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Can the genius /lit/ community help analyse and make a coherent understanding of stefan burnett's lyrics
e.g
[Refrain]
Oh, why me, why me, oh, I mean, oh, why me
Don't see why I need all these hands, can't stand by these
Oh, why me, why me, oh, I mean, oh why me
Don't see why I need all these hands, can't stand by these
[Verse 1]
All my palm lines running, stretching
'Cross my palm like blind cross etching
Palm mummified chimera filming
Bronze my palm now, all brown palm now
Visits some medium, won't come near me
Treats me like a meteor
She scares me
[Pre-Hook]
My bony
Now, now, Billy, not really
My bony
Now, now, Billy, not really
[Hook]
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, raw
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, oi, yo, amnesia
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, raw
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, oi, yo, amnesia
[Refrain]
Oh, why me, why me, oh, I mean, oh, why me
Don't see why I need all these hands, can't stand by these
Oh, why me, why me, oh, I mean, oh, why me
Don't see why I need all these hands, can't stand by these
[Verse 2]
Every movement after sudden movement, déjà vu abductee
Sucky sucky
Sticky psyche touching so many
Sensory dripping, dripping, dripping, splashing, splashing happening
Already
Now, now, Billy, not really
[Refrain]
Oh, why me, why me, oh, I mean, oh, why me
Don't see why I need all these hands, can't stand by these
[Pre-Hook]
My bony
Now, now, Billy, not really
My bony
Now, now, Billy, not really
Amnesia
[Hook]
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, raw
Yo, oi, yo, ouh, aww, Billy, Billy, not really, yo, oi, yo, amnesia
[Verse 3]
I man tsunami feral, get barreled in other worlds
No hand in sea of pearls, buried in frozen Jheri curls
I man Herzog shooting solitaire
No hands, savoir nova shaka glare Zulu somnambulist lair
Flick of my wrist ouh, shit, ouh, awhoo shit
Phantom lix crude lix, I man island exclusive
Flick of my wrist ouh, shit, ouh, awhoo shit
Flick of my wrist awe shit, aww, I'm not shit
[Outro]
She tune in telly through your shriveled button pressed jaundice yellow
She's your experience, you're her experiment
Her vox limbo fine print in obese sharpie so sorry falsetto
You're her experiment, she's your experience
>>
Music especially like DG needs music, context of other songs and character of Stefan and so on to make sense. DG seems like an expression of characters of frustration, confusion and usually deemed not just bad but not even worth paying attention to and they do it masterfully I'm.
Analysing their lyrics is like analysing the ramblings of a mad man in the street. It's not the part that's most compelling
>>
>>8388782
They are actual shit tho, there isn't much to analyze.
>>
>>8388793
I said try to make a coherent understanding of the lyrics, not give me you two cents of opinion on whether you like the band or not
>>
>>8388807
Analysing it is pointless friend. That's the takeaway
>>
>>8388810
>not understanding that i'm trying to set a challenge
>prob can't even analyse dr seuss the moose
>>
>>8388782
>publicly airing feelings of isolation and suicide brought on by some flakey girl
Who cares? the fact you find it valuable (the authority in tone and rhythm and being first and loudest to say it) is what gives them the higher position for them to avoid those things again and for you to fall into those traps.
>>
>>8388815
OH SHIT HOW'D U KNO
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