What do you guys think of the American author James Salter? I read Dusk and Other Stories recently, and although I was originally underwhelmed, it has grown on me, especially the story "Twenty Minutes."
Considering adding some of his novels to my reading list, perhaps The Hunters, Light Years, and Solo Faces.
He's pretty good. The Hunters is one of my favourite novels.
>>9923096
"It was the Autumn of 1958. Their children were seven and five. On the river, the color of slate, the light poured down. A soft light, God's idleness. Like a line in a letter which makes one stop.
Nedra was working in the kitchen, her rings set aside. She was tall, preoccupied; her neck was bare. When she paused to read a recipe, her neck bent, she was stunning in her concentration, her air of obedience. She wore her wrist watch, her best shoes. Beneath the apron, she was dressed for the evening. People were coming for dinner.
She had trimmed the stems of the flowers spread on the wood of the counter and begun to arrange them. Before her were scissors, paper-thin boxes of cheese, French knives. On her shoulders there was perfume. I am going to describe her life form the inside outward, from its core, the house as well, rooms in which life was gathered, rooms in the morning sunlight, the floors spread with Oriental rugs that had been her mother-in-law's, apricot, rouge and tan, rugs which though worn seemed to drink the sun, to collect its warmth; books, potpourris, cushions in colors of Mattise, objects glistening like evidence, many of which might, had they been possessed by ancient peoples, have been placed in tombs for another life: clear crystal dice, pieces of staghorn, amber beads, boxes, sculptures, wooden balls, magazines in which were photographs of women to whom she compared herself.
Who cleans this large house, who scrubs the floors? She does everything, this woman, she does nothing. She is dressed in her oat-colored sweater, slim as a pike, her long hair fastened, the fire crackling. Her real concern is the hear of existence: meals, bed linen, clothing. The rest means nothing: it is managed somehow. She has a wide mouth of an actress, thrilling, bright. Dark smudges in her armpits, mint on her breath. Her nature is extravagant. She buys on impulse, she visits Bendel's as she would a friend's, gathering up five or six dresses and entering a booth, not bothering to draw the curtain fully, a glimpse of her undressing, lean arms, lean trunk, bikini underpants. Yes, she scrubs the floors, collects dirty clothes. She is twenty-eight. Her dreams still cling to her, adorn her; she is confident, composed, she is related to long-necked creatures, ruminants, abandoned saints. She is careful, hard to approach. Her life is concealed. It is through the smoke and conversation of many dinners that one sees her: country dinners, dinners at the Russian Tea Room, the Cafe Chauveron with Viri's clients, the St. Regis, the Minotaur."