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hold tite bleep last 12s you bought? going to any nights / festivals

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Thread replies: 190
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hold tite bleep

last 12s you bought?
going to any nights / festivals in the coming weeks?
favourite tune atm?
>>
>>49023734
https://soundcloud.com/samsmithworld/sam-smith-im-not-the-only-one-armand-van-helden-remix

Chooooooooon
>>
saw kurupt at boomtown and steves mixed half the set with confidence and poise
was very surreal to see
>>
>>49023858
what's their show like?
>>
>>49023808

ladhouse general?

https://www.youtube.com/watch?v=2kaJN1_o7S0
>>
>>49024149
p much like a heavier EZ set with bare classics and the occasional 'get out the way'
good fun for sure
>>
>>49024513
yeah sounds worth checking tbh
>>
>>49024513
>>49024149
>>49024548

i saw em and it reminded me a lot of a wookie set
>>
>>49024717
nice
>>
What did everyone think of the Randomer release on RTV? Gonna listen to it in a bit.
>>
>>49024753
Not listened yet but have been spinning the POI RTV all day. Might try and grab the Randomer if it's in stock anywhere still. Wasn't massively fond of his LIES release but I do have a softspot for his Hemlock stuff.
>>
>>49024753
>>49024807

you guys are all sleeping on the clone release. better than either of those two imo

https://soundcloud.com/clone-nl/randomer-stupid-things-i-do-clone-basement-series-016
>>
>>49024807
Yeah I feel the same. I'm a big fan of his, but never would have expected him to release on LIES as he's never shown any signs of that lo-fi sound before. But yeah, I liked Huh but thought the other two tracks were kinda average.
>>
>>49024835
Not been sleeping on that one at all, boss.
>>
>>49024866
>>49024835
Where did you guys get this? Would you mind uploading 320 for me? Or did you just actually buy the 12"?
>>
>>49024891
i bought the 12" from redeye aaages ago. the preorder went up like 3 months before the release
>>
/bleep/ god wp666's opal tapes release has been uploaded today

http://opaltapes.bandcamp.com/album/worker-parasite-proletariat-ep
>>
>>49024939

huh. didn't realise this guy actually had a name for himself. good on him
>>
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>>49023734
>going to any nights / festivals in the coming weeks?
sadly naw
>favourite tune atm?
https://www.youtube.com/watch?v=M1I5Vl93eZs
>>
>>49024939
That's cool. I will probably download it as I do love Opal Tapes. What I've heard of his already (incl. that one track on the recent Opal Tapes compilation) has been kind of anonymous / dull sounding. I dunno. It didn't do much for me at all. Will check this though.
>>
>>49024939
Wait, what? wp666 is releasing on Opal Tapes?

>>49024908
Ah, fair enough.
>>
>>49025033
Yeah man. You're the next tripfag to have to do something. Get a release on LIES, mate... before tensnake does.
>>
>>49025089
Huh, I had no idea he was actually a good producer, had never heard any of his stuff, that's sick.
And lol, we all know Tensnake wants to be the next BUFO. Except he's even weirder looking than BUFO, somehow, yet loves posting pics of himself.

O-one day I'll get signed.
>tfw not good enough to even release on your own label
>>
>>49024835
>https://soundcloud.com/clone-nl/randomer-stupid-things-i-do-clone-basement-series-016
im also interested in a dl link of this
>>
>>49025138
hmm his stuff to me does sound quite generic/amateur, but i definitely couldn't do better. i'm not a fan of dusty analogue chinstroke techno/house like that anyway, unless it's god-tier stuff like workshop records
>>
how do you feel about scooter
>>
>>49025212
Fair enough. I'll check out this newest release and judge for myself, I do like quite a bit of that kind of thing.
>>
>>49025294
logical conclusion of music
>>
>>49025294
GOAT
>>
>>49025294
all day nigga
>>
>>49023734
why does /bleep/ exist, why would a chinese cartoon imageboard attract any britbong lad raver faggots
>>
>>49025212
>>49025304
oddly fitting that the cassette inlay has a picture of linguini cause in a single track does WP manage to keep from dropping spaghetti with every one of his grooves
>>
>>49025401
im pretty sure the majority of mu does not care about chinese cartoons
>>
>>49025412
>cause not in a single track
i accidentally an important word
>>
>>49025412
How can you drop spaghetti with a groove? Are you just misusing that phrase to mean his grooves are poor?
>>
>>49025450
grooves evolve into dysfunctional synth noodling
>>
>>49025495
noodle
>>
>>49025401
>lad raver faggots

