So I like to get back into mystery and detective fiction. I remember enjoying those books as a kid (I read those that were written for children of course) but lost touch with the written stories (watched CSI and L&O on TV) as the years past. But I feel lost whenever I enter the mystery section of the bookstore. Everything looks the same, I can't tell the wheat from the chaff. There's the Sherlock Holmes stories, of course, but I've already got the complete novels and short stories. Are the Raymond Chandler novels any good?
Does anybody have recommendations, some places to start?
>>8456251
In the Cafe of Lost Youth, Missing Person, After the Circus
the deadly percheron
Raymond Chandler is great, pretty much the defining noir writer (start with the Big Sleep) and you should get hold of some Dashiell Hammett too. The Maltese Falcon is proto-Chandler in form, atmosphere and tone, and Red Harvest is his best IMHO.
Philip Karr writes great noir
Derek Raymond "The Factory" series
>>8456251
Start with Chandler and Hammett as >>8456499 recommends. They're the main seminal mystery writers that many others still continue to rip off. After that, read The Chill by Ross Macdonald, and The Wrong Case and The Last Good Kiss by James Crumley - they're a couple of the best writers that followed in the Hammett/Chandler tradition.
If you're after mysteries that are more soft-boiled, try Rex Stout's Nero Wolfe books. If you want to try something more hard-boiled, try James Ellroy's L.A. Quartet. If you're into something weirder, try >>8456264 - John Franklin Bardin's best-known book. For something more 'literary' but using a mystery framework, Patrick Modiano (recommended here >>8456262) is good.
There's also a lot of other crime fiction outside of the mystery subgenre, focused on the criminals themselves. For this subgenre, start with James M. Cain's The Postman Always Rings Twice and Double Indemnity, which are the progenitors of many books that followed.