7 D-7 G-7 Eª7 A7 D- Bb-6/Db F/C A-7 Ab-7 G-7 C7 A-7 D-7 G-7 C7

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>secondary dominants

my musical fetish

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>G#m > B >F# > E

>>70115019
can you explain this, what does this mean

C G E (repeat)

THEEEREEE IIISN'T MUUUCHHHH

THHAAATT III FEEELLL I NEEEED

>>70115343
not him but,

Say we're in C major.
>the dominant is the chord where the root is a 5th above the tonic
>the dominant of C is a G major chord
>now suppose we're in the key of G major, the dominant of C
>the dominant of G is a D major chord since D is a 5th above G
So in C major, the dominant of a dominant (secondary dominant for short) is a D major chord.

Secondary dominants resolve to the original dominant chord. So in C major, a typical progression would be D - G - C. Since the D chord has a non-diatonic F# that strongly wants to resolve to G, it's a much stronger progression than a typical Dm - G - C.

>>70112688
THIS IS A STORY OF OUR FIRST TEACHER

>>70115726
thanks

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F5 A#5 G#5 C#5

>>70112481
What the hell am I doing here?

>>70115726

Great analysis. I never knew that that was referred to as a secondary dominant, but I love the interval since the F# in that example has a Lydian effect and I'm a sucker for Lydian mode.

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Cmaj7-C Cmaj7-C Em-EmAdd#5 Em-EmAdd#5 Asus2-Am Asus2-Am G#9

>>70117090
Lydian is fuckin sick as hell but mixolydian is the most bad ass imo

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F# A7 Bm D D D D C#

>use non standard hertz for A to throw off chordfags

>>70118293
>dat chord sequence
I totally stole it for one of my own songs. it's great and a little dissonant. Thanks Thom

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>||:i-iv6/4-i:||

>>70113955
It's all relative anyways.

"Don't copy that floppy!" sound effect with reverb.

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>>70112347
>hey anon play that guitar
<ok
>--0--3--5-----0--3--6--5-----0--3--5-----3--0--

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>A G D E

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F# B# C B#

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Em9 F#m7 Em9 F#m7 Em9 F#m7 C#madd4 G A

>>70118831
>hey goth anon, play that guitar
ok
https://youtu.be/kqkjtZwuE-U?t=33

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>G# B F# E A

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>/mu/ has degraded to the point that they're just posting random letters
L M N O P *#

>>70120211
P isn't a note you silly

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I, I/IV, I, I, IV, IV, I, I, V, V/IV, I, I/V

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B5 F5 Dsus2 A5 A#5

>>70118314
Lydian's the best. Mixolydian is basic as fuck.

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C B G B's

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>>70113457
>sus

>>70112347
>le I just learned what pop chords are

Nice shitpost faggot

>>70113457
That would be Eb not D#

>>70121549
you take that back

>>70112951
underrated

>>70114680
I sit back down
on the parking lot curb

>>70112419
Fuck off, there's more to a song than chords and they did a great job of it.

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E G# F# E

>>70112419
WHAT A BEAUTIFUL FACE I HAVE FOUND IN THIS PLACE

>>70112481
I wish I was special

autism

>>70112796
What is "Electric Avenue"

>gotta love the 3rd verse
"OH NO" (4X)

>>70112467
terrible taste. I vi IV V is so much better than I V vi IV

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D5/A Em7#5 C B7no3rd B5/F# B5

>>70112481
kek

>>70113461
In the context of a song chords are used as rhythm which you play against. So if you are composing you pretty much have to be use chord progressions

>>70112523
ASK ME ASK ME ASK ME

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C Em Am Am7/G D7

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>>70123086
C F G A A

>>70121632
Nigga you sus

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>>70112796

>Smokestack Lightnin'

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Am9 Am9 Am9 Am9 Am9

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>0-0-0-0-0-1-0-0-0-3-0-0-0-0 repeated until the end of time

>>70112481

is this creep?

>>70112347

video-kill the radio star

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>>70112347

>song is in D dorian

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major chord - same chord but minor

>>70123489
I like Nirvana but:

0005050000005 (x30)
Couldn't you believe it it's just my luck (x30)

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Down Down Up Up Down Up

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What is the hadouken of chord progressions?

>>70124641
A5 G5

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>>70112347
> F C F#