lolling hard
>>
>>49025138
Didn't know you made tunes man. You should definitely just release all of your stuff through your label asap tbh.
>>
airhead's fact mix was p good - some unreleased goodies: http://www.factmag.com/2014/08/11/fact-mix-455-airhead/
>>
>>49025650
i don't know if i dare listen given how shocking that 1800 dinosaur ep was
>>
can anyone hook me up with some nonb8 uk funky? i heard seasons by lil silva in the dance and jeeeeez it goes off. such a banger. it's the grime influence with the 8bar switch up and rawness that gets me. dj champion is another good one.
>>
is the new faltydl any good? r-ra gave it a 4.5
>>
Biggest choon all time:
https://www.youtube.com/watch?v=BWTJ2st1PpQ
>>
>>49025716
RA gave Coldplay 5/5 and Ghettoville 2.5/5

Make of that what you will tbh
>>
does anyone kno of any proto-grime? like pulse x is commonly accepted as one of the first but the actual roots are p murky. theres that one garage tune about with some lass kicking off about people not eating her pussy which is pretty grime-ish. cant remember what its called tho. plenty of garage mcs i guess but they are all about the champs and stupid voices which isnt grime to me.
>>
>>49025785
but rush of blood to the head is a really good album
>>
>>49025863
are you mad fam

parachutes is p good

everything else is total dogshit
>>
What are the best years for /bleep/?

1989, 1992, what else?
>>
>>49026069
2000-2003
>>
>>49026069
1994, 1999/2000, 2004-2008
>>
>>49026119
2014 bcos of ghettowille

but really '94 - '96
>>
>>49026177
ghettoville nearly tops untrue for me

nearly
>>
>there will never again be a period of electronic dance music as forward thinking, creative, influential, and unadulterated in music history as 1970-2010
>>
>>49026264
i think its just the technology atm. like a lot of dubstep and grimes genre features came about thru workin on pcs instead of hardware. someone will think of something mad thats going to change the way we make music and stuff will start happening again.
>>
>>49026680
>someone will think of something mad thats going to change the way we make music and stuff will start happening again.
im on it m8

gimme a few months & i'll premiere it on /bleep/ so all you forward thinking mofos can say you were on it first
>>
>>49026239
where you from boss

we should hang out
>>
>>49026680
Yeah it just seems like all the big new genres in dance music came about via new innovations in technology or experimentation with new styles tied to a cultural movement or certain scene. And now with the internet and the commercialization of "EDM", it seems that just isn't really possible anymore on the same scale as 10, 20, 30, years ago
>>
>>49026967
mate new technology is coming out and being improved at an accelerated rate. never before have we had so many new innovations in tech
>>
>>49026950
scummy midlands
moving to ldn in a couple weeks
u
>>
>>49026996
yeah but why isn't there anything as innovative as acid house was coming out then? It seems like everything is just going in a million different directions. And then you have "experimental" shit which is just producers just fucking random buttons and calling it a 'tune' bollox i say
>>
>>49027119
mate you're stuck in the past
>>
>>49027173
yeah maybe i am, but that's cuz i'm disillusioned with the present. maybe im just not looking in the right places though
>>
>>49026967
>>49027119
>Yeah it just seems like all the big new genres in dance music came about via new innovations in technology or experimentation with new styles tied to a cultural movement or certain scene.
>It seems like everything is just going in a million different directions
cause that's the name of the game now. we've covered the horizontal breadth for the most part, now its building vertical breadth searching for the truly unique and next level projects
>>49026996
new tech won't save anything. all it can do now is either improve production detail or provide new musical gimmicks (like crowdsourced music production is lel), either of those being entirely unnecessary for making the next level of tunes

