Is this the most /lit/ screenplay of all time?

>>8536795
It's just an inferior Inherent Vice rip off.

>>8536795
>when your thread doesn't get any replies first time around so you remake it exactly the same

hmm

>>8536795

Close... the answer is actually barton fink.

/lit/ doesn't like comedy, or accessibility.

i fucking hate that movie

>>8536929

Uhh, Inherent Vice came way later, if anything Pynchon probably loved the movie and was inspired to write IV.

>>8536993
>linear time

No, that would be Kubrick's "Napoleon"

>>8536795
MR TREEHORN TREATS OBJECTS LIKE WOMEN, MAN

A Serious Man by the Coens

>not weekend at bernies 3

>>8536795

Wes Anderson's Rushmore is.

File: yuru yuri intensifies.gif (219KB, 512x284px) Image search: [Google]

219KB, 512x284px

>>8536929

>>8536795
No, but I fucking love it.

>>8536795
No. The big lebowski is heavily based on the Robert Altman movie The Long Goodbye which itself is based on the idea of the character Marlowe from the Raymond Chandler pulp detective series falling asleep for 30 years and waking up in 70s LA. To me, that's hardly high literature.

The most /lit/ script is probably something from an Alain Resnais film. Either Hiroshima, Mon Amour or Muriel. Read the Cahiers discussions about these films for defenses of why this is.

Other notable film works that have novelistic qualities are A Brighter Summer Day by Edward Yang, The Master by Paul Thomas Anderson (which borrows from Pynchon's V), In The Mood For Love by Wong Kar-wai and La Pointe Courte by Agnes Varda.