Cockshot! Any tips on getting into backgrounds?
how to make backgrounds?
easy
dont think in terms of "character in a pose"
think in terms of "composition", and place that character within it
your drawing is extremely flat, i'd imagine any background would fail to add depth, no matter how well drawn
you have to imagine the whole scene first
and draw accordingly
for example, your cock shot picture would work a billion times better if you emphasized the chicken like so
in such a dynamic composition, the background almost doesnt even matter and you can blur that shit out!
>>2999265
dude fucking stop
dont worry about rendering
that shit is absolute last of your worries
focus on perspective, gesture, composition, flow, all that
start by making more dynamic poses for your characters and thinking about focal points
in your image, do i look at deadpool or do i look at the chicken? they're on opposite sides of the fucking image, my eyes are darting all over the place
in the tristana example, there's just 1 focal point
her face
right near the middle of the image
to the right is the blurry background, to the left a large and detailed cannon that your eyes move toward after looking at the face.
with yours? where the fuck should i know where to look?
>>2999256
YOU DID IT AGAIN
>closes the door and locks it
WHAT DID I TELL YOU, NEWFAG WHAT THE FUCK DID I TELL YOU LAST TIME
>undos belt
>grabs you from behind
STOP MAKING YOUR OWN FUCKING THREADS!
>throws you on the couch
>starts beating you with the belt
>smack
>smack
>smack
STOP *smack MAKING *smack YOUR *smack OWN *smack THREADS!!
READ THE FUCKING STICKY! *smack
POST IN THREADS THAT ALREADY EXIST!!! *smack
>you're bleeding and crying now
>smack
>smack
GET *smack IT THROUGH *smack YOUR SKULL!! *smack
YOU'RE WHY MOMMY LEFT, YOU FUCKING IDIOT!! *smack
STOP MAKING ME DO THIS!! *smack
>smack
>smack
>smack
>smack
FUCK!!
>throws you to the ground
>you lay in a heap sobbing
>reties belt
I HAD BETTER NOT SEE ANOTHER FUCKING THREAD FROM YOU AGAIN. YOU POST IN THAT GODDAMNED BEG THREAD WITH YOUR RETARD FRIENDS AND YOU DON'T COME OUT AGAIN!! YOU UNDERSTAND ME!!!
>unlocks door
>leaves you to find the loomis books
>>2999256
Add more perspective or life in the background.
I'd recommend you checking out Carlo Baberi, Bong Dazo, and my favorite Sheldon Vella for more references and styles. Tony Moore and Matteo Lolli ain't enough.
You need to add more texture work on that CPL that speaks the character too. A shiny, metallic one doesn't look eye catching if you thought it'll be a cover mockup. Add some blowback effect on the butt end too, and brush up the launch exposion effect. The chicken looks like it's stuffed in Big Bird's ass.
And get the correct color references. That red ain't stark enough.