not to mention there are ways of using already existing technology people have barely begun to scratch the surface of
>>
>>49027202
nah he is right. nearly every scene at the moment is just throwback stuff. it sounds different but the ideas behind the songs dont seem as developed to me. a lot of those old tunes are so amazing bc it just came from nothing.
>>
>>49027335
>all it can do now is either improve production detail or provide new musical gimmicks

there was probs people saying shit like this before the 808 or the 303 came out and paved the way for new stuff. claiming that nothing new will happen in the musical future seems a bit myopic to say the least. History has shown us that the future always brings something new and often unexpected.
>>
>>49027384
maybe some company will come out with some game-changing interface, but face it: as far as synthesis and sound production is concerned, you can pretty much already do it all
>>
>>49027384
Exactly, there's no way to say for sure what will happen because it hasn't happened yet. People have been saying that for years and then all of a sudden comes along something like the 808 or 303 or turntablism or whatever that totally changes the game. I mean, do you think people in 1981 knew that eventually the Second Summer of Love was going to come along and spawn 25 years worth of dance music innovation? No. Of course not.
>>
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>>49027447
yeah like for example 4D sound or this thing
http://djtechtools.com/2014/08/04/introducing-orbit-collaborative-music-control-in-clubs/
>>
>>49027423
Yeah and what? The piano as we know it today has been around for about 150 years or so. Doesn't mean you can't write interesting piano music today and it doesn't mean that different pianos don't have different qualities. So the understanding of synthesis is pretty much complete - companies will keep bringing out synths will slightly different characteristics so it's not as if all (dance) music is going to sound the same from now on.

I can't believe people in here think like this - it's weirdly conservative and closed off.
>>
>>49027423
You say that now, but there's always going to be something more that you can do. Somebody's going to discover some new sound or technique or something that will eventually become the basis for something greater. Mark my words.
>>
>>49027516
Seeing some 4D sound for the first time next week. Whatever though, it's just throwback stuff and all music has already been done.
>>
who is the lil ugly mane of the uk "bass" scene?
>>
It's all been done. Music is dead.
>>
>>49027533
>Doesn't mean you can't write interesting piano music today
though i disagree that any piano music can be interesting, that's exactly the point i'm arguing for
>companies will keep bringing out synths will slightly different characteristics
>it's not as if all (dance) music is going to sound the same from now on
i guess that's technically true, even if in practice you'd be fully assed trying to tell the difference between a TR8 and a TR8.1 and a TR8.2 and a TR8 the 2020 edition
>>49027549
>Somebody's going to discover some new sound or technique
im on it ;)
>>49027571
jelly. speakers with 3d placement is a little gimmicky imo but I'd still love to hear it
>>
Need more like this
http://www.youtube.com/watch?v=1tIN3ncWMLM
dark tunes with heavy pounding.
>>
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>>49027720
https://www.youtube.com/watch?v=LONBe2A3wvM
>there's even a spooky spoken word drop
>>
>>49027706
>i disagree that any piano music can be interesting

what?
>>
>>49027837
subjective preference

..unless anthemic piano house, i can get down with that
>>
>>49027882
oh i was thinking of solo piano music or whatever. modern composition stuff
>>
>>49025807
ruff squad, pay as u go, anything wiley did before treddin on thin ice
so solid crew
more fire crew
bits of zed bias
there are so many garage crews
>>
>>49027810
2fast4me. Another one for reference
http://www.youtube.com/watch?v=4FnOzaV9GeQ
>>
You'd think with all the access to the history of music on the internet, somebody would have fused breakbeat hardcore, garage, grime, techno, hip hop, jazz, etc. to make some new genre or whatever.

I think the problem is, even if you do create some groundbreaking new sound, the scene is saturated with so many other "producers" and there's really not much of a dedicated dance music culture, these innovations might literally be unheard and not noticed by the general public. Most music genres were birthed thanks to close knit, localized scenes.
>>
anyone heard of Deadboy?
https://www.youtube.com/watch?v=hAyp4AHY4yk
>>
>yfw Moritz will die within 5 years
>>
>>49028060
why's that?
>>
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>>49026680
>>49026948
>>49027335

imo i reckon the surge of people using modular systems could be the next step. although the tech is older than most of the classic analog synths, the possibilities that come with having a flexible signal path (i.e. not fixed architecture like a traditional synth) could push things forward.

