Tutorial/Book thread

/r/img a video tutorial made by a children's story illustrator on scene setup, light, value, etc. most notably him talking about how he worked on a tiny canvas when doing concept shots.

I have been looking for it for ages, and I have been unable to find it.his example was using a fluffy, green monster hiding from a girl peeking out of the door.
In one shot, he had the monster under a light, and in the other shot, he had the light come from the inside of the girl's home.

>>2669705
GARBAGE

>>2669720
https://www.youtube.com/watch?v=rYOox8E8ohc

>>2669761
That is exactly it! Thank you very much, anon.

>>2669770
lol

>>2669705
this isn't very good

This thread is mostly garbage.
Here have a better tutorial dump
>>2634659

>>2669994
yikes

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>>2669618

>>2669630
>>2670637
Where do these come from?

>>2672315
I think it might be from Framed ink.

>>2672264
>If there is no decoration on your loli's head, she wll die.

fucking KEK

>>2672315
>>2672316
The second one is from "How To Draw Comics The Marvel Way" by Stan Lee and John Buscema.

>>2669639
yellow is neutral ground blue is cold and red is warm on the wheel. im not sure what they mean by always relative. when they are defined by set colours.

>>2673546
I was under the impression it meant that the "perceived color" is relative to the temperature of the colors in the image? Like how in the exampled painting we perceive both groups of duck to be white, but they were painted using completely different colors. It's the overall temperature of the painting that makes us perceive the yellow and the blue as white.

>>2673546
From the website

>In the context of color theory and painting a picture, color temperature usually means the degree of overall warmth or coolness. Here’s a simple example…when you look at a painting and it has that golden glow about it? That’s an overall warm temperature painting. Look at the two examples featured below. The palette that the artist used was predominantly made up of a selection of warmer color temperatures. Now think about the cool blue scene with the ducks…icy blues and blue greys. Our first impression might be one of ‘cool or cold’ relative to the other more yellowish painting.

>Everything to do with color temperature in regards to mixing color and mixing paint is always relative. We measure the perceived temperature of color relative to something else or relative to the area around it. Try not to judge a color saying that this IS a warm color, or this is a cool color. In a painting it all depends on where the color will sit and what it’s going to be next to.

>“In reference to color temperature, the general perception is that warm means moderately warm or has predominant tones of Red or Yellow and that cool means moderately cold, lacks warmth or has tones of blue.” It is much more efficient to understand that the pigments on our palette already have a predetermined color temperature. This is usually written on the label of the color. If we choose to work with a limited palette of pure pigments this is something we can factor into the mixing equation. Pay attention to which of your paints are cool relative to warm. Take a look at your collection of red pigments, and try to determine which ones are cooler relative to the ones that seem warmer.

>Generally speaking, color temperature is easier to understand if we judge it based on a comparison to another color. Color Temperature contrast between two colors makes ‘seeing’ the differences much easier to read.

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>>2672264
holy kek

File: you people dont even try anymore.png (7KB, 406x155px) Image search: [Google]

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>>2674685

File: infographic.png (39KB, 576x432px) Image search: [Google]

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>>2674701
I found these on a floppy disk