Anyone try this? It does seem like it can be helpful to have

File: better solution.png (130KB, 862x408px) Image search: [Google]

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i have a better solution

File: Colour Constructor_01-999A.png (149KB, 1219x770px) Image search: [Google]

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>>3121031
That's not even what it does, that is what swatches are for.
It's more like pic related but compact.

File: better better solution.png (116KB, 862x408px) Image search: [Google]

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>>3121038

>>3121040
>>3121007
These two palettes looks like absolute garbage.

>>3121040
Yeah, okay Timmy I guess I'll put it up on the fridge or something.

>>3121007
>>3121038
good for flat colors and colored light
I really like the exposure/intensity slider in color constructor. produces unexpected colors
thats about it. you still need to know materials textures and how to actually render
not a 3d software substitute

File: color_theory_lin-ran2.jpg (458KB, 1776x1472px) Image search: [Google]

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>>3121007
I find it best to research traditional color palettes and how the Old Masters painted; going back to basics with the RGB or (for digital) the CMYK color wheel. Of course then depending on what you wanna do - it also helps to know the science of light; how warm colours reflect off certain surfaces, how bounce light works, etc.

Pic related is a customized color palette from Lin Ran

>>3121446
But how do you use a custom palette?

>>3121909
Are you serious? Copy and paste the palette into your art program and color pick off the image or add each hue in your "swatches" panel

>>3121938
Yes but then what? Do I mix the colors like in traditional palette or do I go up and down the rgb square to get the additional colors i need?

>>3121446
What is this color pallette exactly for?

>>3121007

meh

>all these digital crutches

First photobashing because you literally can't be bothered to "draw all that shit" and now some fucking software to hold your dick so you don't even have to pick your own colors? Absolutely disgraceful. I am deeply ashamed of you, the younger generation of digital painters.

NGMI. Literally all you need is to do value and color studies from life and reference, digital and traditional. Eyeball everything. Occasionally check with the color picker on your ref to see how off you are if working from reference on the computer. That's it. Boom.

File: midday in the otskerts of moscow.jpg (54KB, 541x768px) Image search: [Google]

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>>3121007
How are "3d environment colors" different from real life colours? I would just study landscape paintings like those associated with the hudson river school. I've been getting good at colour picking for clouds and skies and it is super liberating to be able to pick exactly what you want from the photoshop colour popup