>so long as producers can actually put them to good use, not just making 'experimental' bleeps and bloops
>>
>>49028006
I used to blaze this one in winter 2010/2011. Too nostalgic to listen to now without feeling weird for a while.

http://www.youtube.com/watch?v=0oMgqdAPESY
>>
>>49027982

>You'd think with all the access to the history of music on the internet, somebody would have fused breakbeat hardcore, garage, grime, techno, hip hop, jazz, etc. to make some new genre or whatever.
>Fusing X and Y and Z and A = new genre

Genres don't work that way you tard

and breakbeat it's almost a subgenre of hip hop, grime and dubstep are almost subgenres of garage, there is tons of "jazzy" hip hop"
>>
>>49028083

I've seen him live twice since his heart attack

He is deteriorating. Fast. Last time I saw him he could barely walk and his hands move like those of a 80 yr old
>>
>>49028111
They are fusions of existing elements of pre-existing styles though.
>>
>>49028142

hence, why mashing up a bunch of genres won't give you a new subgenre
>>
>>49028176
Ok, bad example, yeah. I should have clarified, I meant utilizing and experimenting with elements of existing electronic genres (certainly not limited to the ones I listed).
>>
>>49028141
when was his heart attack? i saw him live with juan atkins almost exactly a year ago and he didn't appear ill looking. why's he having heart attacks anyway? what's up with him>
>>
>>49028227

2004 I think

>>49028227
>i saw him live with juan atkins almost exactly a year ago and he didn't appear ill looking

at Mutek? I was there : )

He looked ill to me tbh. I saw him in Mutek back in 2010 too.

He had a "mild heart attack" during a flight. From what I've seen in forums, he has seemingly lost some range of motion in his body.

Maybe I'm being paranoid. Maybe he was tired that night.
>>
>new floating points

tybsam
>>
>>49027933
that's what i thought you were referencing.. i just personally can't really into that

>>49028103
a lot of producers are really picking up on this, i agree that we'll likely see a lot of cool stuff come out of it. im waiting on analog modern talking lol

still I'm betting that the next "revolution" comes out of sequencing, not synthesis
>>
>2014
>not listening to kahn & meek
https://www.youtube.com/watch?v=Y3k6O2ZznnM
>>
>>49028629
*neek
>>
>>49028103

>>so long as producers can actually put them to good use, not just making 'experimental' bleeps and bloop

what's wrong with experimental bleeps?
>>
>>49027959
i was thinkin of them. i thought more fire were grime tbh, they were doing things when grime existed unless im unaware of older tunes. i just remembered heartless crew which i reckon has got to be a huge influence and probably the closest to grime. its just that none of them has that aggression or roadness that makes grime.
>>
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>>49028629

>trap / UK garbage
>>
>>49028679
nahhh Oi wasn't grime
more fire CV wasn't grime
nearly grime, but not grime

>>49028697
>not liking UK trap
I've got the ting and it goes bu bu bang bang bang
>>
>>49028673
Nothing, but many producers now a days will just make random bullshit and then label it "experimental"
>>
>>49028625
>still I'm betting that the next "revolution" comes out of sequencing, not synthesis
Explain
>>
>>49028751

This is true. But experimental, when well done, blows anything out of the water that is "normal" and it paves new roads into unexplored territories.

of course, the good to bad experimental bleeps ratio is horrible
>>
>>49028742

sorry I'm not some 17 year old chav scum listening to #hype trash
>>
>>49028831
you are not about that life
wasteman
>>
>>49028103

a big drive behind this modular shit is a way for producers with money to get a distance from those who dont
true
>>
>>49028779
>this idea you get for free
first picture if you would a monomer/tenorion
now all you do is add a knob under every column that controls midi or millisecond spacing between that column triggering and the next
now while not exactly a gamechanging idea, you now have a sequencer that is far more capable of syncopation than your usual shuffle knob.

