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Seeking an Introduction to Ezra Pound

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Where should I begin with my reading of Ezra Pound? He produced decades of work and lived a fascinating life, often seen as a figurehead and curator of the modernist movement. Are the Cantos 2deep to get started with? What do.
>>
Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.

II

In hot summer have I great rejoicing
When the tempests kill the earth’s foul peace,
And the light’nings from black heav’n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God’s swords clash.

III

Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breast opposing!
Better one hour’s stour than a year’s peace
With fat boards, bawds, wine and frail music!
Bah! there’s no wine like the blood’s crimson!

IV

And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And prys wide my mouth with fast music
When I see him so scorn and defy peace,
His lone might ’gainst all darkness opposing.

V

The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth’s won and the swords clash
For the death of such sluts I go rejoicing;
Yea, I fill all the air with my music.

VI

Papiols, Papiols, to the music!
There’s no sound like to swords swords opposing,
No cry like the battle’s rejoicing
When our elbows and swords drip the crimson
And our charges ’gainst “The Leopard’s” rush clash.
May God damn for ever all who cry “Peace!”

VII

And let the music of the swords make them crimson
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought “Peace”!
>>
personae
>>
>>8962269
>For the death of such sluts I go rejoicing

I love this man. He manages to make me laugh about thots while painting a picture of the strife of Renaissance Italy simultaneously.
>>
>>8962273
Good call. Downloaded a text file collection.
>>
Get the Pound Era
>>
>>8962255
Selected Verse
>>
>>8962269
This sounds like a more eloquent version of the navy seals copypasta. And what's with all those repetitions? Rejoice, crimson, piece, swords. This is not really Pound, is it?
>>
>>8963969

Sestina you illiterate mong
>>
>>8963988
Thank you for educating me, anon. I still think whoever thought up that poetic form was autistic and couldn't understand that, no matter how well each stanza might stand on its own, by the end of it the patterned repetitions wash the whole thing away into utter ridiculousness. Add to that the simplistic edginess of the subject and I can see why it seems to inspire people like those who mainly populate this website. I have to say that he is clearly talented as a poet but his talent is lost here.
>>
>>8964085

>I still think whoever thought up that poetic form was autistic

be less of a memekid if you want to seriously discuss art

if you even can anymore that is
>>
>>8964120
>anymore
>>
>>8964085
Holy shit, shut the fuck up.
>>
>>8964169
rude
>>
>>8962314
You can't read. He was calling cowardly men women.
>>
>>8964085
A good sestina is one of the best kinds of poems. This one's by Kipling:

Speakin’ in general, I ’ave tried ’em all—
The ’appy roads that take you o’er the world.
Speakin’ in general, I ’ave found them good
For such as cannot use one bed too long,
But must get ’ence, the same as I ’ave done,
An’ go observin’ matters till they die.

What do it matter where or ’ow we die,
So long as we’ve our ’ealth to watch it all—
The different ways that different things are done,
An’ men an’ women lovin’ in this world;
Takin’ our chances as they come along,
An’ when they ain’t, pretendin’ they are good?

In cash or credit—no, it aren’t no good;
You ’ave to ’ave the ’abit or you’d die,
Unless you lived your life but one day long,
Nor didn’t prophesy nor fret at all,
But drew your tucker some’ow from the world,
An’ never bothered what you might ha’ done.

But, Gawd, what things are they I ’aven’t done?
I’ve turned my ’and to most, an’ turned it good,
In various situations round the world—
For ’im that doth not work must surely die;
But that's no reason man should labour all
’Is life on one same shift—life’s none so long.

Therefore, from job to job I’ve moved along.
Pay couldn’t ’old me when my time was done,
For something in my ’ead upset it all,
Till I ’ad dropped whatever ’twas for good,
An’, out at sea, be’eld the dock-lights die,
An’ met my mate—the wind that tramps the world!

It’s like a book, I think, this bloomin’ world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you’re readin’ done,
An’ turn another—likely not so good;
But what you’re after is to turn ’em all.

Gawd bless this world! Whatever she ’ath done—
Excep’ when awful long I’ve found it good.
So write, before I die, ‘’E liked it all!’
>>
>>8962255
abc to reading
>>
>>8962255
The Protocols of the Elders of Zion
Thread posts: 18
Thread images: 2


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