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Thoughts on Une saison en Enfer?
I thought it as mesmerizing. The development from the Rimbaud bound with sonnets and French/Latin hexameters, the classically suited Rimbaud, slowly gets replaced with the disgusting, terrifying blank verse, FREE verse, prose poem Rimbaud -- denouncing the Symbolist split after Baudelaire, the even, uneven; the sublime, musical; etc. the Verlaine-Mallarmé split, making his own Movement of the Dissolution of all senses, and of his BOUND poetry.
Thoughts?
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To add, it's like reading a diary desu; I am not even memeing, RIMBAUD was /ourguy/. And he still should be .. . .. . .
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>>9485201
oh my god dude shut the fuck up
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>>9485216
very rude post
delete this right now
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>Oh, look, it's another prodigy child!
Kinda sad, senpai. His poems are nothing more than imitations, just look at Le Bateau Ivre.
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>>9485290
What was it an imitation of?
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I don't blame Verlaine. That's one boipussy worth dying for.
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>>9485471
actually, verlaine was on the receiving end ;-)
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>>9485388
Figuier's 'Ocean World'
Michelet's 'The Sea'
Verne's 'Twenty Thousand Leagues under the Sea'
Hugo's 'Toilers of the Deep'
Poe's 'Garden Pym' and 'The Descent into the Maelstrom'
Baudelaire's 'Journey'
to name a few
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>>9485672
To be fair, anyone who starts out with poetry imitates the person he is learning from. However, The drunken boat still is an achievement; he is also most well known for it-- take the time to consider that he wrote it at 16.
Even if it is reused symbolism, and ideas, it's still amazing to have it have such a fresh style.
It still shouldn't be called his greatest achievement -- Les Illuminations should be.
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