I'm researching some other sequencing shit at the moment that's showing some bona fide promise, but it involves actually taking a very large step backwards in music technology
>>
>>49028625

there'll be no big leaps in synthesis instruments any time soon
just like they'll be no big leaps in amplified instruments
The musical innovations of 50s to 90s was completely mapped to valve, solid state, and digital tech being born
music forms are like geography and the last great unknown continents have been filled in. now its about floral details and existing recombinants
there is still infinite variety possible within the existing parameters.
>>
>>49028742
https://www.youtube.com/watch?v=dTek4AdPkik

those strings, rhythms and those bass hits. it was released in 2003 bruv. definitely grime imo but very early. im more talking about stuff released prior to 2002ish like proper roots and influences.

http://www.youtube.com/watch?v=t2Oc5jHZYNM
like theres a some garage with that road feeling. its all a bit mincey tho. theres this one garage tune like that thats grime as but i cannot remember the name of it at all.
>>
>>49028831
sorry i'm not some 22yo student who thinks hes hot piss bc hes listened to some detroit techno.
>>
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>>49028673
my bad. not saying there's anything wrong with them, they just rarely seem to have much direct impact on music I and this thread seems to be concerned with (music you dance to in a dark club).

for the record, as a producer myself i've found that thinking outside the box and just going mad with bleeps/bloops for an hour or so can generate some ideas that work in productions that wouldn't have been thought of otherwise

>>49028625
>>49028779

i guess this statement makes sense, i can't really see how synthesis can advance much further (but i guess it's all down to the person on the buttons).

>unless synthesis and sampling could be fused into one machine, with fast and efficient workflow between the two + sequencing capabilities
>>
>>49029179
Try MC Sparks. he died earlier this year. big garage MC. bare grime MCs tweeted RIP. can't say I ever heard his shit though
>>
>>49029237
>they just rarely seem to have much direct impact on music I and this thread seems to be concerned with (music you dance to in a dark club).

in fact, i retract that statement
>>
>>49029118
>music forms are like geography and the last great unknown continents have been filled in.
very well put. electronic instruments have been side effects of technological progress. we're not going to see, much less be able to comprehend, shit like quantum music or anything like that

after all, music is limited to our perception of sound and vibrations and the synthesizer was the technology that cracked open the entire spectrum

>>49029237
i agree on the experimental bleep bloops point, it's becoming a disturbing trend for producers to throw in entire sections of non-functional, vibe-killing synthwank
>>
so all of my mates at uni love deep house and shit like that

get me started /mu/
i dont want to be a pleb
>>
https://eglorecords.bandcamp.com/

ARP 3 dub version lads
>>
>see joy orbison and his crew at a venue

>super dark

>90% of people are on some kind of drug

>everyones shady as fuck

>feels like i'm the elevator to hell

i would have thought i was at a fucking prurient show these places are shit
>>
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Grime is not /bleep/
>>
>>49029351
deep house is most pleb and entry level genre to get into. i got into house when i was around 15 mate dont be so lazy. try typing deep house into wikipedia or looking at ishkurs guide mate i dunno. chances are your uni mates are just referring to dirtybird/au5/hotcreations crew wen they say deep house.
>>
>>49029421
hey there! nice meme u trollster
>>
>>49029351
next time you chill play them some Midtown 120 Bangers
>>
>>49029421
DR that he never said this
>>
>>49029458
yes mods big ups

mods confirmed for liking grime
>>
>tfw ben ufo will die in your lifetime
>>
>>49029403
>super dark
>90% of people are on some kind of drug
>everyones shady as fuck
>feels like i'm the elevator to hell

these are the best parts. aside from the music ofc but u are not cut out for this life if some shady people (who are probaly alright if u actually speak to them) scare you. stop bein such a wetty
>>
>>49029403
>not being scary yourself
>>
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http://www.youtube.com/watch?v=qdC_Cu9X4wc

>>49029546
fuck these threads.
pathetic. one of you fucking volunteering for 4chan hahaha

yeah mate put it on your cv. cunt
>>
>>49029855
came back from a festival the other day and this local homeless boy asked me if i was also homeless. told me he had the illness and he needed me to help him out. gave him a quid bc i felt bad for him. tried to get into a taxi after and the guy didnt believe i had money. i think im one of these shady people hes talkin about lol
>>
>>49029871
hey thats a nice meme u got there have u ever heard of le lolcats they are also funny pictures or should i say memes
>>
>>49029871
goddamn tyrone is so based
>>
https://www.youtube.com/watch?v=95YdE89nTgI
>>
shangaan electro is objectively the most based form of music to exist.

