Whenever I tone my paper (when rendering) with pencil on Strathmore 500 series sketchbook paper, I get this annoying texture with these pockets of white throughout my tone when I really just want it to be a solid tone of gray.
Will card stock or bristol board (with vellum finish) fix my issue?
For now, I am actually doing all of my traditional work on plain printer paper since toning the paper on an extremely smooth surface (I'm using glass from a picture frame) tends to MOSTLY do the trick.
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To answer some replies I'm anticipating:
Yes, I can repeatedly go over the same area with my pencil but that offsets my values to be darker and it puts more graphite on the page (which increases shiny-ness).
Yes, I know that charcoal creates dark values without shine. However, I have seen comic book pencillers lay down tones with a drafting pencil without the annoying texture issue as in pic related.
Yes, I know this issue is caused by the "tooth" of the sketchbook paper. I know it can be useful for some things, but I personally don't prefer it for pure pencil works.
>>2963677
>Will card stock or bristol board (with vellum finish)
No. Vellum has a similar tooth to sketchbook paper. Try plate bristol, it's much smoother.
Try smooth newsprint. It's heaven to draw on, and it's cheap af. Might not make sense for graphite, but it's ideal for charcoal.
>>2963677
Pretty much wondering the same thing as OP. What is Steve Huston working with here to get this kind of finish?
Huston uses a really aggressive style of application. you can see the tooth in the image, it's just ground down by how hard he's applying his tones.
>>2963677
No idea OP, that's why I use moleskines
>>2963893
Vine charcoal or powder+brush. Really expensive, soft paper.