Welcome to the second /mu/ Classical Blindfold Test thread
The point of these threads is to have fun and encourage critical listening, discussion, and general enjoyment of music. All critical music listeners are welcome. The more participation we have, the more fun and successful these threads will be.
For more information about how the threads work and listening suggestions, you can refer to the jazz blindfold one >>68009262 and his pastebin http://pastebin.com/UiCCG28N
THIS WEEK'S THEME: 19th Century
COMPILED BY: First timer
http://www4.zippyshare.com/v/eSGfznaY/file.html
Posting with names or tripcodes is encouraged as it makes discussion much easier.
1 Moonlight sonata 2nd mvt
2 Kyrie from Mass n 2 - Bruckner
3 Opening 1st act of Traviata - Verdi
Songs without words Op.30 no.6 - Mendelssohn
Deutsches Requiem 2nd mvt - Brahms
>>68299549
I'm seeing Beethoven's 9th for the 4th time soon. Is there a more sublime work than this beautiful masterpiece? I'm afraid not.
6 Priere a Notre-Dame - 3mvt from Suite Gotique - Boellmann
I'm sorry the recording was awful, here's a better one
https://youtu.be/KOyHci0j518?t=5m23s
>>68300274
You should really post the performer info as well. And maybe some thoughts on the composition and performance? That's what makes the jazz blindfold threads fun.
7 Largo from Sympony n4 - Dvorak
This is my favorite piece from this symphony. Everytime I hear it I can see the unexplored american territories - especially from 6:05 the bass seems like the feet of some wild animal wondering in the forest. Little fun fact I discovered this movement after playing the 2nd and the 4th with the orchestra; I still wonder why we didn't play the 3rd as well, my favourite for sure.
8 La danza - Rossini
This is one of the pieces he composed after his retirement and it's intended for the amusement of himself and his friends. When I hear it I always think of the meeting with Wagner - the guy clearly wasn't thinking about creating the masterpiece of all arts but he still managed to be one of the most important artist of the century. As Montezaffiro stated, the lyrics say "mamma mia" - this is because the words are just an excuse to sing (typical bel canto) and hear the flawless change from major and minor - as someone noticed the singer is Pavarotti.
9 Parsifal Overture - Wagner
10 Also Sprach Zarathustra - Strauss
I like to think of the 2nd movement as like the bridge between the 1st and 3rd in terms of tone. The 1st is dark, and the 3rd is bright, but this is somewhere in the middle.
This is probably the Deutsches Requiem's most powerful part, more than the 6th part. I love the message that the text sends, that man is like grass.