http://www.youtube.com/watch?v=S3yzslfWjVk
>>
>>49030557
next Lone record needs to be this style
>>
>>49030557
do you know if there exists a memegenre of Brazilian footwork? cause i would like to hear that
>>
>>49029971
how do you dress?
>>
how do into uk bashment?
>>
>>49030557
The fuckin truth mate.
I just wish I could mix it
>>
>>49030725
brazillians have baile funk which is the most hardcore form of dance to exist. they literally kill and rape each other to this music there. madness.
http://www.youtube.com/watch?v=v7gxLmQ0xsM
>>
>>49030866
i wasnt even wearing anything that weird. camo surplus parka adidas trackies and cap. no shoes tho but my shoes were fucked.
>>
>>49031241
>i wasnt even wearing anything that weird
>no shoes tho
I think it may have been the significance of what you weren't wearing.

>camo surplus parka adidas trackies and cap
Is this 2005? Are you a fan of happy hardcore and/or bassline?
>>
https://www.youtube.com/watch?v=B401sLN4KwE

oh my days chabudz g just dropped this dancefloor destroyer watch out boys
>>
>>49031158
this track would be good if it had been made 30 years ago
>>
is grime plen?
>>
>>49030557
next level juke
>>
>>49031158
that's a hot beat, but any at like 140+ bpm without silly electric pianos and mumbo jumbo vocal tracks?
>>
>>49031353
mate chavs are vintage now im nextlevel. and yeh but i listen to berghain techno sometimes 2
>>
>>49031353
yea that's a suspect fit right there.
Would wear though.
>>
Anyone got that pic of how to dress like the "techno interests me" guy?
>>
>>49031609
plain black t shirt
>>
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>>49031609
>>
>>49023734
https://soundcloud.com/dkmntl/ben-ufo-live-at-dekmantel-festival-2014-selectors-stage
thoughts on based bens performance at dekmantel?
>>
>>49031427
>>49031535
not really a fan of the genre either tbh im just interested in the cultural aspect.

kuduro/zuke is another intersting international genre thats pretty decent imo http://www.youtube.com/watch?v=4CkXhtw7UNk
>>
>>49031660
ID on everything:

White dress shirt- Maison Kitsuné - Slim-Fit Cotton Oxford Shirt

Light gray tee- James Perse - Cotton-Jersey T-Shirt

Charcoal tee- Alexander Wang - Oversized Cotton Jersey T-Shirt

Black sweater- Maison Martin Margiela - Long-Sleeved Cotton T-Shirt

Wool trousers- J. Crew - Bowery Slim-Fit Prince of Wales Check Wool Trousers

Black jeans- A.P.C. - Petit New Standard Slim-Fit Jeans

Leather jacket- Saint Laurent - Leather Bomber Jacket

Chelsea boots- Church's - Beijing Leather Chelsea Boots

Canvas high tops- Converse - Chuck Taylor Canvas High Top Sneakers

Bauhaus-style watch- Braun x Dieter Rams - BN0032 Stainless Steel Watch
>>
>>49023734

Favorite tune atm : https://www.youtube.com/watch?v=CmSuA66tXVo
>>
>>49031761
that was gay
>>
>>49031660
thanks m8. got no problem with people dressing like this but something about making a chart of it makes me laugh
>>
where do i start with dance music in general?
am interested in house and techno, especially the genesis of both, what are some good books to read and compilations to grab?
>>
>>49031805

ble bleh go listen to chicago house you fckin melon don't know shit about real techno
>>
>>49031981
at the club
>>
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>>49032018
top lel
>>
>>49031756
You name brands but lat's face it, we're all getting it from h&m and uniqlo
>>
>>49032005
dont cry about it gaynerd
>>
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>>49032081
no no, the poorfag memetechno man is the one with uniqlo and h&m clothes
>>
>>49031761
sounds like fuckin gabba m8.
But seriously, it sounds like a kid with Ableton and controller playing an incredibly self-indulgent live set.
Too fast and unfocused, sounds like it should break out at some point and the fact it doesn't just makes it exhausting to listen to.
>>
In response to the earlier discussion, I think it can be said that the last real fully fledged genre to emerge was dubstep. I know why these new microgenres and whatnot that have been popping up recently aren't more than a flash in the blogosphere pan.

It's because they have no sense of community. Think about it. Dubstep was successful and influential because it was spawned out of a very distinctive and localized scene (South London). The style went through years of very organic progression thanks to tweaking and experimenting done by producers from that area. It was able to develop properly and healthily in the South London before spreading its influence elsewhere.

All the most important genre are rooted in their local, founding scene. House music in Chicago, Techno in Detroit, etc. Because of these healthy scenes, these styles were able to eventually evolve into solidified genres and spread their influence globally.

However, in the age of "EDM", where being a bedroom producer is easier than ever and many are simply out to jump on the bandwagon of the moment, there is no proper sense of community among DJs and producers for sounds to develop. In their most infantile stage, they are cast upon the public eye for the whole world to see. DJs and producers are no longer part of an exclusive, underground club of dedicated music fans. Your average joe on the street can now easily be a "producer" with the latest app download.

In the past, many of the more derivative and poor quality productions would have simply been ignored or discarded, leaving only certain ones to survive the test of time. Now, derivative is the name of the game and every song, every tune ,every dj and producer, that has saturated the internet gets the same exposure: good or bad.
>>
>>49032445
stop whining m8
you wanna make a new tight knit scnee?
you want start a crew?
im right here bruh come @ me bruh
where u live
>>
>>49031840
/fa/ bro
could say similar things about any infographic
>>
>>49032445
I think part of this has to do with consumption of media. It used to be you just had very centralized media: radio, record shops, tv, gigs, magazines, and newspapers as outlets for hearing and reading about music. So anyone artist or scene would get a fair amount of attention. But now with the internet, there are a billion different sources for finding music, that no one artist, unless pushed by a major label or some other backer, will get any real exposure.
>>
>>49032615
most /fa/ infographics are tolerable, compared to r/mensfashion
>>
any night owl man in?
>>
>>49033703
Yo
>>
>>49033703
im here post some tunes
>>
>>49033720
>>49033728
alright bread bins

what you spinning? I got this on. Biggest tune of recent times

http://www.youtube.com/watch?v=s01gAcuai8k
>>
>>49025691
really fucking late reply but i'm ketty and this tune is the one. sooo funky

https://www.youtube.com/watch?v=nrzJa5UvhQU
>>
>>49034066
that is a slinky banger for sure
>>
in the years to come do you think ghettoville will be remembered as an important or difinitive album in some sense? or will it be mostly forgotten?
>>
>>49035190
Actress' best album maybe?
>>
>>49035236
Actress' best album is clearly Splazsh
>>
>>49035452
spazsh is runner up to ghettoville

hazyville is p cool though. i can't forgive you is one of the best actress tracks

rip needs to be wiped from history tho
>>
>>49036029
THIS
>>
DJ Sprinkles is so much better than everyone else fuck

https://www.youtube.com/watch?v=b_Rz9ZRWAdk
>>
pretty good
>>
>>49036482
he's okay
some of his deeperama modules get a little boring
and some of the artists in queerifications have been featured in better
>>
Random tracks I like:

https://www.youtube.com/watch?v=sO0xzu00pIU

https://www.youtube.com/watch?v=8LxBzgj3o3A

https://www.youtube.com/watch?v=XyTKY04DxqQ

https://www.youtube.com/watch?v=cR932cs2tyc

https://www.youtube.com/watch?v=43FVUsz1uXY

https://www.youtube.com/watch?v=J40SFqmJH3Y

https://www.youtube.com/watch?v=2uKja4Ij75Y
>>
>>49026069

1991-1996
>>
>>49031756
>>49031660

Enjoy being denied entry into Berghain.
>>
>>49036482

IMO this is his best remix

https://www.youtube.com/watch?v=8xJ2LwssQIU

I think most of his remixes should be classified as "re-works"
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